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' Issue #119
Professional Artist: Question & Answer

How asking collectors questions can help you succeed in closing sales

Issue 119, Page 24
' Issue #114
Professional Artist: Should you consider prints?

The pros and cons of creating prints of your artwork

Issue 114, Page 128
' Issue #122
Professional Artist: The Importance of Exhibitions

An artist shares his experiences with creating a sellout exhibition

Issue 122, Page 27
' Issue #116
Professional Artist: The Importance of Exhibitions

Breaking down the reasons why you should exhibit your work

Issue 116, Page 18
' Issue #102
Professional Artist: What do you stand for?

Methods to creating a strong brand for yourself and your artwork

Issue 102, Page 126
' Issue #120
Professional Artist: What is a Print?

The ins and outs of reproducing prints from your art

Issue 120, Page 25
' Issue #124
Professional Artist: What Should a Client Know Before They Buy?

Insights on how to market to your client and keep them happy long after their purchase.

Issue 124, Page 29
' Issue #115
Professional Artist: Why Are Commissions So Important?

A look at the key elements of commissioned artwork

Issue 115, Page 18
' Issue #101
Professional Artist: Why do people come to your art exhibitions?

Get to know your audience, so that everyone attending your show is a potential buyer

Issue 101, Page 126
' Issue #104
Professional Artists: Do you have a long-term vision about your career?

Instead of just focusing on the present, look at what is ahead in your art career

Issue 104, Page 132
' Issue #117
Properties of Water

Sheri Farabaugh's seascapes hone in on the reflections, transparency and movement of water

Issue 117, Page 56
' Issue #64
Props banish the Creative Block

With a successful career as a professional medical illustrator behind her, Jean Miller Harding has no problems when it comes to fleshing out the bones of her real life subjects

Issue 64, Page 100
' Issue #43
Protecting your work

Did you know that from the moment you finish your painting it will start to deteriorate?

Issue 43, Page 92
' Issue #145
Pulled Into the Scene

Holly Dyrland focuses on a balance of opaque/transparent layers to intensify depth in her landscapes

Issue 145, Page 54 Read Article
' Issue #167
Punch Up

Textured brushwork and bold color contrasts define the art of Cansu Rossi

Issue 167, Page 66 Read Article Visit Gallery Website
' Issue #152
Pure Bliss

Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork

Issue 152, Page 68 Read Article Visit Gallery Website
' Issue #161
Pure Energy

Paul Bailey renders the Welsh coastline with a set of dynamic acrylic techniques

Issue 161, Page 82 Read Article Visit Gallery Website
' Issue #143
Pure Harmony

Yanina Eberhard builds her colors by checking value and temperature relative to the paint already on the surface

Issue 143, Page 62 Read Article
' Issue #146
Pure Need

Harley Brown’s fascinating things no one else will tell you

Issue 146, Page 124 Read Article
' Issue #163
Pure Observation

Landscape painter Bill Farnsworth balances the colors of the natural environment through a direct observational approach

Issue 163, Page 58 Read Article Visit Gallery Website
' Issue #61
Pursuing an Artist's Life behind the easel Part 4

A 7 part series that takes you into the world of the art student.

Issue 61, Page 50
' Issue #62
Pursuing an Artist's Life behind the Easel Part 5 Taking the Easel Outdoors

A 7 part series that takes you into the world of the art student

Issue 62, Page 48
' Issue #63
Pursuing an Artist's Life Behind the Easel Part 6 - Exploring situations and environments in your studio

An 8 part series that takes you into the world of the art student

Issue 63, Page 50
' Issue #64
Pursuing an Artist's Life Behind the Easel Part 7 - Figures in the Landscape

An 8 part series that takes you into the world of the art student

Issue 64, Page 72
' Issue #65
Pursuing an Artist's Life Behind the Easel Part 8 Developing Your Subject And Your Style

The final part in the series that takes you into the world of the art student

Issue 65, Page 50
' Issue #158
Push and Pull

Megan Elizabeth Read approaches her figurative paintings in a contiguous manner, moving between detail and simplicity

Issue 158, Page 73 Read Article Visit Gallery Website
' Issue #53
Pushing color for vibrancy

This artist "paints ugly first", before the transformation into her trademark luscious colors.

Issue 53, Page 102
' Issue #62
Pushing the 'what-if ' boundaries

Canadian experimental artist Patricia Peacock uses multiple shapes within shapes to achieve complex integrated designs

Issue 62, Page 106
' Issue #32
Pushing the palette

Color complements, fortified with other types of contrast, are the key to high-impact pastels.

Issue 32, Page 86
' Issue #52
Put your flowers on steroids

Cross-pollinating size and color has given voluptuous blooms a unique dose of botanical hybrid vigor.

Issue 52, Page 120
' Issue #8
Put yourself in the picture

Find out who and where we are.

Issue 8, Page 82
' Issue #32
Putting on a show

Don't wait to be discovered. Do something yourself!

Issue 32, Page 154
' Issue #140
Putting on a Show

Using dynamic color and expressive brushstrokes, Alex Sprouse highlights the most important elements of his gouache pieces

Issue 140, Page 86 Read Article
' Issue #5
Putting your display together

Our Art Fairs series concludes with advice on setting up the stall, lighting and security, finances and record-keeping.

Issue 5, Page 9
' Issue #139
Qing Zhang: Free as a bird

Issue 139, Page 68 Read Article
' Issue #42
Quality street Part 15:

If you are to survive in a tough market you must pay attention to the details.

Issue 42, Page 106
' Issue #42
Questioning the conventional wisdom on watercolor

This artist finds watercolor happiness

Issue 42, Page 40
' Issue #87
Quick and Accurate Strategies

Mark Boedges focuses on the big picture and the detail at the same time by letting the brush do the work

Issue 87, Page 68
' Issue #54
Quick and Exciting

John Lovett shows how working quickly can force our focus and to produce surprising results.

Issue 54, Page 98
' Issue #165
Quiet nature

Kateri Ewing

Issue 165, Page 98 Read Article Visit Gallery Website
' Issue #164
Quiet Rhythm

Using deep shadows and a desaturated palette, Daria Antonova creates townscapes imbued with emotion

Issue 164, Page 86 Read Article
' Issue #150
Radically Human

Working with his reference to develop a concept, Grant Gilsdorf imbues his paintings with narrative and meaning

Issue 150, Page 64 Read Article Visit Gallery Website
' Issue #119
Rafe Terry

Graphic and contemporary

Issue 119, Page 96
' Issue #10
Raleigh Kinney, Timothy Thies, Ferenc Besze, Ione Citrin, Joe Bascom, Jo Ann Durham, Eric Slayton, Wilma Wethington, Arleta Pech, Desmond O'Hagan and Gerry Metz

Issue 10, Page 72
' Issue #8
Rant control

Should you go full tilt down your own path, or consider the realities of the marketplace?

Issue 8, Page 6
' Issue #168
Raw Strength

The medium of graphite allows Duane Frey to create powerful contrasts in his wildlife subjects

Issue 168, Page 100 Read Article
' Issue #140
Raymar Hot Press ACM Panels

Focus on Materials: In each issue we examine some of the essential art materials available to practicing artists

Issue 140, Page 21 Read Article
' Issue #96
Reaching New Contacts

Seek out the right connections for your artwork and market to them more effectively

Issue 96, Page 127
' Issue #81
Realism is Back

Listings for museum exhibits and gallery shows that highlight this venerable tradition

Issue 81, Page 24
' Issue #80
Realistic Water IS Possible with Pastels

Andrew Davis shows how to create wet seascapes with a dry medium

Issue 80, Page 80