Scottsdale Artists’ School: How did you become an artist?
Mitch Baird: My journey as an artist began at a young age. In first grade my parents were advised to nurture my talent by enrolling me in art lessons. Since then, art has been a major part of my life, shaping my identity and influencing my path in many ways.

SAS: When did plein air become your subject of choice?
MB: For me, plein air has never been a deliberate subject of choice or a defined artistic process. Instead, it has evolved into a label that sometimes overshadows the essence of a piece. I believe that attributing a work as “plein air” should neither elevate nor diminish its value. Regardless of its creation a work of art must stand on its own merits.

Mitch Baird, Sonoran Shadows, oil, 9 x 12” (22 x 30 cm)

 

SAS: How did the opportunity arise for you to become an instructor at Scottsdale Artists’ School?
MB: The opportunity to become an instructor at Scottsdale Artists’ School emerged unexpectedly after I relocated to Arizona 12 years ago. Prior to that, I had been relatively unaware of the school and its significance in the art community. However, when I was approached to teach there, I immediately felt a strong connection, not only with the dedicated staff but also with the profound legacy and positive influence the school has had on countless artists.

SAS: What is one takeaway you want students to get from your instruction?
MB: My goal is to share the fundamental principles of design that create meaningful painting compositions. These aesthetics that have been refined over centuries of exploration and revelation, serve as timeless guides to artistic excellence.

Mitch Baird, Evening Token, oil, 20 x 24” (55 x 76 cm)

 

SAS: What is the most important lesson you have learned as an artist?
MB: One lesson that stands out to me above all others is: “The more you learn the more you realize you don’t know.” Art is a never ending learning process, and that’s what keeps me coming back to it.

SAS: Can you tell us about the time you sold your first painting?
MB: I wish I could but believe it or not I have no memory of the event! I recall the moment when I submitted my first piece to an exhibit for a state high school competition. It was an honor to be awarded the top prize.

Mitch Baird, Sabino Canyon, 18 x 24” (45 x 60 cm)

 

SAS: How do you work through obstacles?
MB: When faced with obstacles, I approach them as visual challenges to be solved and I remind myself that an obstacle is simply a barrier in the process of finding an answer to a visual problem. To navigate through these hurdles, I rely on the timeless fundamentals of design.

SAS: Tell us about your upcoming workshop at the Grand Canyon.
MB: For the past decade, I’ve had the incredible privilege of teaching at the Grand Canyon for Scottsdale Artists’ School. It is not only the most inspirational place to paint in the world but the most challenging. What makes our workshop truly exceptional is the exclusive access we have to all the park’s breathtaking locations. Unlike typical arrangements, where logistical challenges can hinder the artistic process, our workshop offers a seamless experience. With special permission, we’re able to drive directly to our painting spots, eliminating the hassle of bus transportation. This freedom allows students to focus entirely on their craft, immersing themselves in the beautiful vistas without distraction. —