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' Issue #29
Pattern and texture

Find out about the icing on the cake.

Issue 29, Page 24
' Issue #104
Patterns of the Sea

In his close-up paintings of the sea, Alan Weston focuses on the forms and reflections

Issue 104, Page 80
' Issue #7
Paul Andrew, Patti Dyason, Barbara Siedle, Shelley Adams, Peter Hall and Mary Ellen Yorke

Issue 7, Page 90
' Issue #94
Paul Newton

The Story of a Once in a Lifetime Project Interview

Issue 94, Page 34
' Issue #128
Paying Homage

Australian artist Lance Ross honors the techniques of the past masters with compositions featuring their likeness

Issue 128, Page 62
' Issue #129
Paying it Forward

Teaching is a commercial option for a artist

Issue 129, Page 25
' Issue #157
Peaceful Places

Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes

Issue 157, Page 54 Read Article Visit Gallery Website
' Issue #131
Pen & Ink: A Unique Medium

Ann Dyer's experiments with pen and ink have allowed her to create highly realistic drawings

Issue 131, Page 110
' Issue #163
People & Figures

All the Prize Winners in our International Artist Magazine Challenge No. 147

Issue 163, Page 8 Read Article
' Issue #155
People & Figures

All the Prize Winners in our International Artist Magazine Challenge No. 139

Issue 155, Page 6 Read Article
' Issue #146
People & Figures

All the Prize Winners in our International Artist Magazine Challenge No. 130

Issue 146, Page 6 Read Article
' Issue #67
People and every day things

Karl Jóhann Jonsson shares his thoughts on oil painting and portraits

Issue 67, Page 70
' Issue #4
People painting

"Portrait" is not a word this English painter likes.

Issue 4, Page 68
' Issue #145
Perception and Realization

Jamie Coreth

Issue 145, Page 34 Read Article
' Issue #70
Perfecting a Methodology that Works

Keith Cardnell's quest is to find a technique that will help him minimise chance in his work but also increase his production rate.

Issue 70, Page 76
' Issue #29
Performance art

This Russian-born artist tells how he uses lyrical line, color and light to capture the dynamism of the Bolshoi Ballet Company.

Issue 29, Page 120
' Issue #153
Perseverance and Aspirations

A Conversation with Paul Newton

Issue 153, Page 36 Read Article
' Issue #111
Perspective

John Lovett shares his simple approach to a complex drawing tool

Issue 111, Page 96
' Issue #141
Petals in Detail

Tanya Tuluzakova highlights the subtle sophistication of florals and botanicals using multilayering techniques

Issue 141, Page 70 Read Article
' Issue #120
Peter Campbell

Investigating a scene

Issue 120, Page 72
' Issue #86
Peter Meseldzija

The Right Color in the Right Place in the Right Manner

Issue 86, Page 82
' Issue #25
Philadelphia Story

Our Special Report on the Portrait Society of America Conference.

Issue 25, Page 16
' Issue #78
PHILIP PEARLSTEIN

A series where we take a look into the lives of some of the world's most noted artists

Issue 78, Page 26
' Issue #79
Philip Pearlstein

Receiving the highest honour from the Portrait Society of America, we take a look at some of his work

Issue 79, Page 35
' Issue #6
Phillip Adams, Graham Cox, Jon Crawley, Scott McDougall, Rosemary Valadon, John Wilson, Albert Woodroffe and Brent Redding

Issue 6, Page 110
' Issue #76
Photos: Always Real, But Never Realism

The first part of a three part series in which Amy Sanders guides us through her creative process.

Issue 76, Page 40
' Issue #75
Pictorial Poetry

Yvon Chartrand considers the challenge in still life is creating a painting from nothing, which requires the artist to look within for an emotive response.

Issue 75, Page 98
' Issue #5
Place of spirits - the language of Aboriginal art

The spriritual paintings of Aboriginal artist Walangari Karntawarra have their roots in ancient tribal art.

Issue 5, Page 108
' Issue #125
Placement, Spacing and Variation

John Lovett discusses the importance of compositional elements

Issue 125, Page 92
' Issue #37
Placing a focal area

Find the perfect place for your painting's focal area using this easy visualization technique.

Issue 37, Page 142
' Issue #1
Plan and simplify

Why you shouldn't use every color you possess.

Issue 1, Page 128
' Issue #65
Plan to Succeed!

Zamfir Dumitrescu applies alternating layers of color and retouch varnish to achieve his own particular ovarlapping style

Issue 65, Page 120
' Issue #27
Planning a paint-out

Everybody's doing it.

Issue 27, Page 18
' Issue #145
Planning for Contrast and Clarity

John Lovett shows us how to develop impactful focal points by creating sketches and balancing values

Issue 145, Page 108 Read Article
' Issue #92
Planning for the Future

Focusing on what lies ahead in your art career can help make you more productive and prosperous.

Issue 92, Page 128
' Issue #143
Plans of Attack

Multidisciplinary wildlife artist Daniel Wilson breaks down his processes for working in charcoal and acrylic

Issue 143, Page 42 Read Article
' Issue #155
Plant Studies

Watercolorist Dianne Sutherland uses dry brushwork to create depth and detail in her botanical art

Issue 155, Page 88 Read Article Visit Gallery Website
' Issue #16
Playing to the judges

Don't do it, even if your life depends on it.

Issue 16, Page 34
' Issue #164
Playing with Colors

John Lovett encourages artists to let their imaginations run wild

Issue 164, Page 114 Read Article Visit Gallery Website
' Issue #46
Playtime for the serious artist

Instructions for finding the fun subjects, techniques and media that will restore your passion for painting.

Issue 46, Page 66
' Issue #7
Please don't take it with you when you're gone

Generosity in art means letting others in on the great secrets

Issue 7, Page 60
' Issue #55
Plein Air Painting Part 3

Nothing could be finer than outdoor painting in North Carolina - except when someone thinks you're trespassing.

Issue 55, Page 18
' Issue #56
Plein Air Painting Part 4

Interpretation of your subject

Issue 56, Page 124
' Issue #57
Plein Air Painting Part 5:

A trip to Venice.

Issue 57, Page 155
' Issue #58
Plein Air Painting Part 6: Painting the Great Australian Icon.

Issue 58, Page 150
' Issue #59
Plein Air Painting Part 7: A Tuscan Treat

Issue 59, Page 150
' Issue #60
Plein Air Painting Part 8: More Tuscan Treats

Issue 60, Page 150
' Issue #61
Plein Air Painting Part 9: On the French Broad, Asheville, USA

Issue 61, Page 148
' Issue #62
Plein Air Painting Part 9: Raising the Bar on Plein Air Painting

Issue 62, Page 148
' Issue #53
Plein Air Painting Part One

Starting in this issue, this noted Australian artist shows his approach to rendering the effects of outdoor light and atmosphere.

Issue 53, Page 148