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Straight lines can speak volumes

How one artist translates the everyday miracle of a living landscape onto a flat surface.

Issue 9, Page 122

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Straight to the Focal Point

Deepak Patil uses an oil painting technique when he paints with acrylics to achieve his desired result

Issue 90, Page 102

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Stream of Consciousness

Balancing a sense of looseness and technical accuracy, Riad feels his way through his charcoal portraits

Issue 142, Page 110 Read Article

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Streaming from Life

Stephanie Paige Thomson brings the spirit of life painting straight to artists’ own homes

Issue 163, Page 32 Read Article Visit Gallery Website

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Strengthen your watercolor with tonal values

This artist tells how an internal tonal value scale helps him create unified works that explode with color.

Issue 49, Page 104

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Striving for Excellence: The 2020 Class of Portrait Society Signature Status

Issue 133, Page 38

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Striving for Success

How a series of exhibitions can help you sell your work to collectors, old and new

Issue 128, Page 25

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Striving For That Extra Something

Forging an emotional connection gives Gregory Wellman's portraits a life of their own

Issue 85, Page 108

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Structure First, Subject Second

Ian Roberts demonstrates how to build paintings on the foundation of compositional structure

Issue 165, Page 68 Read Article Visit Gallery Website

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Structured Process

Working with soft pastels, Jason Morgan transforms complex subjects into manageable, buildable layers

Issue 165, Page 80 Read Article Visit Gallery Website

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Studio Access

Laurie Humble - USA; Andy Hsu - USA; Selina Karim - USA

Issue 52, Page 101

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Studio Access - Aurelia Jacobsen

Issue 59, Page 56

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Studio Access - John Stoa

Issue 62, Page 122

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Studio Access - Noah Becker

Issue 59, Page 57

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Studio Apprentice

New Series: The 3 building blocks of good painting.

Issue 19, Page 130

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Study the small shapes to conquer the light

Are you intimidated by painting light as it reflects off complex surfaces? How to do it effectively with colored pencils.

Issue 45, Page 130

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Studying the Color Field

In Deborah Friedman's most recent drawings of cairns she studies the interaction of colors

Issue 126, Page 114

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Subject Matters

The importance of choosing the primary theme of your artwork

Issue 162, Page 60 Read Article

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Subscribe now and you could win an 11-day Painting Vacation for Two on the French Riviera and the Portofino Coast of Italy with David Taylor as your teacher

Issue 24, Page 126

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Subscribe now and you could win an 11-day Painting Vacation for Two on the French Riviera and the Portofino Coast of Italy with David Taylor as your teacher.

Issue 23, Page 126

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Subscribe now and you could win an 11-day Painting Vacation for Two on the French Riviera and the Portofino Coast of Italy with David Taylor as your teacher.

Issue 22, Page 126

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Subscriber prize

Issue 4, Page 18

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Subscriber Prize

Issue 10, Page 34

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Subscriber Prize

Issue 7, Page 34

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Subscriber prize

Issue 3, Page 18

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Subscriber Prize

Issue 6, Page 34

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Subscriber prize

Issue 11, Page 34

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Subscriber prize

Issue 2, Page 18

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Subscriber prize

Issue 9, Page 34

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Subscriber prize

Issue 1, Page 18

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Subscriber prize

Issue 8, Page 30

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Subscriber prize

Issue 5, Page 34

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Subscriber prize - You could win an 11-day Painting Vacation for Two on the French Riviera and the Portofino Coast of Italy with David Taylor as your teacher

Issue 25, Page 126

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Success is an upward spiral

Artist How do we know whether someone is a professional artist anyway?

Issue 60, Page 139

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Succumb to the art!

This artist found satisfaction by adding abstraction to his figurative compositions.

Issue 50, Page 114

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Suggesting Reality

Douglas Fryer discusses teaching, inspiration and creating highly expressive artwork

Issue 147, Page 24 Read Article

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Suggesting Narratives

In his oil paintings, Michael Orwick conveys stories through design elements such as point of view and mood

Issue 102, Page 56

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Suggesting Reality

Working directly from life without a drawn composition, Ingrid Christensen relies upon setup, tone and colour to paint a contemporary still life.

Issue 98, Page 70

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Suggestions of Reality

Georg Douglas blends natural and molecular elements in his abstracted floral paintings

Issue 117, Page 72

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Suggestive dabs and random strokes

Issue 18, Page 100

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Summer Palette

Susan Abbott creates minimalist designs that elevate the colors in her vibrant pastoral scenes

Issue 163, Page 72 Read Article Visit Gallery Website

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Sunshine!

Bathe your paintings in beautiful sunlight

Issue 36, Page 130

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SuperSeminar

International Artist magazine launches a unique 4 artist/4 seminar weekend in Los Angeles.

Issue 22, Page 49

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SuperSeminar

International Artist magazine launches a unique 4 artist/4 seminar weekend.

Issue 21, Page 51

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Supporting Materials

The anatomically accurate wildlife paintings of Cynthie Fisher come to life through sketches and references

Issue 116, Page 60

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Supporting the Original Version

Beginning each painting with a specific goal, Aaron Westerberg comgines elements that help support and enhance his ideas

Issue 95, Page 90

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Surabhi Gulwelkar: Household objects

Issue 155, Page 68 Read Article Visit Gallery Website

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Surface Qualities

Charcoal artist Emily Copeland masterfully captures the unique textures of a variety of vintage objects

Issue 162, Page 32 Read Article

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Surface Tension

Raymond Burns' paintings are energized with surface preparation, texture, brushwork and the creation of a memorable mood

Issue 76, Page 48

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Surface texture

This artist's incredible surface textures are the result of setting priorities in shape, definition and design.

Issue 5, Page 56

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