International Artist 98
August/September 2014Subscribe Now Purchase a Hard Copy of Issue 98 of International Artist
Demonstrations & Workshops
Working directly from life without a drawn composition, Ingrid Christensen relies upon setup, tone and colour to paint a contemporary still life.
Finding Light in the Darkness
Using the clair-obscur technique, John Boe Paulsen paints figurative works that are technically sound and filled with narrative
From the subjects to the setup to the lighting, Stefaan Eyckmans freely controls each aspect of his realistic still lifes
Wash Over White
In four demonstrations, John Stephens provides tips on how to get smooth blends with acrylics by scumbling and glazing
John Lovett explains methods to painting thin lines and the importance of keeping your brushes and tools fresh
References as Inspiration
Through photos and studies Yael Maimon identifies the ideal composition, direction, color and value for each of her works
The Aura of Landscapes
Rather than exactly reproducing lands, Susanne Mull captures her perceived reality of a scene in pastels
Professional Artist: Is Copyright Worth Money?
How to earn extra income through artwork copyrights.
New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting
Discovering Art: The Making of an Artist Part 54
Color Map and After the Party
Important Principles of Art
Harley Brown's fascinating things that no one else will tell you