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Valerie Rogers explores the challenges of painting wildlife from dusk to dawn

The ability to problem solve has allowed Ann Morton to overcome any painting challenges she might face

John Lovett explains how to use oversized paper bonded to aluminum composite panel

Bob Brandt discusses two main elements that link painting and music

Art book Directory

Taking a more symbolic, philosophical approach will give your paintings richer, deeper meaning

James Gurney shows how you can use drawing tools over a watercolor or gouache painting to add lines, details and texture

All the drama of an Alfred Hitchcock movie.

An inside look at the history, techniques and artists working in this traditional art form

E John Robinson's new book is the fruit of a lifetime spent painting seascapes

Ellen Buselli keeps her paintings fresh through careful observation and precise brushstrokes

The art of Maggie Caunt comes alive when she paints subjects she's passionate about

The signature style of Jane French’s portraiture is achieved through a mix of both sharp and loose brushwork

Mary Sauer talks with executive director of The Portrait Society of America, Christine Egnoski

James Gurney shows how rain can be a plein air painter’s best friend, but also their worst enemy

Transferring the spontaneous qualities of on-site studies into your studio works.

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

Panoramas are best served by a staged working process and sound design decisions

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

This artist becomes so absorbed with his creations that he loses all track of time

Steve Atkinson shares his tips and techniques for painting a nighttime scene

Working quickly between the semi-abstract and the real.

John Lovett provides tips on preparing and using a large panel in watercolour painting

The waterside city of Suzhou, inspires special dry-brush effects

Did you know there's a niche market painting polo ponies.

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists