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' Issue #161
Pure Energy

Paul Bailey renders the Welsh coastline with a set of dynamic acrylic techniques

Issue 161, Page 82 Read Article Visit Gallery Website
' Issue #143
Pure Harmony

Yanina Eberhard builds her colors by checking value and temperature relative to the paint already on the surface

Issue 143, Page 62 Read Article
' Issue #146
Pure Need

Harley Brown’s fascinating things no one else will tell you

Issue 146, Page 124 Read Article
' Issue #163
Pure Observation

Landscape painter Bill Farnsworth balances the colors of the natural environment through a direct observational approach

Issue 163, Page 58 Read Article Visit Gallery Website
' Issue #61
Pursuing an Artist's Life behind the easel Part 4

A 7 part series that takes you into the world of the art student.

Issue 61, Page 50
' Issue #62
Pursuing an Artist's Life behind the Easel Part 5 Taking the Easel Outdoors

A 7 part series that takes you into the world of the art student

Issue 62, Page 48
' Issue #63
Pursuing an Artist's Life Behind the Easel Part 6 - Exploring situations and environments in your studio

An 8 part series that takes you into the world of the art student

Issue 63, Page 50
' Issue #64
Pursuing an Artist's Life Behind the Easel Part 7 - Figures in the Landscape

An 8 part series that takes you into the world of the art student

Issue 64, Page 72
' Issue #65
Pursuing an Artist's Life Behind the Easel Part 8 Developing Your Subject And Your Style

The final part in the series that takes you into the world of the art student

Issue 65, Page 50
' Issue #158
Push and Pull

Megan Elizabeth Read approaches her figurative paintings in a contiguous manner, moving between detail and simplicity

Issue 158, Page 73 Read Article Visit Gallery Website
' Issue #53
Pushing color for vibrancy

This artist "paints ugly first", before the transformation into her trademark luscious colors.

Issue 53, Page 102
' Issue #62
Pushing the 'what-if ' boundaries

Canadian experimental artist Patricia Peacock uses multiple shapes within shapes to achieve complex integrated designs

Issue 62, Page 106
' Issue #32
Pushing the palette

Color complements, fortified with other types of contrast, are the key to high-impact pastels.

Issue 32, Page 86
' Issue #52
Put your flowers on steroids

Cross-pollinating size and color has given voluptuous blooms a unique dose of botanical hybrid vigor.

Issue 52, Page 120
' Issue #8
Put yourself in the picture

Find out who and where we are.

Issue 8, Page 82
' Issue #32
Putting on a show

Don't wait to be discovered. Do something yourself!

Issue 32, Page 154
' Issue #140
Putting on a Show

Using dynamic color and expressive brushstrokes, Alex Sprouse highlights the most important elements of his gouache pieces

Issue 140, Page 86 Read Article
' Issue #5
Putting your display together

Our Art Fairs series concludes with advice on setting up the stall, lighting and security, finances and record-keeping.

Issue 5, Page 9
' Issue #139
Qing Zhang: Free as a bird

Issue 139, Page 68 Read Article
' Issue #42
Quality street Part 15:

If you are to survive in a tough market you must pay attention to the details.

Issue 42, Page 106
' Issue #42
Questioning the conventional wisdom on watercolor

This artist finds watercolor happiness

Issue 42, Page 40
' Issue #87
Quick and Accurate Strategies

Mark Boedges focuses on the big picture and the detail at the same time by letting the brush do the work

Issue 87, Page 68
' Issue #54
Quick and Exciting

John Lovett shows how working quickly can force our focus and to produce surprising results.

Issue 54, Page 98
' Issue #165
Quiet nature

Kateri Ewing

Issue 165, Page 98 Read Article Visit Gallery Website
' Issue #164
Quiet Rhythm

Using deep shadows and a desaturated palette, Daria Antonova creates townscapes imbued with emotion

Issue 164, Page 86 Read Article
' Issue #150
Radically Human

Working with his reference to develop a concept, Grant Gilsdorf imbues his paintings with narrative and meaning

Issue 150, Page 64 Read Article Visit Gallery Website
' Issue #119
Rafe Terry

Graphic and contemporary

Issue 119, Page 96
' Issue #10
Raleigh Kinney, Timothy Thies, Ferenc Besze, Ione Citrin, Joe Bascom, Jo Ann Durham, Eric Slayton, Wilma Wethington, Arleta Pech, Desmond O'Hagan and Gerry Metz

Issue 10, Page 72
' Issue #8
Rant control

Should you go full tilt down your own path, or consider the realities of the marketplace?

Issue 8, Page 6
' Issue #140
Raymar Hot Press ACM Panels

Focus on Materials: In each issue we examine some of the essential art materials available to practicing artists

Issue 140, Page 21 Read Article
' Issue #96
Reaching New Contacts

Seek out the right connections for your artwork and market to them more effectively

Issue 96, Page 127
' Issue #81
Realism is Back

Listings for museum exhibits and gallery shows that highlight this venerable tradition

Issue 81, Page 24
' Issue #80
Realistic Water IS Possible with Pastels

Andrew Davis shows how to create wet seascapes with a dry medium

Issue 80, Page 80
' Issue #10
Rebellion and Freedom

Issue 10, Page 100
' Issue #21
Recipe for excitement

The ingredients that will transform a mundane subject into an extraordinary painting.

Issue 21, Page 88
' Issue #12
Recommended reading

Issue 12, Page 150
' Issue #10
Recommended reading

Issue 10, Page 138
' Issue #11
Recommended reading

Issue 11, Page 144
' Issue #16
Recommended reading

Issue 16, Page 150
' Issue #9
Recommended reading

Issue 9, Page 154
' Issue #15
Recommended reading

Issue 15, Page 144
' Issue #8
Recommended reading

Issue 8, Page 154
' Issue #14
Recommended reading

Issue 14, Page 144
' Issue #13
Recommended reading

Issue 13, Page 150
' Issue #87
Recreating What You Find to be Beautiful

Whatever the subject, Suzy Smith finds that her paintings benefit from the softening of edges and editing of content

Issue 87, Page 60
' Issue #98
References as Inspiration

Through photos and studies Yael Maimon identifies the ideal composition, direction, color and value for each of her works

Issue 98, Page 112
' Issue #4
Refining your products

Part 3 of our outstanding Art Fair series.

Issue 4, Page 20
' Issue #125
Reflecting Experiences

For watercolorist Fei Xiqiang, painting is a personal process of interpretation and expression

Issue 125, Page 78
' Issue #75
Reflecting Light

The patterns created by the effects of light hold endless fascination for Michael Schuh

Issue 75, Page 108
' Issue #109
Reflections and Refractions

The still lifes of Marsha Chandler often contain shiny or glass objects that allow for a play of light and shapes

Issue 109, Page 100