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James Gurney shows how rain can be a plein air painter’s best friend, but also their worst enemy

Transferring the spontaneous qualities of on-site studies into your studio works.

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

Panoramas are best served by a staged working process and sound design decisions

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

This artist becomes so absorbed with his creations that he loses all track of time

Steve Atkinson shares his tips and techniques for painting a nighttime scene

Working quickly between the semi-abstract and the real.

John Lovett provides tips on preparing and using a large panel in watercolour painting

The waterside city of Suzhou, inspires special dry-brush effects

Did you know there's a niche market painting polo ponies.

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Greg Hargreaves' abstract landscapes focus on a number of contrasts, including real versus abstract and man versus wild

From how to deal with bad weather to choosing the perfect colors to reflect the scenes.

If you want your figurative paintings to tell a story, adopt these techniques for working from life in acrylics.

Fred Wessel uses age-old techniques to render lifelike skin tones in her egg tempera works

Part 1 of a fantastic six-part series

Part 5: Painting with those 'pariah pigments' - black and white

Part 3: Multiple glazing

Part 2: Color economy.

Part 6: The drama of high contrast.

Soft brush - firm brush

To portray ideas in her paintings, Andrea Kemp uses elements and principles of design such as space, pattern, value, harmony and shape

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

This artist provides valuable tips forpainting whilst on vacation.

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

James Gurney discusses how to overcome shyness and deal with curious spectators

Ellen Fuller explains how to establish values using the grisaille technique

Two artists had a transforming experience in China.

James Gurney shares his experience painting botanical subjects outdoors in water media

What kind of artist is Per-Inge Isheden? Is he a modernist? Is he a traditionalist? This man confounds the critics because they simply can't put a label on him.

Tony Smibert's new book-cum-inspiration kit, shows you how to kickstart your creativity

Teresa Ramsay shares her techniques for up-scaling objects and flowers

Svetlana Orinko shares one of her three watercolour painting techniques, a wet-on-wet multilayered method

How to get in, get it down, and get out!

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

Pamela Griffith customised a still life floral composition to match a theme desired by her client

James Gurney explains why he often prepares his surface with a colored tone

Commission painting can be an enjoyable challenge or distinct pain in the brush.

John Lovett shares the results of his recent workshop in Cornwall and the Cotswolds.

John Lovett explains how gathering information on-site can lead to studio works.

We talk to one of the most sought-after portrait painters in the country.

James Gurney shares his top 10 tips for painting lifelike dinosaurs

Read how Sandra Blair uses her "bad hair day' brush to recreate lifelike fur and feathers.

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists