Artist Search

Here are the results of your search...


' Issue #97
Once Upon a Time in the Fields of Monterey

Issue 97, Page 58
' Issue #40
One moment in time

By keeping her image loosely defined in the early stages, Patti Andre buys time to discover and articulate the qualities in her subject.

Issue 40, Page 36
' Issue #59
One with the Universe

This artist shows how she becomes one with the universe through her art

Issue 59, Page 114
' Issue #139
Open Air

The rich tradition of plein air painting is about connection, emotion and a passion for the great outdoors

Issue 139, Page 46 Read Article
' Issue #15
Open interpretation

Don't let your left brain know what your right brain is doing.

Issue 15, Page 122
' Issue #26
Optical illusion

The secret of creating the trompe l'oeil illusion of reality.

Issue 26, Page 42
' Issue #144
Orchestrating a Scene

Deliberate compositional planning allows Tanvi Pathare to more fully emphasize the themes of her oil paintings

Issue 144, Page 58 Read Article
' Issue #62
Organizing workshops and demonstrations

Graham Smith poses some self assessment questions

Issue 62, Page 26
' Issue #1
Orient Express

You might have to work fast - but remember to think fast.

Issue 1, Page 134
' Issue #60
Oriental Technique Meets Western Inspiration

use of bold vibrant acrylic colors represents a major break with the accepted traditions of Chinese ink brushwork.

Issue 60, Page 46
' Issue #63
Orientalism: An Australian Artist's Perspective

Pamela Griffith creates woodblock prints of the Asian Zodiac

Issue 63, Page 98
' Issue #147
Ornithology

Acrylic artist Craig Williams depicts the realistic forms of birds on genuine vintage book pages

Issue 147, Page 78 Read Article Visit Gallery Website
' Issue #86
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 86, Page 118
' Issue #83
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 83, Page 48
' Issue #84
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 84, Page 114
' Issue #85
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 85, Page 118
' Issue #91
OUR 2013 SCHEDULE PAINTING WORKSHOP VACATIONS

Issue 91, Page 118
' Issue #20
Our Famous Artist Workshop Vacation Schedule 2001

Issue 20, Page 134
' Issue #19
Our Famous Artist Workshop Vacation Schedule 2001

Issue 19, Page 122
' Issue #18
Our Famous Artist Workshop Vacation Schedule 2001

Issue 18, Page 130
' Issue #17
Our Famous Artist Workshop Vacation Schedule 2001

Issue 17, Page 130
' Issue #16
Our Famous Artist Workshop Vacation Schedule 2001

Issue 16, Page 146
' Issue #15
Our Famous Artist Workshop Vacation Schedule 2001

Issue 15, Page 136
' Issue #21
Our Famous Artist Workshop Vacation Schedule 2002

Issue 21, Page 125
' Issue #26
Our Famous Artists Workshop Vacation Schedule 2002

Issue 26, Page 22
' Issue #25
Our Famous Artists Workshop Vacation Schedule 2002

Issue 25, Page 150
' Issue #24
Our Famous Artists Workshop Vacation Schedule 2002

Issue 24, Page 26
' Issue #23
Our Famous Artists Workshop Vacation Schedule 2002

Issue 23, Page 59
' Issue #22
Our Famous Artists Workshop Vacation Schedule 2002

Issue 22, Page 99
' Issue #32
Our report on the 2003 The Art of the Portrait Conference in Washington D.C.

Issue 32, Page 32
' Issue #80
Out of the DARK and into the LIGHT

Valerie Rogers explores the challenges of painting wildlife from dusk to dawn

Issue 80, Page 88
' Issue #93
Overcoming Challenges

The ability to problem solve has allowed Ann Morton to overcome any painting challenges she might face

Issue 93, Page 74
' Issue #102
Oversized and Unglazed Paper

John Lovett explains how to use oversized paper bonded to aluminum composite panel

Issue 102, Page 122
' Issue #36
P L Hobbs, Tom Oldham, Robert Jones , Brian Roxby and John McCombs

Issue 36, Page 114
' Issue #106
Pace and Rhythm in Painting

Bob Brandt discusses two main elements that link painting and music

Issue 106, Page 94
' Issue #159
Page Turners

Art book Directory

Issue 159, Page 51 Read Article
' Issue #38
Pages from Bob Wade's international sketchbooks

Issue 38, Page 99
' Issue #37
Pages from Bob Wade's international sketchbooks

Issue 37, Page 144
' Issue #36
Pages from Bob Wade's international sketchbooks

Issue 36, Page 142
' Issue #39
Pages from Bob Wade's international sketchbooks

Issue 39, Page 66
' Issue #36
Paint as metaphor for life experiences

Taking a more symbolic, philosophical approach will give your paintings richer, deeper meaning

Issue 36, Page 40
' Issue #152
Paint First, Then Draw

James Gurney shows how you can use drawing tools over a watercolor or gouache painting to add lines, details and texture

Issue 152, Page 28 Read Article
' Issue #19
Paint noir

All the drama of an Alfred Hitchcock movie.

Issue 19, Page 22
' Issue #133
Paint Porcelain

An inside look at the history, techniques and artists working in this traditional art form

Issue 133, Page 104
' Issue #10
Paint the Sea in Oils Using Special Effects

E John Robinson's new book is the fruit of a lifetime spent painting seascapes

Issue 10, Page 140
' Issue #131
Paint to Finish

Ellen Buselli keeps her paintings fresh through careful observation and precise brushstrokes

Issue 131, Page 74
' Issue #108
Paint Your Passion

The art of Maggie Caunt comes alive when she paints subjects she's passionate about

Issue 108, Page 88
' Issue #43
Painter's Lodge annual workshop weekend

Issue 43, Page 17
' Issue #145
Painterly Effects

The signature style of Jane French’s portraiture is achieved through a mix of both sharp and loose brushwork

Issue 145, Page 70 Read Article
' Issue #88
Painterly Style with a Contemporary Vibe

Mary Sauer talks with executive director of The Portrait Society of America, Christine Egnoski

Issue 88, Page 32