Artist Search
Here are the results of your search...
The underpainting of Jeanne Rosier Smith's pastel seascapes helps establish values and keeps pigments vibrant
Issue 117, Page 116
Some of the top still life painters working today break down their processes for creating powerful compositions
Issue 147, Page 42 Read ArticleBad weather? No light? Freezing cold? Why not turn your car into a studio!
Issue 20, Page 96
In light of his current exhibition at the Museum of the City of New York, watercolorist and native New Yorker Frederick Brosen shares his experience painting the iconic Manhattan park across all four seasons
Issue 156, Page 48 Read Article
African-born artist and educator Samuel Adoquei discusses the subtleties and nuances of painting skin tones in art
Issue 147, Page 48 Read Article
Diana Höhlig implements crosshatching, stippling and parallel scratching to achieve texture and contrast
Issue 155, Page 78 Read Article Visit Gallery WebsiteDoing what you do best can leave you creatively malnourished and artistically challenged. It could be time to take a risk!
Issue 1, Page 34
John Lovett guides us in determining the proper format for a painting
Issue 162, Page 112 Read Article Visit Gallery Website
Composition and value structure are key elements in the velvety gouache art of Rachel Dowd
Issue 162, Page 100 Read Article Visit Gallery WebsiteChristine Egnoski continues her talks with members of the Faculty of the Portrait Society Of America prior to the 2009 The Art of the Portrait ® Conference
Issue 66, Page 36Christine Egnoski talked with members of the Faculty about inspiration, finding satisfaction, seeking a fresh approach to their work, and surmounting obstacles in their careers
Issue 65, Page 44
Claudia Hartley chats with Scottsdale Artists’ School about her roots as an artist and instructor
Issue 144, Page 24 Read Article
Danielle Robertson works with PanPastels and pastel pencils to capture the details of her wildlife subjects
Issue 154, Page 108 Read Article Visit Gallery Website
Working with craft blades and tattoo needles, Conor Smith etches realistic renderings of wildlife
Issue 152, Page 84 Read Article Visit Gallery Website
Plein air artist Michael King explores elements unique to painting in the field in this three-part series.
Issue 143, Page 50 Read ArticleOur European Editor says it's time traditionalists stood up for themselves and the beauty of representational art
Issue 1, Page 74No matter what methods you use, or what style you favor, the results will be rock-solid if you know how to build strong foundations.
Issue 25, Page 58John Michael Carter, Glenn Harrington, Garth Herrick, Xianyuan Jie, Stephen Pan, Tony Pro, Jean-Paul Tibbles, Jennifer Welty
Issue 45, Page 27Ned Bittinger, Loryn Brazier, John Michael Carter, Andy Thomas, Jennifer Welty
Issue 33, Page 38Ned Bittinger, Ardith Starostka, John Ennis Andy Thomas, Kirk Richards, Zhang Wen Xin,and Adam Rhude
Issue 39, Page 64Carol Ivey - Elaine Schechter - Linda Kollacks - Gerald Simcoe
Issue 34, Page 38Peter Folkes, James Huntley, and Pnina Granirer
Issue 10, Page 22When you are faced with complicated subjects, ask the right questions about proportion. Here's how this artist tackled the wonders of Sicily.
Issue 23, Page 122Gary Snavely and Tatsuo Inoue prove that opposites truly do attract, resulting in a unique, shared, creative experience
Issue 83, Page 108Ester Wilson explains how she use sketches and a studio setup to a paint a still life full of texture and dimension
Issue 130, Page 76Trompe l'Oeil artist Jorge Alberto is inspired by objects with history, creating a narrative around the items
Issue 107, Page 70
Working with similar subject matter in each piece, James Gurney analyzes the qualities and quirks of his favorite sketch media
Issue 160, Page 44 Read ArticleKasey Sealy wants you to stop fiddling and try these practical oil painting tips now.
Issue 66, Page 62Andy Evansen first breaks down a scene into basic shapes through value studies, then translates it to a color painting
Issue 101, Page 84Learning to paint at 52, this artist shares her shortcut method for painting landscapes.
Issue 51, Page 74John Lovett discusses the importance of note taking and sketches in art
Issue 115, Page 84
James Gurney and Thomas Kinkade share their adventures with nature sketching from their 1980 art odyssey across America
Issue 162, Page 46 Read Article Visit Gallery Website
More than just blank space, John Lovett explores how skies can add balance and ambiance to a painting
Issue 140, Page 82 Read Article
Ksenya Verse highlights the intricate textures, variability and sculptural nature of clouds
Issue 161, Page 70 Read Article Visit Gallery Website
Colored pencil artist Megan Seiter creates crisp, detailed still lifes of florals and other organic subjects
Issue 153, Page 84 Read Article Visit Gallery WebsiteKatherine McNenly treats each layer of paint as a foundation for the next one
Issue 85, Page 92Issue 2, Page 160
This artist offers his insights on how to find the painting style that best suits you.
Issue 31, Page 84