Past Issue

The Importance of Light

For more than 30 years, Tom Browning has focused on the handling of light in his Western scenes

Portraying Sunlight

To paint the ideal lighting effects, Dean Larson starts his paintings slowly and finishes them fast

From Field to Studio

Gathering source information is the vital first step for the artwork of Roger Dale Brown

The Realist Tradition

Daniel Brient's traditional art education has helped guide his paintings

Paint Your Passion

The art of Maggie Caunt comes alive when she paints subjects she's passionate about

Aluminum Traffic Sign Portraits

Billy Seccombe shares his tips for working on a nontraditional surface

Using Salt with Watercolour

To create unique texture in her watercolours, artist Wendy Mould uses slat to draw out pigments

Making Shapes Work for You

Insights from watercolourist John Lovett on how to modify and rearrange shapes

Capturing a Moment

When inspiration strikes, Kathy Dana defines her attraction to the scene and uses that understanding throughout her painting process

Connecting with Colour

Abstract artist Chris Kazeil finds colour to be one of the most important elements of her painting process

Chairman's Letter

Master Showcase

Words of Wisdom from the 2016 Faculty, Part 2

Erica Norelius

A charcoal drawing demonstration

Prfessional Artist: There is No Short Cut

Building the path to successful gallery exhibitions

Painting Workshop

New Zealand artist Richard Robinson critiques some student paintings from hos online workshop and demonstrates key points with his own painting

Discovering Art: The Making of an Artist Part 64

Mixing Vivid Colors Using Bases & Garrapata Surf

Important Principles of Art

Harley Brown's fascinating things no one else will tell you