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' Issue #116
Supporting Materials

The anatomically accurate wildlife paintings of Cynthie Fisher come to life through sketches and references

Issue 116, Page 60
' Issue #95
Supporting the Original Version

Beginning each painting with a specific goal, Aaron Westerberg comgines elements that help support and enhance his ideas

Issue 95, Page 90
' Issue #155
Surabhi Gulwelkar: Household objects

Issue 155, Page 68 Read Article Visit Gallery Website
' Issue #162
Surface Qualities

Charcoal artist Emily Copeland masterfully captures the unique textures of a variety of vintage objects

Issue 162, Page 32 Read Article
' Issue #76
Surface Tension

Raymond Burns' paintings are energized with surface preparation, texture, brushwork and the creation of a memorable mood

Issue 76, Page 48
' Issue #5
Surface texture

This artist's incredible surface textures are the result of setting priorities in shape, definition and design.

Issue 5, Page 56
' Issue #2
Surprise and control

An intriguing look at the confronting work of truly international artist Fred Cress.

Issue 2, Page 124
' Issue #9
Surreal and slightly mysterious silver

It's time to reflect on reflections.

Issue 9, Page 130
' Issue #144
Surreal Scenes

Erika Stearly creates her abstract interiors by combining the fluidity of watercolors with the heaviness of acrylics

Issue 144, Page 104 Read Article
' Issue #54
Surrendering to the spirit

This artist departs from his comfort zonewhilst painting a mural on the cupola of the Ambato Capel in Quito, Ecuador.

Issue 54, Page 82
' Issue #126
Surrounded by Inspiration

An artist residency in the Eastern Swiss Alps allowed for close examinations of the environment through multiple seasons

Issue 126, Page 46
' Issue #110
Susan Crouch

Interpreting Colors

Issue 110, Page 90
' Issue #115
Susan Lynn

Direct observation

Issue 115, Page 88
' Issue #113
Susan Lyon

A mixed media portrait

Issue 113, Page 46
' Issue #65
Susan Lyon Demonstrates

Issue 65, Page 48
' Issue #23
Svante Rydberg - Giving life to the landscape

This Swedish artist's work contains very little pure description.

Issue 23, Page 94
' Issue #93
Swinging Shutters

John Lovett shows how to paint perspective in several compositions that include shutters

Issue 93, Page 108
' Issue #17
Symbolic color

Wildly expressive color, shapes that create tension and a scintillating mosaic-like application of dots, strokes and dashes.

Issue 17, Page 92
' Issue #129
Symbolic Imagery

Zhang Xiaogang shares his relationship with the world through his watercolor paintings of lotus

Issue 129, Page 92
' Issue #11
Symbolic watercolor on rice paper

Classical Chinese training overlaid on Western art themes.

Issue 11, Page 126
' Issue #26
Symbolism - what does it all mean?

Layering a variety of media creates mysterious passages that both obscure and reveal the symbolic meaning in this artist's still lifes.

Issue 26, Page 130
' Issue #48
Symphonic variations

This Scandanavian artist produces variations on a theme that resonate well with his appreciative audience.

Issue 48, Page 130
' Issue #107
Taaron Parsons

An oil painting demonstration

Issue 107, Page 38
' Issue #144
Tactile Response

Anastasia Trusova utilizes gels, palette knives and scrapers to create multiple textures in her paintings

Issue 144, Page 70 Read Article
' Issue #133
Takashi Akasaka

Contrasts of lights and darks

Issue 133, Page 86
' Issue #90
Take Your Time with Each Step

Susan Paterson slowed down her watercolor process and regained control of the painting process

Issue 90, Page 86
' Issue #1
Taking Control:When galleries aren't doing it for you

Take heart, archaic systems are being overturned and there's plenty you can do to make sales.

Issue 1, Page 32
' Issue #141
Taking in the Scene

Scottsdale Artists’ School sits down with instructor Tim Horn to discuss his small-town roots, current projects and how he stays creative

Issue 141, Page 22 Read Article
' Issue #112
Tanvi Pathare

The surrounding world

Issue 112, Page 74
' Issue #64
Tapping into a precious heritage

Yanqun Xue remains deeply influenced by his heritage and his early years in art, developing his techniques within proximity to his memories of the past

Issue 64, Page 84
' Issue #14
Tate reborn

A brand new space on the Thames gives Tate Britain room to move!

Issue 14, Page 78
' Issue #61
Teaching Oneself New Tricks

Malcolm Read took himself one step beyond his draughting skills when he became an artist

Issue 61, Page 102
' Issue #23
Technicolor dreamcoat

This painter's vision was inspired by Walt Disney, Gauguin and the glorious technicolor of the movies.

Issue 23, Page 86
' Issue #68
Technological Perspective

Wolf Schenke shows how mastering perspective gives you the ability to create dynamic angles and add dramatic depth-of-field to your picture plane.

Issue 68, Page 76
' Issue #128
Ted Nuttall

Capturing an essence

Issue 128, Page 106
' Issue #51
Telling a story

John Lovett shows how you can make your paintings much more appealing if you include elements that suggest the experience of being there.

Issue 51, Page 90
' Issue #10
Telling a Story with Symbolic Images

Issue 10, Page 102
' Issue #139
Telling Nature’s Story

The Scottsdale Artists’ School in Arizona speaks with artist and instructor Dustin Van Wechel about his path from a career in advertising to award-winning wildlife artist and SAS instructor

Issue 139, Page 24 Read Article
' Issue #16
Telling the visual truth

How far can you push?

Issue 16, Page 98
' Issue #101
Teresa Oaxaca: The Spirit of another Age

Issue 101, Page 32
' Issue #149
Texture and Form

Using a combination of soft and hard pastels, Ellouise Theron creates accurate renderings of her wildlife subjects

Issue 149, Page 96 Read Article Visit Gallery Website
' Issue #107
Texture in Dimensional Painting

Touch and texture are integral components in the paintings of Susan McLennan

Issue 107, Page 102
' Issue #47
Texture techniques

How to create texture you see and the texture you can actually feel.

Issue 47, Page 90
' Issue #148
That Particular Something

Creating Engaging Compositions

Issue 148, Page 34 Read Article
' Issue #98
The "Perils" of Using Photographic Reference

Issue 98, Page 64
' Issue #9
The "touch and escape" method

Create emotion through color laid on with decisive touches.

Issue 9, Page 60
' Issue #66
The 10 Marketing Commandments

Graeme Smith shows you ten planning ideas for your next exhibition, print promotion or other marketing campaign

Issue 66, Page 112
' Issue #131
The 100-hour Rule

Putting in the work to reach your gallery goals

Issue 131, Page 20
' Issue #37
The 3 ingredients of painting water

Now you can master the most misunderstood element of all.

Issue 37, Page 56
' Issue #19
The 3 stages of development

This artist has identified, and dared to express, something many of us are too ashamed to admit.

Issue 19, Page 124