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Part 1: How to salvage almost failed painting using Expression and Mood as a Salvage Technique.
Issue 12, Page 24Issue 21, Page 94
Issue 46, Page 141
Issue 7, Page 52

Issue 153, Page 108 Read Article Visit Gallery Website
Cheng-Khee Chee shows his dynamic process that unifies opposing elements in his watercolors
Issue 93, Page 100
Emphasizing the beauty of nature, Joe A. Oakes paints landscapes with warm colors and imaginative compositions
Issue 152, Page 74 Read Article Visit Gallery WebsiteHiring an agent can help you concentrate primarily on creating artwork
Issue 134, Page 23Think about the message - show the essence, presence and personality of your flowers in a way that allows their spirit to escape.
Issue 12, Page 62Nicholas Poullis explains his process for plein air painting with watercolors
Issue 127, Page 102Warren Chang's painting Gill Gallery Interior reflects one aspect of his life and surroundings
Issue 106, Page 78
A look at some of the many in-person and online art classes and workshops available today
Issue 157, Page 50 Read ArticleMarian Leven, Joe Hargan, Dan McNeil, Jean Bell, Margaret Ballantyne, William Mitchell Ireland
Issue 14, Page 98A restrained approach to making understated, elegant paintings.
Issue 33, Page 50
John Lovett examines the uses and drawbacks of different types of art pens
Issue 159, Page 96 Read Article Visit Gallery Website
A brief overview of some of the new surfaces being used today with a focus on painting
Issue 152, Page 22 Read Article
Using a palette knife allows oil painter Maria Iva to create clean colors and rich textures
Issue 152, Page 62 Read Article Visit Gallery WebsiteBob Brandt shows how scumbling unifies elements in his complex oil paintings
Issue 97, Page 100What would watercolor be without a flowing wash?
Issue 35, Page 68
New York artist Gigi Chen shares her deeply personal experience painting a large-scale mural—the size of a bedroom—for an artist residency
Issue 150, Page 40 Read Article Visit Gallery Website
All the Prize Winners in our International Artist Magazine Challenge No. 127
Issue 143, Page 6 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 144
Issue 160, Page 6 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 136
Issue 152, Page 6 Read ArticleNot just famous for its connection with Napolean.
Issue 19, Page 120Rediscover this well-known tourist destination as a painter's paradise.
Issue 20, Page 132A favorite place in beautiful Tuscany.
Issue 22, Page 136If you ever go across the seas to Ireland - take your sketchbook with you.
Issue 23, Page 141Painting memories of a spectacular location.
Issue 24, Page 124Weird and wonderful landscapes and friendly, respectful people.
Issue 26, Page 146The hallowed home of the bagpipe, trout fishing and golf has plenty to offer the traveling artist.
Issue 25, Page 154You may think there's nothing there, but there's plenty to see and paint in the Outback.
Issue 28, Page 112In this issue we look at the painting possibilities in Suzhou, the "Venice of the East".
Issue 18, Page 128Bob stepped in to lead our International Artist Painting Workshop Vacation to Italy and France.
Issue 27, Page 20The reason why this artist chooses such large canvases and how he achieves what he calls the "blue of our age".
Issue 45, Page 34Richard Robinson shares painting lessons from the great outdoors, such as finding the visual concept
Issue 126, Page 82This artist explains why technique and emotion have to combine for a painting to be successful.
Issue 57, Page 108Renowned for his breathtaking atmospheres this artist's artistic voyage started with a firm understanding of the atmosphere itself.
Issue 46, Page 42This artist recommends spending more time looking and less time painting.
Issue 50, Page 38