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' Issue #62
Special effects with pastel underpainting

Dotty Hawthorne explains how wiping out an underpainting creates the foundation for a rich and complex pastel work

Issue 62, Page 98
' Issue #104
Spirit Animals

Mary Jane Ansell creates captivating compositions that emanate lively forces

Issue 104, Page 56
' Issue #52
Spiritual Fusion

A near death experience gives this artist new meaning.

Issue 52, Page 110
' Issue #80
Spontaneous But Accurate

Using complementary and reflective colors, and applying many colors of the same hue, allows Bill James to paint in pastels, as Claude Monet did in oils

Issue 80, Page 62
' Issue #145
Spontaneous Color

John P. Smolko demonstrates his one-of-a-kind mark making in colored pencil

Issue 145, Page 84 Read Article
' Issue #56
Spontaneous layers of light and texture

This artist combines loose direct brushstrokes and thick layers of texture to create powerful, passionate art.

Issue 56, Page 142
' Issue #77
Spontaneous Rendering of Deep and Rich Layers

In Part 2 Amy Sanders knows why, against all commercial odds, she persists with pastel - it's all in the layers!

Issue 77, Page 62
' Issue #7
Spread the word

Issue 7, Page 3
' Issue #9
Spread the word

Issue 9, Page 3
' Issue #8
Spread the word

Issue 8, Page 3
' Issue #168
Spring Energy in the Studio

Letter from the Publishers

Issue 168, Page 1 Read Article
' Issue #30
Stake your USP claim now!

Part 5: If you want to make more sales it's definitely easier to be different than better.

Issue 30, Page 24
' Issue #18
Stanley Bleifeld, Mary French, Robert Liberace, Michael Shane Neal

Issue 18, Page 36
' Issue #149
Starting Anew

Issue 149, Page 38 Read Article
' Issue #168
Starting Off Strong

Australian artist Jessica Le Clerc advocates for drawing as the foundation of meaningful art

Issue 168, Page 60 Read Article Visit Gallery Website
' Issue #98
Starting Over

Experimentation allows for development in your artwork; this article shows how to create an impasto painting after many years of creating works that have smooth blends.

Issue 98, Page 46
' Issue #154
Stasis: Step by Step

Issue 154, Page 34 Read Article
' Issue #136
Station Point

Tips & Insights from James Gurney: How to Paint a Spotlight Effect

Issue 136, Page 30
' Issue #88
Station Points Tips & Insights from James Gurney

Sketching people in the wild

Issue 88, Page 48
' Issue #89
Station Points Tips & Insights From James Gurney

Using backlighting for brilliant effect

Issue 89, Page 42
' Issue #92
Station Points

Tips & Insights from James Gurney Sketchbook Report: Portrait Society Convention

Issue 92, Page 40
' Issue #94
Station Points

Tips & Insights from James Gurney Designing Australia's Dinosaur Stamps

Issue 94, Page 40
' Issue #95
Station Points

Tips & Insights from James Gurney Two Artists Paint a Blacksmith Shop

Issue 95, Page 38
' Issue #96
Station Points

Tips & Insights from James Gurney using Monochrome for Steampunk Illustrations

Issue 96, Page 38
' Issue #97
Station Points

Tips & Insights from James Gurney Sketching Animals from Life: Part I

Issue 97, Page 38
' Issue #98
Station Points

Tips & Insights from James Gurney Sketching Animals from Life: Part 2

Issue 98, Page 40
' Issue #99
Station Points

Tips & Insights from James Gurney Watercolor in the Wild

Issue 99, Page 38
' Issue #100
Station Points

Tips & Insights from James Gurney How to Video Your Art: Tips for Shooting Your Own Video Tutorials, Part 1

Issue 100, Page 38
' Issue #101
Station Points

Tips & Insights from James Gurney How to Video Your Art, Part 2 Tips for Recording Audio, Editing and Distributing Video Tutorials

Issue 101, Page 40
' Issue #102
Station Points

Tips & Insights from James Gurney Eye Level: Why the eye level is the most important line in any scene

Issue 102, Page 38
' Issue #103
Station Points

Tips & Insights from James Gurney Light Spill and Lens Flare

Issue 103, Page 38
' Issue #104
Station Points

Tips & Insights from James Gurney Resurrecting Tyrannosaurs

Issue 104, Page 40
' Issue #105
Station Points

Tips & Insights from James Gurney Ten Tips for Success in Gouache

Issue 105, Page 42
' Issue #116
Station Points

Tips & Insights from James Gurney Building a Sketch Easel

Issue 116, Page 26
' Issue #117
Station Points

Tips & Insights from James Gurney Top 10 Tips for Painting Flowers Outdoors

Issue 117, Page 28
' Issue #118
Station Points

Tips & Insights from James Gurney Maquettes for Fantasy Architecture

Issue 118, Page 30
' Issue #119
Station Points

Tips & Insights from James Gurney What Happens to Light in Cloud

Issue 119, Page 26
' Issue #120
Station Points

Tips & Insights from James Gurney Court Report

Issue 120, Page 28
' Issue #121
Station Points

Tips & Insights from James Gurney Lighting the Portrait

Issue 121, Page 28
' Issue #122
Station Points

Tips & Insights from James Gurney Six Tips for Painting More Efficiently

Issue 122, Page 28
' Issue #123
Station Points

Tips & Insights from James Gurney Painting Animals from Life

Issue 123, Page 32
' Issue #124
Station Points

Tips & Insights from James Gurney Trip to Maine

Issue 124, Page 30
' Issue #125
Station Points

Tips & Insights from James Gurney Dinosaur Art is Wildlife Art

Issue 125, Page 32
' Issue #126
Station Points

Tips & Insights from James Gurney Sketching Irish Musicians

Issue 126, Page 30
' Issue #127
Station Points

Tips & Insights from James Gurney A Day at the Diner

Issue 127, Page 29
' Issue #128
Station Points

Tips & Insights from James Gurney Experimenting with Oil Techniques

Issue 128, Page 28
' Issue #129
Station Points

Tips & Insights from James Gurney Sketching at the Airport

Issue 129, Page 36
' Issue #130
Station Points

Tips & Insights from James Gurney Painting Snow Scenes in Gouache

Issue 130, Page 34
' Issue #131
Station Points

Tips & Insights from James Gurney - Your Gouache Questions Answered

Issue 131, Page 30
' Issue #132
Station Points

Tips & Insights from James Gurney The Pencil: Think and Technique

Issue 132, Page 34