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Information gathered at a high school photography course helped Randy Ford lay the foundation for the painting process he still uses to this day
Issue 69, Page 58This artist reveals how mastering the VCM gives you freedom to find your own voice and style.
Issue 58, Page 42
Chantel Barber uses a variety of acrylic paint thicknesses to create highly expressive figurative works
Issue 160, Page 84 Read Article Visit Gallery Website
Beginning with a loose approach, Martin Kotyluk gradually works toward the finer details in his acrylic works
Issue 141, Page 82 Read ArticleConsider these strategies for continuing your art sales success story!
Issue 89, Page 135
International Artist Presents Artist Groups & Societies
Issue 161, Page 46 Read ArticleIssue 39, Page 26
The conceptual, narrative, semi-autobiographical works of Scott Fraser
Issue 32, Page 40Part 1 -- Creating a Successful Process: An Alla Prima Approach for Still Life Painting
Issue 133, Page 50Everything in nature is a source of inspiration for painter Nikolo Balkanski
Issue 130, Page 60Part 3 Gerald Brommer examines what stimulates creative expression and production
Issue 91, Page 48
Frederick Brosen captures the heart of his city scenes through spatial construction, color transition and perspective
Issue 147, Page 86 Read Article Visit Gallery WebsiteHow one artist translates the everyday miracle of a living landscape onto a flat surface.
Issue 9, Page 122Deepak Patil uses an oil painting technique when he paints with acrylics to achieve his desired result
Issue 90, Page 102
Balancing a sense of looseness and technical accuracy, Riad feels his way through his charcoal portraits
Issue 142, Page 110 Read Article
Stephanie Paige Thomson brings the spirit of life painting straight to artists’ own homes
Issue 163, Page 32 Read Article Visit Gallery WebsiteThis artist tells how an internal tonal value scale helps him create unified works that explode with color.
Issue 49, Page 104How a series of exhibitions can help you sell your work to collectors, old and new
Issue 128, Page 25Forging an emotional connection gives Gregory Wellman's portraits a life of their own
Issue 85, Page 108Are you intimidated by painting light as it reflects off complex surfaces? How to do it effectively with colored pencils.
Issue 45, Page 130In Deborah Friedman's most recent drawings of cairns she studies the interaction of colors
Issue 126, Page 114
The importance of choosing the primary theme of your artwork
Issue 162, Page 60 Read ArticleIssue 24, Page 126
Issue 23, Page 126
Issue 22, Page 126