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' Issue #144
Social Realism

Warren Chang breaks down his recent paintings capturing elements of life in California during the past two years

Issue 144, Page 40 Read Article
' Issue #4
Softly, softly with gouache

This English artist is famous for his light touch in gouache and his way of manipulating all kinds of contrast to good effect.

Issue 4, Page 76
' Issue #85
Softly, Softly... Toward An Illusive Atmosphere

Working with pastel on custom-prepared surfaces, Kit Gentry finds that sensitive edges are essential for rendering form and atmosphere in landscape

Issue 85, Page 50
' Issue #23
Solid structure and balanced composition

From mountains, perma-frost taiga lush farmland to the Arctic, this adventurer artist has explored the landscape in a personal quest for an authentic Canadian artistic expression. Just like his ancestors.

Issue 23, Page 50
' Issue #77
Solid Workmanship Using Black

Peter Stuhlmann's distinctive style has been influenced by cartoons and stained glass windows

Issue 77, Page 84
' Issue #34
Solo pastel showcase - Joanna Terpstra

This Australian artist has carved out an enviable reputation for her vivid sea and landscapes.

Issue 34, Page 88
' Issue #36
Solo Showcase

The important principles of art in action

Issue 36, Page 138
' Issue #4
Solving the mystery of luminosity

The key to making luminous pastels involves combining vibrant, clear colors over a radiant-toned underpainting.

Issue 4, Page 44
' Issue #141
Sometimes Painting is the Easy Part, Part II

Issue 141, Page 30 Read Article
' Issue #153
Sources of Inspiration

Artist and SAS instructor Julee Hutchison creates painterly landscapes that evoke excitement and curiosity

Issue 153, Page 22 Read Article
' Issue #2
South East Asia

Chew Piak San, Chok Kok Kheong, Hsieh Ming-Chang, Tham Siew-Inn, Tzeng Shing-Ping, Wen-Wei Liu, Wong Kum, Stephen Yau

Issue 2, Page 146
' Issue #1
South East Asia

Loy Chye Chuan, Kung Lai-Fu, Seah Kang Chui, Harlim, Chung Kin-San, Chung Chung-Sik, Wan Soon Kam, Barli Sasmitawinata, Peh Eng Seng, Ong Kim Seng, Wong Seng Tong

Issue 1, Page 142
' Issue #10
Space, light and atmosphere

Producing works with perfect harmony

Issue 10, Page 116
' Issue #92
Spatial Arrangements

Artist Rika De Klerk balances shapes and passages for her complex compositions

Issue 92, Page 86
' Issue #62
Special effects with pastel underpainting

Dotty Hawthorne explains how wiping out an underpainting creates the foundation for a rich and complex pastel work

Issue 62, Page 98
' Issue #104
Spirit Animals

Mary Jane Ansell creates captivating compositions that emanate lively forces

Issue 104, Page 56
' Issue #52
Spiritual Fusion

A near death experience gives this artist new meaning.

Issue 52, Page 110
' Issue #80
Spontaneous But Accurate

Using complementary and reflective colors, and applying many colors of the same hue, allows Bill James to paint in pastels, as Claude Monet did in oils

Issue 80, Page 62
' Issue #145
Spontaneous Color

John P. Smolko demonstrates his one-of-a-kind mark making in colored pencil

Issue 145, Page 84 Read Article
' Issue #56
Spontaneous layers of light and texture

This artist combines loose direct brushstrokes and thick layers of texture to create powerful, passionate art.

Issue 56, Page 142
' Issue #77
Spontaneous Rendering of Deep and Rich Layers

In Part 2 Amy Sanders knows why, against all commercial odds, she persists with pastel - it's all in the layers!

Issue 77, Page 62
' Issue #7
Spread the word

Issue 7, Page 3
' Issue #9
Spread the word

Issue 9, Page 3
' Issue #8
Spread the word

Issue 8, Page 3
' Issue #30
Stake your USP claim now!

Part 5: If you want to make more sales it's definitely easier to be different than better.

Issue 30, Page 24
' Issue #18
Stanley Bleifeld, Mary French, Robert Liberace, Michael Shane Neal

Issue 18, Page 36
' Issue #149
Starting Anew

Issue 149, Page 38 Read Article
' Issue #98
Starting Over

Experimentation allows for development in your artwork; this article shows how to create an impasto painting after many years of creating works that have smooth blends.

Issue 98, Page 46
' Issue #154
Stasis: Step by Step

Issue 154, Page 34 Read Article
' Issue #136
Station Point

Tips & Insights from James Gurney: How to Paint a Spotlight Effect

Issue 136, Page 30
' Issue #88
Station Points Tips & Insights from James Gurney

Sketching people in the wild

Issue 88, Page 48
' Issue #89
Station Points Tips & Insights From James Gurney

Using backlighting for brilliant effect

Issue 89, Page 42
' Issue #128
Station Points

Tips & Insights from James Gurney Experimenting with Oil Techniques

Issue 128, Page 28
' Issue #107
Station Points

Tips & Insights from James Gurney Sketching in Concerts

Issue 107, Page 40
' Issue #96
Station Points

Tips & Insights from James Gurney using Monochrome for Steampunk Illustrations

Issue 96, Page 38
' Issue #118
Station Points

Tips & Insights from James Gurney Maquettes for Fantasy Architecture

Issue 118, Page 30
' Issue #129
Station Points

Tips & Insights from James Gurney Sketching at the Airport

Issue 129, Page 36
' Issue #108
Station Points

Tips & Insights from James Gurney On-the-Spot Surrealism

Issue 108, Page 42
' Issue #97
Station Points

Tips & Insights from James Gurney Sketching Animals from Life: Part I

Issue 97, Page 38
' Issue #119
Station Points

Tips & Insights from James Gurney What Happens to Light in Cloud

Issue 119, Page 26
' Issue #130
Station Points

Tips & Insights from James Gurney Painting Snow Scenes in Gouache

Issue 130, Page 34
' Issue #109
Station Points

Tips & Insights from James Gurney Stuck Somewhere? Why Not Paint

Issue 109, Page 24
' Issue #98
Station Points

Tips & Insights from James Gurney Sketching Animals from Life: Part 2

Issue 98, Page 40
' Issue #120
Station Points

Tips & Insights from James Gurney Court Report

Issue 120, Page 28
' Issue #131
Station Points

Tips & Insights from James Gurney - Your Gouache Questions Answered

Issue 131, Page 30
' Issue #110
Station Points

Tips & Insights from James Gurney Painting Candid Portraits in the Wild

Issue 110, Page 24
' Issue #99
Station Points

Tips & Insights from James Gurney Watercolor in the Wild

Issue 99, Page 38
' Issue #121
Station Points

Tips & Insights from James Gurney Lighting the Portrait

Issue 121, Page 28
' Issue #132
Station Points

Tips & Insights from James Gurney The Pencil: Think and Technique

Issue 132, Page 34
' Issue #111
Station Points

Tips & Insights from James Gurney 10 Tips for Better Brushstrokes

Issue 111, Page 24