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Painting Workshop

New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 106, Page 134

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Painting Workshop

New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 117, Page 134

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Pamela Thalben-Ball, Shirley Straford, Barbara Scascighini-Searle, Bela Ivanyi, Ray Bernard-Brown, Roy Willis and Margaret Woodhead

Issue 10, Page 126

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Panoramic Views

Mark Boedges talks about his roots as a landscape painter and lends some words of wisdom to students

Issue 149, Page 50 Read Article

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Paper Textures

John Lovett guides us through the varying properties of different watercolor surfaces

Issue 152, Page 106 Read Article Visit Gallery Website

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Parastoo Ganjei

Achieving splendor

Issue 131, Page 94

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Part 1 Composing and Painting

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 81, Page 56

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Part 1 The Composition of Paint

In this three-part series, Todd M. Casey provides a deeper understanding of the properties of pigments in oil painting

Issue 153, Page 44 Read Article

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Part 10 Composition

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 90, Page 48

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Part 11 Unity, Texture and Form

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 91, Page 44

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Part 14 Shape and Space

Readers are in for a treat in the months to come as you enjoy this regular column by award-winning all-media artist Bill James.

Issue 94, Page 44

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Part 14:

It's the shy artists who starve!

Issue 40, Page 140

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Part 15 Lines

This final column by award-winning, all-media artist Bill James discusses an important element of art-line.

Issue 95, Page 42

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PART 2 Pursuing an artist's life behind the easel

A new 7 part series that takes you into the world of the art student.

Issue 59, Page 34

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Part 2 Composing and Painting from Reference Photographs

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 82, Page 58

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Part 2 The Professional Watercolourist How Skilled Do You Have To Be?

In this 5-part series master watercolour artist Tony Smibert outlines a route for charting a career as a successful watercolourist

Issue 66, Page 120

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Part 23: 'Quick Sketch' and 'Three and four value notan paintings'

Issue 67, Page 140

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Part 26: 'Light and Shade' and 'What are Values?'

Issue 70, Page 126

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Part 27: 'Space Division' and 'Hue and Temperature'

Issue 71, Page 124

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Part 3 Pursuing an Artist's Life behind the easel

A 7 part series that takes you into the world of the art student.

Issue 60, Page 46

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Part 3 Mineral vs. Modern Pigments

In this three-part series, Todd M. Casey provides a deeper understanding of the properties of pigments in oil painting

Issue 155, Page 50 Read Article

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Part 3 Landscape Painting with Oil and watercolor

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 83, Page 54

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Part 3 The Mechanics of Water

The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Issue 141, Page 40 Read Article

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Part 4 Anatomy of a Pastiche

The final in this series where Keith Cardnell shows us how copying the classics can help build confidence so you can tackle projects you might otherwise think are way beyond your ability

Issue 81, Page 102

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Part 4 Selecting a Surface for Your Subject

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 84, Page 52

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Part 4 The Professional Watercolourist The Joy Comes From Painting For Its Own Sake

In the 5-part series master watercolour artist Tony Smibert outlines a route for charting a career as a successful watercolorist

Issue 68, Page 112

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Part 5 The Professional Watercolourist Build Yourself to Build Your Business

In the final part in this series master watercolour artist Tony Smibert outlines a route for charting a career as a successful watercolourist

Issue 70, Page 23

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Part 5 Watercolor Paper and Boards

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 85, Page 84

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Part 6 Surfaces for Oils

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 86, Page 58

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Part 7

Part 7: 'How to Make a Large Palette' and 'Unequal Space Division'

Issue 50, Page 18

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Part 7 The Theory of Art

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 87, Page 44

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Part 8 The S-Design and the Circle Design

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 88, Page 52

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Part 9 Design Concepts

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 89, Page 46

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Part 9: What the buyer thinks, goes!

If you are considering offering a discount on your paintings? Think again!

Issue 34, Page 130

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Pashk Pervathi

The changing seasons

Issue 128, Page 76

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Passion & Skill

Russian photorealist painter Serge Marchennikov shares his techniques and inspirations

Issue 102, Page 46

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Passion + planning = productivity

Monique Sakellarios tells why it's not enough to be passionate about painting.

Issue 8, Page 22

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Passion in Painting

Kitty Kelly aims for viewers to feel as if they can reach out and touch her work, as well as feel the emotion behind the painting

Issue 116, Page 120

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Passion is a prerequisite

Passion shows in your choice of subjects, the thought you put into portraying them and your willingness to take risks.

Issue 40, Page 52

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Past and Present

Compositions from two ongoing series celebrate people and places throughout history

Issue 133, Page 54

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Past relationships can be hidden assets

Issue 65, Page 28

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Past Relationships can be Hidden Assets

Issue 76, Page 24

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Pastel - make colored backgrounds work for you

Try this labor-saving method and add excitement to your pastel painting at the same time.

Issue 34, Page 80

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Pastel Harley Brown's fascinating things no one else will tell you

Part 7: My 5 senses worth

Issue 33, Page 98

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Pastel or Oil?

This artist debates which medium to use, and concludes that his approach with color and light is fundamentally similar.

Issue 52, Page 50

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Pastels: your passport to passion

How to do such a great job with the foundations that you avoid problems all the way through.

Issue 2, Page 98

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Pastels. Stop Searching and Start Painting

In Part Five of his series, Master Artist Daniel Greene reveals his world famous method for organizing, finding and using particular pastel colors

Issue 64, Page 48

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Pathways

Harley Brown’s fascinating things no one else will tell you

Issue 151, Page 122 Read Article

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Patience, planning and practice

Ian Ramsay's best work is usually accomplished after much thought and patience has been given to his chosen subject. He likes to refer to this period of time as 'marinating'.

Issue 64, Page 54

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Patricia Watwood and the figurative tradition

Gordon Wetmore gleans insights from a member of the progressive avante-garde.

Issue 27, Page 32

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