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Issue 39, Page 26
The conceptual, narrative, semi-autobiographical works of Scott Fraser
Issue 32, Page 40Part 1 -- Creating a Successful Process: An Alla Prima Approach for Still Life Painting
Issue 133, Page 50Everything in nature is a source of inspiration for painter Nikolo Balkanski
Issue 130, Page 60Part 3 Gerald Brommer examines what stimulates creative expression and production
Issue 91, Page 48
Frederick Brosen captures the heart of his city scenes through spatial construction, color transition and perspective
Issue 147, Page 86 Read Article Visit Gallery WebsiteHow one artist translates the everyday miracle of a living landscape onto a flat surface.
Issue 9, Page 122Deepak Patil uses an oil painting technique when he paints with acrylics to achieve his desired result
Issue 90, Page 102
Balancing a sense of looseness and technical accuracy, Riad feels his way through his charcoal portraits
Issue 142, Page 110 Read ArticleThis artist tells how an internal tonal value scale helps him create unified works that explode with color.
Issue 49, Page 104How a series of exhibitions can help you sell your work to collectors, old and new
Issue 128, Page 25Forging an emotional connection gives Gregory Wellman's portraits a life of their own
Issue 85, Page 108Are you intimidated by painting light as it reflects off complex surfaces? How to do it effectively with colored pencils.
Issue 45, Page 130In Deborah Friedman's most recent drawings of cairns she studies the interaction of colors
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Issue 25, Page 126
Artist How do we know whether someone is a professional artist anyway?
Issue 60, Page 139This artist found satisfaction by adding abstraction to his figurative compositions.
Issue 50, Page 114
Douglas Fryer discusses teaching, inspiration and creating highly expressive artwork
Issue 147, Page 24 Read ArticleIn his oil paintings, Michael Orwick conveys stories through design elements such as point of view and mood
Issue 102, Page 56Working directly from life without a drawn composition, Ingrid Christensen relies upon setup, tone and colour to paint a contemporary still life.
Issue 98, Page 70