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' Issue #160
Painting Critiques for the Three Sisters Workshop

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 160, Page 120 Read Article Visit Gallery Website
' Issue #137
Painting Dualities

Greg Hargreaves' abstract landscapes focus on a number of contrasts, including real versus abstract and man versus wild

Issue 137, Page 88
' Issue #46
Painting en plein air with native spirits

From how to deal with bad weather to choosing the perfect colors to reflect the scenes.

Issue 46, Page 74
' Issue #29
Painting engaging stories

If you want your figurative paintings to tell a story, adopt these techniques for working from life in acrylics.

Issue 29, Page 72
' Issue #100
Painting Flesh Tones

Fred Wessel uses age-old techniques to render lifelike skin tones in her egg tempera works

Issue 100, Page 110
' Issue #7
Painting from Within

Part 1 of a fantastic six-part series

Issue 7, Page 24
' Issue #11
Painting from within

Part 5: Painting with those 'pariah pigments' - black and white

Issue 11, Page 62
' Issue #9
Painting from within

Part 3: Multiple glazing

Issue 9, Page 20
' Issue #8
Painting from Within

Part 2: Color economy.

Issue 8, Page 14
' Issue #12
Painting from within

Part 6: The drama of high contrast.

Issue 12, Page 42
' Issue #10
Painting from Within Part 4:

Soft brush - firm brush

Issue 10, Page 44
' Issue #97
Painting Fundamentals

To portray ideas in her paintings, Andrea Kemp uses elements and principles of design such as space, pattern, value, harmony and shape

Issue 97, Page 92
' Issue #142
Painting Golden Valley

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

Issue 142, Page 120 Read Article
' Issue #52
Painting in Italy

This artist provides valuable tips forpainting whilst on vacation.

Issue 52, Page 92
' Issue #152
Painting in Paradise

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 152, Page 114 Read Article Visit Gallery Website
' Issue #153
Painting in Public

James Gurney discusses how to overcome shyness and deal with curious spectators

Issue 153, Page 30 Read Article
' Issue #126
Painting in Shades of Grey

Ellen Fuller explains how to establish values using the grisaille technique

Issue 126, Page 86
' Issue #13
Painting in the Forbidden City

Two artists had a transforming experience in China.

Issue 13, Page 8
' Issue #150
Painting in the garden

James Gurney shares his experience painting botanical subjects outdoors in water media

Issue 150, Page 120 Read Article Visit Gallery Website
' Issue #19
Painting inside (and outside) the square

What kind of artist is Per-Inge Isheden? Is he a modernist? Is he a traditionalist? This man confounds the critics because they simply can't put a label on him.

Issue 19, Page 82
' Issue #6
Painting landscapes from your imagination

Tony Smibert's new book-cum-inspiration kit, shows you how to kickstart your creativity

Issue 6, Page 148
' Issue #81
Painting Larger than Life Still Life and Florals

Teresa Ramsay shares her techniques for up-scaling objects and flowers

Issue 81, Page 60
' Issue #109
Painting Layer by Layer

Svetlana Orinko shares one of her three watercolour painting techniques, a wet-on-wet multilayered method

Issue 109, Page 110
' Issue #2
Painting masses and shapes

How to get in, get it down, and get out!

Issue 2, Page 34
' Issue #143
Painting Mount Earnslaw

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

Issue 143, Page 120 Read Article
' Issue #82
Painting on a Bella Donna Theme

Pamela Griffith customised a still life floral composition to match a theme desired by her client

Issue 82, Page 106
' Issue #151
Painting on a Primed Ground

James Gurney explains why he often prepares his surface with a colored tone

Issue 151, Page 48 Read Article
' Issue #38
Painting on demand Part 12:

Commission painting can be an enjoyable challenge or distinct pain in the brush.

Issue 38, Page 40
' Issue #124
Painting on Location

John Lovett shares the results of his recent workshop in Cornwall and the Cotswolds.

Issue 124, Page 122
' Issue #92
Painting on Location

John Lovett explains how gathering information on-site can lead to studio works.

Issue 92, Page 132
' Issue #163
Painting Peace

Issue 163, Page 30 Read Article
' Issue #34
Painting portraits by commission

We talk to one of the most sought-after portrait painters in the country.

Issue 34, Page 26
' Issue #139
Painting Realistic Dinosaurs

James Gurney shares his top 10 tips for painting lifelike dinosaurs

Issue 139, Page 26 Read Article
' Issue #66
Painting Realistic Wildlife with Transparent Water-Media

Read how Sandra Blair uses her "bad hair day' brush to recreate lifelike fur and feathers.

Issue 66, Page 68
' Issue #155
Painting Reflections on the Beach

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 155, Page 116 Read Article
' Issue #128
Painting Snow Scenes

Shari Blaukopf shares her tips and techniques for painting snow using watercolors

Issue 128, Page 92
' Issue #149
Painting Sunset Beach

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists.

Issue 149, Page 118 Read Article Visit Gallery Website
' Issue #157
Painting Tasmania

John Lovett takes us on a painting tour of one of Australia’s most extraordinary islands

Issue 157, Page 110 Read Article Visit Gallery Website
' Issue #91
Painting the Cotswolds

John McCartin shows how the distinction between what you physically see and how you paint what you see, makes all the difference

Issue 91, Page 110
' Issue #32
Painting the cultural heritage of the East

Discover the inner workings of the heart, mind and studio of this Kuwaiti artist.

Issue 32, Page 102
' Issue #124
Painting the Diaspora

Papay Solomon's portraits tell untold stories of immigrants and refugees.

Issue 124, Page 78
' Issue #3
Painting the fabric of life

How traditional textiles present Malaysian artist Chang Fee Ming with a form of expression in a culture steeped in myths and taboos.

Issue 3, Page 138
' Issue #8
Painting the home of the blizzard

When the AAP Mawson's Huts Foundation Rescue Team Expedition landed on Antarctica, Alasdair McGregor was there with his paints.

Issue 8, Page 98
' Issue #7
Painting the human spirit

This painter's reason for living is to paint the faces of the Colca Valley people, their lives and the places where they live

Issue 7, Page 120
' Issue #44
Painting the Land of Fire and Ice

Evocative, emotional abstract color inspired by a land of rich extremes.

Issue 44, Page 118
' Issue #106
Painting the Panama Canal Expansion, 2007-2015

George Scribner shares his eight-year journey painting one world's most recognized landmarks

Issue 106, Page 46
' Issue #147
Painting the Red Boat

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists.

Issue 147, Page 120 Read Article Visit Gallery Website
' Issue #28
Painting the rhythm of life

A testament to the fundamentals of good drawing and painting.

Issue 28, Page 130
' Issue #94
Painting to Evoke Mood

During the past year, Mia Bergeron has been working to evoke mood by using minimal information in her paintings

Issue 94, Page 72
' Issue #53
Painting two planes of sensory perception

This artist specialises in hyper-realism, which is the translation of what is found in the 3D real world into the creative world of the flat painting.

Issue 53, Page 118