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' Issue #22
Retro - a return to sanity

Canadian editor Jeane Duffy takes the temperature of the art world.

Issue 22, Page 105
' Issue #99
Revealing Personal Insight by Painting Thematically

Canadian artist David Butt tells us about his thought process while preparing for an exhibition

Issue 99, Page 70
' Issue #49
Revive your painting spirit with reference photographs

The benefits of using a picture as a reference tool.

Issue 49, Page 58
' Issue #161
Rhythm and Control

Deliberate brushwork, accurate proportions and a strong sense of volume breathe life into the portraiture of Jie Gao

Issue 161, Page 56 Read Article Visit Gallery Website
' Issue #152
Rhythmic Brushwork

Figurative artist Daniel Bilmes discusses texture, color, narrative and more

Issue 152, Page 26 Read Article
' Issue #32
Richard Lundgren - Daggi Wallace - Catherine Lidden - Kaye Franklin - Denise Guimaraes - John Gerik - Elizabeth Smith - Elliott Ciampi

Issue 32, Page 94
' Issue #111
Richard Schmidt: Remembering Lightness

Issue 111, Page 42
' Issue #125
Richard Thorn

Strong visuals

Issue 125, Page 88
' Issue #99
Ricky Mujica

A demonstration in oil

Issue 99, Page 36
' Issue #112
Ricky Mujica

A portrait in oil

Issue 112, Page 38
' Issue #26
Rite of passage

Why the act of creation can become a meditation in which the painting can evolve at its own pace and reach its rightful degree of finish.

Issue 26, Page 118
' Issue #137
Rob MacIntosh

Developing Style

Issue 137, Page 78
' Issue #34
Robert Bateman - crowning beauty

The last in our series on history-making artist Robert Bateman.

Issue 34, Page 40
' Issue #33
Robert Bateman - history maker

Part 2 of our exclusive profile on this giant of Canadian art presents a showcase of his unpublished works from the middle years of his career.

Issue 33, Page 80
' Issue #113
Robert Brindley

Limited palette

Issue 113, Page 90
' Issue #73
Robert Dale Williams walks us through the creative steps of his art

Color and light followed Barbara Simmons long before she ever touched a sable brush to fine watercolor paper

Issue 73, Page 62
' Issue #38
Robert Jennings, Inez Schrader, Irene Marsh, William H. Jones, Sandra Nicholl and Pierre Bamin

Issue 38, Page 62
' Issue #85
Robert Liberace First Impressions

An interview with Christine Egnoski

Issue 85, Page 30
' Issue #71
Robert Lovett's CHINA

Robert Lovett, a modern day Marco Polo, takes us on an artistic adventure to see and paint the exotic places of old China

Issue 71, Page 110
' Issue #73
Robert Lovett's Oman

In the final of this series Australian artist Robert Lovett takes us to a land shrouded in mystique and antiquity

Issue 73, Page 102
' Issue #24
Robert Wade's Watercolor Workshop Handbook

A lifetime's wisdom compressed into a practical manual.

Issue 24, Page 146
' Issue #66
Romantic Ladies

Bryce Cameron Liston shows how to use texture to add an extra dimension to figurative oil painting

Issue 66, Page 52
' Issue #4
Romantic visions in oils

The dreamy countryside of the South West of France inspires romantic visions in multiple shades of green.

Issue 4, Page 90
' Issue #45
Romulo Galicano: A legacy for his country

Issue 45, Page 30
' Issue #164
Romy Elliott: Pattern making

Issue 164, Page 110 Read Article Visit Gallery Website
' Issue #17
Ronald Sherr - A contemporary artist using time-honored principles

Issue 17, Page 38
' Issue #158
Room to Grow

Mitch Baird talks community, connection and forever learning as an artist

Issue 158, Page 54 Read Article Visit Gallery Website
' Issue #76
Rose Frantzen

Issue 76, Page 36
' Issue #163
Rose Frantzen: The Art of Seeing

A Journey Through Portraiture and Expression

Issue 163, Page 24 Read Article
' Issue #40
Rosie Birtwhistle, Gillian Goodheir and Rowena Laing

Issue 40, Page 92
' Issue #27
Royal Institute of Oil Painters

This 120 year old British institution is looking forward.

Issue 27, Page 24
' Issue #21
Royal Institute of Painters in Watercolour Annual Awards Exhibition 2001 and National Portrait Gallery BP Portrait Award 2001 Exhibition.

Issue 21, Page 56
' Issue #151
Rule of Thirds

Issue 151, Page 42 Read Article
' Issue #18
Russia

Boris N. Avdeyev, Strijneva Madejda, Andrew Isaenkov, Anya Belyat, Ludmila Voinova, Andrej Vystropov, Konstantin Voinov, Alexander Tschernyshov

Issue 18, Page 94
' Issue #91
Ryan Brown

A demonstration in oil

Issue 91, Page 38
' Issue #105
Sacred Symphonies

Richard Schmid's newest painting continues his deep love for the connection between music and art

Issue 105, Page 62
' Issue #114
Sahin Karakoc

Balanced narrative

Issue 114, Page 90
' Issue #16
Salvage techniques workshop

Part 5: Color as salvage technique

Issue 16, Page 50
' Issue #15
Salvage techniques workshop

Part 4: Value as a salvage technique.

Issue 15, Page 38
' Issue #14
Salvage techniques workshop

Part 3: Using shape as a Salvage Technique.

Issue 14, Page 34
' Issue #13
Salvage techniques workshop

Part 2: How to salvage almost failed painting using Impact Area as a Salvage Technique.

Issue 13, Page 58
' Issue #12
Salvage techniques workshop

Part 1: How to salvage almost failed painting using Expression and Mood as a Salvage Technique.

Issue 12, Page 24
' Issue #31
Sam Adoquei - Composition is Everything

Issue 31, Page 32
' Issue #21
Sam Hamilton, Teresa Marie, David Bannister, Richard Savoie, Josy Hilkes Britton, carol Huggler, Vivian Thierfelder, David Ward, Zhong-Yang Huang

Issue 21, Page 94
' Issue #46
Sam Liberman - USA, Kathy R. Partridge - USA, L. Martin Pavletich - Switzerland, Cathy Mabius - USA

Issue 46, Page 141
' Issue #128
Same Time Next Year: Celebrating The Art of the Portrait

Issue 128, Page 34
' Issue #7
Sandra Burshell, Dale Y. Duke, Carl Forslund, Colleen K. Howe, Milton Meyer, Douglas Williams, Vicki Brophey, Alan Flattman, Flora Gifuni, Connie Kuhnle and Connie Lynn Reilly

Issue 7, Page 52
' Issue #153
Sandra Gebhardt-Hoepfner: Floating through nature

Issue 153, Page 108 Read Article Visit Gallery Website
' Issue #149
Sargent Circle

Chairman’s Letter

Issue 149, Page 30 Read Article
' Issue #93
Saturated Wet Paper Technique

Cheng-Khee Chee shows his dynamic process that unifies opposing elements in his watercolors

Issue 93, Page 100