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The anatomically accurate wildlife paintings of Cynthie Fisher come to life through sketches and references
Issue 116, Page 60Beginning each painting with a specific goal, Aaron Westerberg comgines elements that help support and enhance his ideas
Issue 95, Page 90
Charcoal artist Emily Copeland masterfully captures the unique textures of a variety of vintage objects
Issue 162, Page 32 Read ArticleRaymond Burns' paintings are energized with surface preparation, texture, brushwork and the creation of a memorable mood
Issue 76, Page 48This artist's incredible surface textures are the result of setting priorities in shape, definition and design.
Issue 5, Page 56An intriguing look at the confronting work of truly international artist Fred Cress.
Issue 2, Page 124
Erika Stearly creates her abstract interiors by combining the fluidity of watercolors with the heaviness of acrylics
Issue 144, Page 104 Read ArticleThis artist departs from his comfort zonewhilst painting a mural on the cupola of the Ambato Capel in Quito, Ecuador.
Issue 54, Page 82An artist residency in the Eastern Swiss Alps allowed for close examinations of the environment through multiple seasons
Issue 126, Page 46This Swedish artist's work contains very little pure description.
Issue 23, Page 94John Lovett shows how to paint perspective in several compositions that include shutters
Issue 93, Page 108Wildly expressive color, shapes that create tension and a scintillating mosaic-like application of dots, strokes and dashes.
Issue 17, Page 92Zhang Xiaogang shares his relationship with the world through his watercolor paintings of lotus
Issue 129, Page 92Classical Chinese training overlaid on Western art themes.
Issue 11, Page 126Layering a variety of media creates mysterious passages that both obscure and reveal the symbolic meaning in this artist's still lifes.
Issue 26, Page 130This Scandanavian artist produces variations on a theme that resonate well with his appreciative audience.
Issue 48, Page 130
Anastasia Trusova utilizes gels, palette knives and scrapers to create multiple textures in her paintings
Issue 144, Page 70 Read ArticleSusan Paterson slowed down her watercolor process and regained control of the painting process
Issue 90, Page 86Take heart, archaic systems are being overturned and there's plenty you can do to make sales.
Issue 1, Page 32
Scottsdale Artists’ School sits down with instructor Tim Horn to discuss his small-town roots, current projects and how he stays creative
Issue 141, Page 22 Read ArticleYanqun Xue remains deeply influenced by his heritage and his early years in art, developing his techniques within proximity to his memories of the past
Issue 64, Page 84Malcolm Read took himself one step beyond his draughting skills when he became an artist
Issue 61, Page 102This painter's vision was inspired by Walt Disney, Gauguin and the glorious technicolor of the movies.
Issue 23, Page 86Wolf Schenke shows how mastering perspective gives you the ability to create dynamic angles and add dramatic depth-of-field to your picture plane.
Issue 68, Page 76John Lovett shows how you can make your paintings much more appealing if you include elements that suggest the experience of being there.
Issue 51, Page 90
The Scottsdale Artists’ School in Arizona speaks with artist and instructor Dustin Van Wechel about his path from a career in advertising to award-winning wildlife artist and SAS instructor
Issue 139, Page 24 Read Article
Using a combination of soft and hard pastels, Ellouise Theron creates accurate renderings of her wildlife subjects
Issue 149, Page 96 Read Article Visit Gallery WebsiteTouch and texture are integral components in the paintings of Susan McLennan
Issue 107, Page 102How to create texture you see and the texture you can actually feel.
Issue 47, Page 90Create emotion through color laid on with decisive touches.
Issue 9, Page 60Graeme Smith shows you ten planning ideas for your next exhibition, print promotion or other marketing campaign
Issue 66, Page 112Now you can master the most misunderstood element of all.
Issue 37, Page 56This artist has identified, and dared to express, something many of us are too ashamed to admit.
Issue 19, Page 124