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Try free-flowing monoprints as jumping off points for landscape paintings.
Issue 24, Page 72If you can master atmosphere and mood you will be able to turn ordinary paintings into art.
Issue 26, Page 88John Lovett shows the merits of stretching the limits of a subject into a whole series of paintings
Issue 84, Page 136How a chance encounter in a New York restaurant resulted in a portrait commission.
Issue 34, Page 33
From turquoise to green to brilliant blue, Dolores Saul demonstrates how to accurately paint the color and movement of the ocean
Issue 146, Page 104 Read ArticleThis artist aims for transparency in every layer of her work by integrating the effect of light moving across subjects into the design stage of a painting.
Issue 50, Page 54Christine Egnoski continues her dialogue with members of the Portrait Society faculty prior to this year's May conference in Washington DC.
Issue 54, Page 27
Inspired by the beauty of nature, Jean Haines’ watercolors bloom with spontaneity
Issue 161, Page 90 Read Article Visit Gallery WebsiteUsing her own set of rules and knowledge of paints, Kathleen Giles combines techniques to create dramatic and realistic watercolors
Issue 100, Page 100Read how any successful artwork should have equal portions of three ingredients.
Issue 43, Page 24Colley Whisson found a trail of inspiration on his visit to USA
Issue 89, Page 92Transport yourself to a tropical paradise of lush and vibrant watercolors
Issue 37, Page 118The 7 secrets that demand the would-be dog painter's close attention.
Issue 1, Page 50This master artist explains how drawing can heighten the emotional spirit of paintings
Issue 51, Page 50It is the responsibility of all serious painters to find their own visual language.
Issue 41, Page 68In the Taoist tradition the way to perfect happiness begins when one empties one's mind of prior notions.
Issue 41, Page 40Sensitive layers of color, light-filled atmosphere and vibrating strokes.
Issue 32, Page 74Arizona sculptor John Coleman make s a bold statement as a painter with his new collection of Native American Paintings
Issue 112, Page 40Using a "drawing by subtraction" technique, Tracy Frein creates black-and-white portraits wrought with emotion
Issue 128, Page 118David Sandell's meticulous portraits are researched and have unique narratives
Issue 131, Page 118Whitney C. Brook discovered that you cannot force the making of 'style'
Issue 75, Page 60
Diane Van Noord creates her landscape paintings using palette knives and limited colors
Issue 154, Page 74 Read Article Visit Gallery Website
Focusing on structure and composition, Björn Wirtz creates paintings with a strong sense of visual flow
Issue 162, Page 62 Read Article Visit Gallery WebsiteYoung artist Brittany Weistling uses her keen drawing and observation skills to paint from the heart.
Issue 97, Page 50Aparajita Sen's latest series of painting was inspired by climate change
Issue 137, Page 82The goal for Dmitry Oivadis is to make his viewers to feel the same as he feels and to bring them to a beautiful place that would otherwise go unseen
Issue 71, Page 82Colorado painter Jay Moore uses the beauty of nature to explore light, memory and the permanence of paint
Issue 114, Page 40How to keep a fresh outlook when painting on the spot by thinking like the masters.
Issue 45, Page 48
James Gurney shares a basic painting technique that will make your artwork sparkle
Issue 159, Page 45 Read Article Visit Gallery WebsiteNaomi Aho has found a subject that is perfectly executed in her favorite medium.
Issue 75, Page 50
Harley Brown’s fascinating things no one else will tell you
Issue 158, Page 122 Read ArticleYour artistic travel journal is your "get-out-of-creative-jail free" card
Issue 10, Page 146Why limit yourself to painting only realistic works from real subjects?
Issue 40, Page 74