Current Issue

A Sense of Vitality

Working directly from life, David Barber’s oils feature painterly, energetic brushwork

Moving Boldly

Anton Pavlenko uses worn bristle brushes and loads of paint to create landscapes full of personality

Fresh & Spontaneous

Painting alla prima, Deborah Schlossman balances looseness and control in her still lifes

Steeped in Twilight

Captivated by quiet streets and shifting light, William Liao captures the pulse of urban scenes with both expression and clarity

Green Thumb

Avid gardener and watercolorist Kelsey Wilson paints the vibrancy and variegation of botanicals

Capturing Likeness

Yong Wang blends wet and dry techniques to create poignant portraits

The Fundamentals

John Lovett breaks down the essential skills every watercolorist should master

Inspired by Place

From plein air to the studio, Kim Lordier paints the beauty of California and beyond

Painting the Beach in Golden Light

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Electric Nature

Dark and light, urban and wild— all of these elements come together in the electrifying neon art of Gigi Chen

Parting Words of Wisdom

Harley Brown’s fascinating things no one else will tell you

Material World

The Art of Endurance

Chairman’s Letter

A Profound Legacy and a Future Secure

Reflecting on the 2026 Art of the Portrait Conference

28th Annual International Portrait Competition

Michael Miller: Bucolic inspiration

Colorful memories

Master painters of the World: Tetiana Razumna

The Last Column, The Lasting Legacy

Letter from the Publishers

Change Up

Letter from the Editor

Still Life

All the Prize Winners in our International Artist Magazine Challenge No. 154

Why Do You Paint So Small?

James Gurney shares some big reasons for working tiny

Free Thinker

SAS instructor Stan Kurth’s art is guided by intuition and imagination

On Location: Christine Lashley

Explore the studios setups of some of the world’s best artists.