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' Issue #152
On Location: Kim Casebeer

Explore the studios or plein air setups of some of the world’s best artists.

Issue 152, Page 121 Read Article
' Issue #159
On Location: Leon Loughridge

Explore the studios of some of the world’s best artists

Issue 159, Page 121 Read Article
' Issue #155
On Location: Lisa Gleim

Explore the studios or plein air setups of some of the world’s best artists.

Issue 155, Page 121 Read Article
' Issue #158
On Location: Naomi Brown

Explore the studios of some of the world’s best artists

Issue 158, Page 121 Read Article
' Issue #156
On Location: Susan Paterson

Explore the studios of some of the world’s best artists

Issue 156, Page 121 Read Article
' Issue #144
On Location: Troels Kirk

Explore the studios or plein air setups of some of the world’s best artists.

Issue 144, Page 119 Read Article
' Issue #151
On Location: Whitney Knapp Bowditch

Explore the studios or plein air setups of some of the world’s best artists.

Issue 151, Page 121 Read Article
' Issue #161
On Location: Yong Hong Zhong

Explore the studios of some of the world’s best artists

Issue 161, Page 121 Read Article
' Issue #148
On Location: Zhaoming Wu

Explore the studios or plein air setups of some of the world’s best artists.

Issue 148, Page 29 Read Article
' Issue #142
On Location: Zoltán Pogonyi

Explore the studios or plein air setups of some of the world’s best artists.

Issue 142, Page 119 Read Article
' Issue #158
On the High Seas

A seascape painter and a ship captain, Joanne Parent is forever called to the wonders of the ocean

Issue 158, Page 40 Read Article
' Issue #89
On The Move with Oils

Kasey Sealy shows us how to smoothly prepare for a painting vacation

Issue 89, Page 140
' Issue #11
On the road again

Travel freshens and broadens your of painting. Start packing your bags now!

Issue 11, Page 46
' Issue #161
On the Wing

Artists Christopher Forrest and Michael Dumas dive into the vast world of bird art, from observation to application

Issue 161, Page 32 Read Article
' Issue #150
On Your Own

The advantages of going solo and selling your own artwork

Issue 150, Page 22 Read Article
' Issue #44
Once more with feeling

Why creating a series based on a worthy subject can lead to important artistic growth.

Issue 44, Page 110
' Issue #48
Once upon a time - telling a story through a series of images

Inspired by a folk tale a story in pictures comes to life.

Issue 48, Page 78
' Issue #97
Once Upon a Time in the Fields of Monterey

Issue 97, Page 58
' Issue #40
One moment in time

By keeping her image loosely defined in the early stages, Patti Andre buys time to discover and articulate the qualities in her subject.

Issue 40, Page 36
' Issue #59
One with the Universe

This artist shows how she becomes one with the universe through her art

Issue 59, Page 114
' Issue #139
Open Air

The rich tradition of plein air painting is about connection, emotion and a passion for the great outdoors

Issue 139, Page 46 Read Article
' Issue #15
Open interpretation

Don't let your left brain know what your right brain is doing.

Issue 15, Page 122
' Issue #26
Optical illusion

The secret of creating the trompe l'oeil illusion of reality.

Issue 26, Page 42
' Issue #144
Orchestrating a Scene

Deliberate compositional planning allows Tanvi Pathare to more fully emphasize the themes of her oil paintings

Issue 144, Page 58 Read Article
' Issue #62
Organizing workshops and demonstrations

Graham Smith poses some self assessment questions

Issue 62, Page 26
' Issue #1
Orient Express

You might have to work fast - but remember to think fast.

Issue 1, Page 134
' Issue #60
Oriental Technique Meets Western Inspiration

use of bold vibrant acrylic colors represents a major break with the accepted traditions of Chinese ink brushwork.

Issue 60, Page 46
' Issue #63
Orientalism: An Australian Artist's Perspective

Pamela Griffith creates woodblock prints of the Asian Zodiac

Issue 63, Page 98
' Issue #147
Ornithology

Acrylic artist Craig Williams depicts the realistic forms of birds on genuine vintage book pages

Issue 147, Page 78 Read Article Visit Gallery Website
' Issue #86
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 86, Page 118
' Issue #83
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 83, Page 48
' Issue #84
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 84, Page 114
' Issue #85
OUR 2012 SCHEDULE Painting Workshop Vacations

Issue 85, Page 118
' Issue #91
OUR 2013 SCHEDULE PAINTING WORKSHOP VACATIONS

Issue 91, Page 118
' Issue #20
Our Famous Artist Workshop Vacation Schedule 2001

Issue 20, Page 134
' Issue #19
Our Famous Artist Workshop Vacation Schedule 2001

Issue 19, Page 122
' Issue #18
Our Famous Artist Workshop Vacation Schedule 2001

Issue 18, Page 130
' Issue #17
Our Famous Artist Workshop Vacation Schedule 2001

Issue 17, Page 130
' Issue #16
Our Famous Artist Workshop Vacation Schedule 2001

Issue 16, Page 146
' Issue #15
Our Famous Artist Workshop Vacation Schedule 2001

Issue 15, Page 136
' Issue #21
Our Famous Artist Workshop Vacation Schedule 2002

Issue 21, Page 125
' Issue #26
Our Famous Artists Workshop Vacation Schedule 2002

Issue 26, Page 22
' Issue #25
Our Famous Artists Workshop Vacation Schedule 2002

Issue 25, Page 150
' Issue #24
Our Famous Artists Workshop Vacation Schedule 2002

Issue 24, Page 26
' Issue #23
Our Famous Artists Workshop Vacation Schedule 2002

Issue 23, Page 59
' Issue #22
Our Famous Artists Workshop Vacation Schedule 2002

Issue 22, Page 99
' Issue #32
Our report on the 2003 The Art of the Portrait Conference in Washington D.C.

Issue 32, Page 32
' Issue #80
Out of the DARK and into the LIGHT

Valerie Rogers explores the challenges of painting wildlife from dusk to dawn

Issue 80, Page 88
' Issue #93
Overcoming Challenges

The ability to problem solve has allowed Ann Morton to overcome any painting challenges she might face

Issue 93, Page 74
' Issue #102
Oversized and Unglazed Paper

John Lovett explains how to use oversized paper bonded to aluminum composite panel

Issue 102, Page 122