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' Issue #3
Subscriber prize

Issue 3, Page 18
' Issue #6
Subscriber Prize

Issue 6, Page 34
' Issue #11
Subscriber prize

Issue 11, Page 34
' Issue #2
Subscriber prize

Issue 2, Page 18
' Issue #9
Subscriber prize

Issue 9, Page 34
' Issue #1
Subscriber prize

Issue 1, Page 18
' Issue #8
Subscriber prize

Issue 8, Page 30
' Issue #5
Subscriber prize

Issue 5, Page 34
' Issue #25
Subscriber prize - You could win an 11-day Painting Vacation for Two on the French Riviera and the Portofino Coast of Italy with David Taylor as your teacher

Issue 25, Page 126
' Issue #60
Success is an upward spiral

Artist How do we know whether someone is a professional artist anyway?

Issue 60, Page 139
' Issue #50
Succumb to the art!

This artist found satisfaction by adding abstraction to his figurative compositions.

Issue 50, Page 114
' Issue #147
Suggesting Reality

Douglas Fryer discusses teaching, inspiration and creating highly expressive artwork

Issue 147, Page 24 Read Article
' Issue #102
Suggesting Narratives

In his oil paintings, Michael Orwick conveys stories through design elements such as point of view and mood

Issue 102, Page 56
' Issue #98
Suggesting Reality

Working directly from life without a drawn composition, Ingrid Christensen relies upon setup, tone and colour to paint a contemporary still life.

Issue 98, Page 70
' Issue #117
Suggestions of Reality

Georg Douglas blends natural and molecular elements in his abstracted floral paintings

Issue 117, Page 72
' Issue #18
Suggestive dabs and random strokes

Issue 18, Page 100
' Issue #163
Summer Palette

Susan Abbott creates minimalist designs that elevate the colors in her vibrant pastoral scenes

Issue 163, Page 72 Read Article Visit Gallery Website
' Issue #36
Sunshine!

Bathe your paintings in beautiful sunlight

Issue 36, Page 130
' Issue #22
SuperSeminar

International Artist magazine launches a unique 4 artist/4 seminar weekend in Los Angeles.

Issue 22, Page 49
' Issue #21
SuperSeminar

International Artist magazine launches a unique 4 artist/4 seminar weekend.

Issue 21, Page 51
' Issue #116
Supporting Materials

The anatomically accurate wildlife paintings of Cynthie Fisher come to life through sketches and references

Issue 116, Page 60
' Issue #95
Supporting the Original Version

Beginning each painting with a specific goal, Aaron Westerberg comgines elements that help support and enhance his ideas

Issue 95, Page 90
' Issue #155
Surabhi Gulwelkar: Household objects

Issue 155, Page 68 Read Article Visit Gallery Website
' Issue #162
Surface Qualities

Charcoal artist Emily Copeland masterfully captures the unique textures of a variety of vintage objects

Issue 162, Page 32 Read Article
' Issue #76
Surface Tension

Raymond Burns' paintings are energized with surface preparation, texture, brushwork and the creation of a memorable mood

Issue 76, Page 48
' Issue #5
Surface texture

This artist's incredible surface textures are the result of setting priorities in shape, definition and design.

Issue 5, Page 56
' Issue #2
Surprise and control

An intriguing look at the confronting work of truly international artist Fred Cress.

Issue 2, Page 124
' Issue #9
Surreal and slightly mysterious silver

It's time to reflect on reflections.

Issue 9, Page 130
' Issue #144
Surreal Scenes

Erika Stearly creates her abstract interiors by combining the fluidity of watercolors with the heaviness of acrylics

Issue 144, Page 104 Read Article
' Issue #54
Surrendering to the spirit

This artist departs from his comfort zonewhilst painting a mural on the cupola of the Ambato Capel in Quito, Ecuador.

Issue 54, Page 82
' Issue #126
Surrounded by Inspiration

An artist residency in the Eastern Swiss Alps allowed for close examinations of the environment through multiple seasons

Issue 126, Page 46
' Issue #110
Susan Crouch

Interpreting Colors

Issue 110, Page 90
' Issue #115
Susan Lynn

Direct observation

Issue 115, Page 88
' Issue #113
Susan Lyon

A mixed media portrait

Issue 113, Page 46
' Issue #65
Susan Lyon Demonstrates

Issue 65, Page 48
' Issue #23
Svante Rydberg - Giving life to the landscape

This Swedish artist's work contains very little pure description.

Issue 23, Page 94
' Issue #93
Swinging Shutters

John Lovett shows how to paint perspective in several compositions that include shutters

Issue 93, Page 108
' Issue #17
Symbolic color

Wildly expressive color, shapes that create tension and a scintillating mosaic-like application of dots, strokes and dashes.

Issue 17, Page 92
' Issue #129
Symbolic Imagery

Zhang Xiaogang shares his relationship with the world through his watercolor paintings of lotus

Issue 129, Page 92
' Issue #11
Symbolic watercolor on rice paper

Classical Chinese training overlaid on Western art themes.

Issue 11, Page 126
' Issue #26
Symbolism - what does it all mean?

Layering a variety of media creates mysterious passages that both obscure and reveal the symbolic meaning in this artist's still lifes.

Issue 26, Page 130
' Issue #48
Symphonic variations

This Scandanavian artist produces variations on a theme that resonate well with his appreciative audience.

Issue 48, Page 130
' Issue #107
Taaron Parsons

An oil painting demonstration

Issue 107, Page 38
' Issue #144
Tactile Response

Anastasia Trusova utilizes gels, palette knives and scrapers to create multiple textures in her paintings

Issue 144, Page 70 Read Article
' Issue #133
Takashi Akasaka

Contrasts of lights and darks

Issue 133, Page 86
' Issue #90
Take Your Time with Each Step

Susan Paterson slowed down her watercolor process and regained control of the painting process

Issue 90, Page 86
' Issue #1
Taking Control:When galleries aren't doing it for you

Take heart, archaic systems are being overturned and there's plenty you can do to make sales.

Issue 1, Page 32
' Issue #141
Taking in the Scene

Scottsdale Artists’ School sits down with instructor Tim Horn to discuss his small-town roots, current projects and how he stays creative

Issue 141, Page 22 Read Article
' Issue #112
Tanvi Pathare

The surrounding world

Issue 112, Page 74
' Issue #64
Tapping into a precious heritage

Yanqun Xue remains deeply influenced by his heritage and his early years in art, developing his techniques within proximity to his memories of the past

Issue 64, Page 84