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Paul Bailey renders the Welsh coastline with a set of dynamic acrylic techniques
Issue 161, Page 82 Read Article Visit Gallery Website
Yanina Eberhard builds her colors by checking value and temperature relative to the paint already on the surface
Issue 143, Page 62 Read Article
Harley Brown’s fascinating things no one else will tell you
Issue 146, Page 124 Read Article
Landscape painter Bill Farnsworth balances the colors of the natural environment through a direct observational approach
Issue 163, Page 58 Read Article Visit Gallery WebsiteA 7 part series that takes you into the world of the art student.
Issue 61, Page 50A 7 part series that takes you into the world of the art student
Issue 62, Page 48An 8 part series that takes you into the world of the art student
Issue 63, Page 50An 8 part series that takes you into the world of the art student
Issue 64, Page 72The final part in the series that takes you into the world of the art student
Issue 65, Page 50
Megan Elizabeth Read approaches her figurative paintings in a contiguous manner, moving between detail and simplicity
Issue 158, Page 73 Read Article Visit Gallery WebsiteThis artist "paints ugly first", before the transformation into her trademark luscious colors.
Issue 53, Page 102Canadian experimental artist Patricia Peacock uses multiple shapes within shapes to achieve complex integrated designs
Issue 62, Page 106Color complements, fortified with other types of contrast, are the key to high-impact pastels.
Issue 32, Page 86Cross-pollinating size and color has given voluptuous blooms a unique dose of botanical hybrid vigor.
Issue 52, Page 120
Using dynamic color and expressive brushstrokes, Alex Sprouse highlights the most important elements of his gouache pieces
Issue 140, Page 86 Read ArticleOur Art Fairs series concludes with advice on setting up the stall, lighting and security, finances and record-keeping.
Issue 5, Page 9If you are to survive in a tough market you must pay attention to the details.
Issue 42, Page 106This artist finds watercolor happiness
Issue 42, Page 40Mark Boedges focuses on the big picture and the detail at the same time by letting the brush do the work
Issue 87, Page 68John Lovett shows how working quickly can force our focus and to produce surprising results.
Issue 54, Page 98
Using deep shadows and a desaturated palette, Daria Antonova creates townscapes imbued with emotion
Issue 164, Page 86 Read Article
Working with his reference to develop a concept, Grant Gilsdorf imbues his paintings with narrative and meaning
Issue 150, Page 64 Read Article Visit Gallery WebsiteIssue 10, Page 72
Should you go full tilt down your own path, or consider the realities of the marketplace?
Issue 8, Page 6
Focus on Materials: In each issue we examine some of the essential art materials available to practicing artists
Issue 140, Page 21 Read ArticleSeek out the right connections for your artwork and market to them more effectively
Issue 96, Page 127Listings for museum exhibits and gallery shows that highlight this venerable tradition
Issue 81, Page 24Andrew Davis shows how to create wet seascapes with a dry medium
Issue 80, Page 80The ingredients that will transform a mundane subject into an extraordinary painting.
Issue 21, Page 88Whatever the subject, Suzy Smith finds that her paintings benefit from the softening of edges and editing of content
Issue 87, Page 60Through photos and studies Yael Maimon identifies the ideal composition, direction, color and value for each of her works
Issue 98, Page 112For watercolorist Fei Xiqiang, painting is a personal process of interpretation and expression
Issue 125, Page 78The patterns created by the effects of light hold endless fascination for Michael Schuh
Issue 75, Page 108The still lifes of Marsha Chandler often contain shiny or glass objects that allow for a play of light and shapes
Issue 109, Page 100