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' Issue #139
Open Air

The rich tradition of plein air painting is about connection, emotion and a passion for the great outdoors

Issue 139, Page 46 Read Article
' Issue #15
Open interpretation

Don't let your left brain know what your right brain is doing.

Issue 15, Page 122
' Issue #26
Optical illusion

The secret of creating the trompe l'oeil illusion of reality.

Issue 26, Page 42
' Issue #144
Orchestrating a Scene

Deliberate compositional planning allows Tanvi Pathare to more fully emphasize the themes of her oil paintings

Issue 144, Page 58 Read Article
' Issue #62
Organizing workshops and demonstrations

Graham Smith poses some self assessment questions

Issue 62, Page 26
' Issue #1
Orient Express

You might have to work fast - but remember to think fast.

Issue 1, Page 134
' Issue #60
Oriental Technique Meets Western Inspiration

use of bold vibrant acrylic colors represents a major break with the accepted traditions of Chinese ink brushwork.

Issue 60, Page 46
' Issue #63
Orientalism: An Australian Artist's Perspective

Pamela Griffith creates woodblock prints of the Asian Zodiac

Issue 63, Page 98
' Issue #147
Ornithology

Acrylic artist Craig Williams depicts the realistic forms of birds on genuine vintage book pages

Issue 147, Page 78 Read Article Visit Gallery Website
' Issue #86
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 86, Page 118
' Issue #83
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 83, Page 48
' Issue #84
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 84, Page 114
' Issue #85
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 85, Page 118
' Issue #91
OUR 2013 SCHEDULE PAINTING WORKSHOP VACATIONS

Issue 91, Page 118
' Issue #20
Our Famous Artist Workshop Vacation Schedule 2001

Issue 20, Page 134
' Issue #19
Our Famous Artist Workshop Vacation Schedule 2001

Issue 19, Page 122
' Issue #18
Our Famous Artist Workshop Vacation Schedule 2001

Issue 18, Page 130
' Issue #17
Our Famous Artist Workshop Vacation Schedule 2001

Issue 17, Page 130
' Issue #16
Our Famous Artist Workshop Vacation Schedule 2001

Issue 16, Page 146
' Issue #15
Our Famous Artist Workshop Vacation Schedule 2001

Issue 15, Page 136
' Issue #21
Our Famous Artist Workshop Vacation Schedule 2002

Issue 21, Page 125
' Issue #26
Our Famous Artists Workshop Vacation Schedule 2002

Issue 26, Page 22
' Issue #25
Our Famous Artists Workshop Vacation Schedule 2002

Issue 25, Page 150
' Issue #24
Our Famous Artists Workshop Vacation Schedule 2002

Issue 24, Page 26
' Issue #23
Our Famous Artists Workshop Vacation Schedule 2002

Issue 23, Page 59
' Issue #22
Our Famous Artists Workshop Vacation Schedule 2002

Issue 22, Page 99
' Issue #32
Our report on the 2003 The Art of the Portrait Conference in Washington D.C.

Issue 32, Page 32
' Issue #80
Out of the DARK and into the LIGHT

Valerie Rogers explores the challenges of painting wildlife from dusk to dawn

Issue 80, Page 88
' Issue #93
Overcoming Challenges

The ability to problem solve has allowed Ann Morton to overcome any painting challenges she might face

Issue 93, Page 74
' Issue #102
Oversized and Unglazed Paper

John Lovett explains how to use oversized paper bonded to aluminum composite panel

Issue 102, Page 122
' Issue #36
P L Hobbs, Tom Oldham, Robert Jones , Brian Roxby and John McCombs

Issue 36, Page 114
' Issue #106
Pace and Rhythm in Painting

Bob Brandt discusses two main elements that link painting and music

Issue 106, Page 94
' Issue #159
Page Turners

Art book Directory

Issue 159, Page 51 Read Article
' Issue #38
Pages from Bob Wade's international sketchbooks

Issue 38, Page 99
' Issue #37
Pages from Bob Wade's international sketchbooks

Issue 37, Page 144
' Issue #36
Pages from Bob Wade's international sketchbooks

Issue 36, Page 142
' Issue #39
Pages from Bob Wade's international sketchbooks

Issue 39, Page 66
' Issue #36
Paint as metaphor for life experiences

Taking a more symbolic, philosophical approach will give your paintings richer, deeper meaning

Issue 36, Page 40
' Issue #152
Paint First, Then Draw

James Gurney shows how you can use drawing tools over a watercolor or gouache painting to add lines, details and texture

Issue 152, Page 28 Read Article
' Issue #19
Paint noir

All the drama of an Alfred Hitchcock movie.

Issue 19, Page 22
' Issue #133
Paint Porcelain

An inside look at the history, techniques and artists working in this traditional art form

Issue 133, Page 104
' Issue #10
Paint the Sea in Oils Using Special Effects

E John Robinson's new book is the fruit of a lifetime spent painting seascapes

Issue 10, Page 140
' Issue #131
Paint to Finish

Ellen Buselli keeps her paintings fresh through careful observation and precise brushstrokes

Issue 131, Page 74
' Issue #168
Paint With More Interest

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 168, Page 118 Read Article
' Issue #108
Paint Your Passion

The art of Maggie Caunt comes alive when she paints subjects she's passionate about

Issue 108, Page 88
' Issue #43
Painter's Lodge annual workshop weekend

Issue 43, Page 17
' Issue #165
Painterly atmosphere

Chris Kolupski

Issue 165, Page 76 Read Article Visit Gallery Website
' Issue #145
Painterly Effects

The signature style of Jane French’s portraiture is achieved through a mix of both sharp and loose brushwork

Issue 145, Page 70 Read Article
' Issue #88
Painterly Style with a Contemporary Vibe

Mary Sauer talks with executive director of The Portrait Society of America, Christine Egnoski

Issue 88, Page 32
' Issue #147
Painting in the Rain

James Gurney shows how rain can be a plein air painter’s best friend, but also their worst enemy

Issue 147, Page 28 Read Article