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In his close-up paintings of the sea, Alan Weston focuses on the forms and reflections
Issue 104, Page 80Issue 7, Page 90
Australian artist Lance Ross honors the techniques of the past masters with compositions featuring their likeness
Issue 128, Page 62
Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes
Issue 157, Page 54 Read Article Visit Gallery WebsiteAnn Dyer's experiments with pen and ink have allowed her to create highly realistic drawings
Issue 131, Page 110
All the Prize Winners in our International Artist Magazine Challenge No. 147
Issue 163, Page 8 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 139
Issue 155, Page 6 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 130
Issue 146, Page 6 Read ArticleKarl Jóhann Jonsson shares his thoughts on oil painting and portraits
Issue 67, Page 70Keith Cardnell's quest is to find a technique that will help him minimise chance in his work but also increase his production rate.
Issue 70, Page 76This Russian-born artist tells how he uses lyrical line, color and light to capture the dynamism of the Bolshoi Ballet Company.
Issue 29, Page 120
Tanya Tuluzakova highlights the subtle sophistication of florals and botanicals using multilayering techniques
Issue 141, Page 70 Read ArticleOur Special Report on the Portrait Society of America Conference.
Issue 25, Page 16A series where we take a look into the lives of some of the world's most noted artists
Issue 78, Page 26Receiving the highest honour from the Portrait Society of America, we take a look at some of his work
Issue 79, Page 35Issue 6, Page 110
The first part of a three part series in which Amy Sanders guides us through her creative process.
Issue 76, Page 40Yvon Chartrand considers the challenge in still life is creating a painting from nothing, which requires the artist to look within for an emotive response.
Issue 75, Page 98The spriritual paintings of Aboriginal artist Walangari Karntawarra have their roots in ancient tribal art.
Issue 5, Page 108John Lovett discusses the importance of compositional elements
Issue 125, Page 92Find the perfect place for your painting's focal area using this easy visualization technique.
Issue 37, Page 142Zamfir Dumitrescu applies alternating layers of color and retouch varnish to achieve his own particular ovarlapping style
Issue 65, Page 120
John Lovett shows us how to develop impactful focal points by creating sketches and balancing values
Issue 145, Page 108 Read ArticleFocusing on what lies ahead in your art career can help make you more productive and prosperous.
Issue 92, Page 128
Multidisciplinary wildlife artist Daniel Wilson breaks down his processes for working in charcoal and acrylic
Issue 143, Page 42 Read Article
Watercolorist Dianne Sutherland uses dry brushwork to create depth and detail in her botanical art
Issue 155, Page 88 Read Article Visit Gallery Website
John Lovett encourages artists to let their imaginations run wild
Issue 164, Page 114 Read Article Visit Gallery WebsiteInstructions for finding the fun subjects, techniques and media that will restore your passion for painting.
Issue 46, Page 66Generosity in art means letting others in on the great secrets
Issue 7, Page 60Nothing could be finer than outdoor painting in North Carolina - except when someone thinks you're trespassing.
Issue 55, Page 18Starting in this issue, this noted Australian artist shows his approach to rendering the effects of outdoor light and atmosphere.
Issue 53, Page 148