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Take a front row seat as a sensational seascape artist shows you how to make waves.

Jacob Collins, Jamie Lee McMahon, paul Leveille, Ann Manry Kenyon, William F. Draper, Everett Raymond Kinstler, Bruce Wolfe, and Marc Mellon

Draper Grand Prize Winners: Where Are They Now?

The pros and cons of painting from life. Daniel Greene - David Leffel - Burton Silverman - Anthony Ryder - Patricia Watwood - Judith Carducci - Everett Raymond Kinstler

Discover what delighted, informed and motivated participants at the 2001 Chicago conference.

Is distilling a person on canvas possible.

This artist was captivated by the exquisite drawings of Russian artist Kramskoi.

A step-by-step process for creating portraits that reflect the essence of both the model and the artist.

David Hettinger finds a common theme in relationships, whether with his models or the paintings atmospheres

To paint the ideal lighting effects, Dean Larson starts his paintings slowly and finishes them fast

Many people have likened painting the figure to painting landscapes. In this issue Kasey Sealy tires of the outdoors and turns his attention to painting nude studies in the studio

Jim Chapman has found that intangible space in art where positive and negative shapes collide

What's cooking in the Golden State.

Marketing ideas from the midwest.

Find out what's happening in the art capital of the US.

The Northwest can claim a rich diversity of artistic styles.

Find out what's happening through the eyes of four Southern artists.

America's top artists tell what's hot and what's not.

Liquid frisket and poured watercolors help Barbara Pease explore the full extent of her creativity

Have you chosen the right medium for your creative expression?

Harley Brown’s fascinating things no one else will tell you

Experience and preparation have helped David Poxon learn to wield the results of his watercolours

Harley Brown’s fascinating things no one else will tell you

Brad Kunkle experiments with gold and silver leaf to give his oils a surreal quality

Skillfully executing still lifes allows Blair Atherholt to elevate the objects depicted to new levels

This artist sets himself up hours in advance and waits for exactly the right moment to capture the drama of his subjects.

The Gallery Director's Perspective

The Artist's Persepective

Chairmans Letter

Building the path to successful gallery exhibitions