Artist Search

Here are the results of your search...


' Issue #111
The Importance of Composition and Value

LaVone Sterling explains the significance of two essential elements in achieving a dynamic work of art

Issue 111, Page 100
' Issue #115
The Importance of Concept

Chinese artist Xi Guo creates paintings where every element serves a purpose to the completed composition

Issue 115, Page 70
' Issue #123
The Importance of Edges

John Lovett shares his methods for controlling edges in watercolour painting

Issue 123, Page 120
' Issue #55
The importance of having a visual concept

This artist shows how a strong concept for your still life is like having a good road map. Keep following it and you won't get lost!.

Issue 55, Page 70
' Issue #108
The Importance of Light

For more than 30 years, Tom Browning has focused on the handling of light in his Western scenes

Issue 108, Page 56
' Issue #91
The Importance of the Specular Highlight

Daniel Maidman shows why no one part plays a more pivotal and dramatic role in a painting than the 'specular highlight'

Issue 91, Page 52
' Issue #74
The Importance of Value Pattern Design

Adeste Deguilmo believes that creativity is the act of learning all the time.

Issue 74, Page 82
' Issue #105
The Importance of Vision

Moving beyond subject matter, Marta Crawford aims to connect with the viewers of her artwork

Issue 105, Page 74
' Issue #3
The important principles of rendering form

A California artist shares some crucial pieces of understanding gained through a life spent climbing the ladder of art.

Issue 3, Page 30
' Issue #150
The Ink and the Grain

Using the Japanese moku hanga technique, Leon Loughridge creates rich woodblock prints of the American Southwest

Issue 150, Page 48 Read Article Visit Gallery Website
' Issue #60
The International Guild of Realism

The world of realism spans the globe.

Issue 60, Page 98
' Issue #67
The Invention of ideas

Colley Whisson advises you to always keep an open mind if you want to progress as an artist

Issue 67, Page 108
' Issue #7
The John Singer Sargent Retrospective - from an artist's point of view

Issue 7, Page 4
' Issue #143
The Journey

Chairman’s Letter

Issue 143, Page 32 Read Article
' Issue #8
The joy of color

This artist bought some hot new colors and took them out for a spin.

Issue 8, Page 84
' Issue #53
The key to specialising is hard earned knowledge

There's no better way to learn how to paint the coastline than through the eyes and hands of a dedicated Aussie surfer.

Issue 53, Page 52
' Issue #5
The land beneath my feet

A new perspective of the Australian landscape that does not involve vast tracts of sweeping plains.

Issue 5, Page 116
' Issue #19
The language and linear landscape of the studio

With two fantastic historically listed studios, no wonder Ken Howard finds endless inspiration right at home.

Issue 19, Page 64
' Issue #99
The Language of Art

In addition to aesthetics, Patricia Guzman uses her art to say and express ideas emotionally

Issue 99, Page 120
' Issue #53
The Language of the Architect

This Sydney-based architect is absorbed by the challenge of finding the most economical use of the pen to communicate the essence of a building or place.

Issue 53, Page 142
' Issue #118
The Language of Watercolor

Zhou Tianya shares the importance of color, value, composition and individuality in watercolor painting

Issue 118, Page 106
' Issue #2
The lazy artist's guide to perspective

How to make a simple tool to help you understand and use linear perspective - and get your drawings right every time.

Issue 2, Page 6
' Issue #88
The Liberty to Explore

Ali A. Aryan benefits from the complete freedom of endless experimentation

Issue 88, Page 76
' Issue #35
The life and light of Cornish beaches

Memory, imagination and interpretation.

Issue 35, Page 76
' Issue #88
The Little Things

John Lovett shows us how getting the punctuating marks right can bring your painting to life

Issue 88, Page 136
' Issue #65
The Living Landscape

Canadian artist Brittani Faulkes says we sometimes take ourselves too seriously. She shows how she puts the fun into her funky landscapes

Issue 65, Page 74
' Issue #96
The Low-chroma Portrait, Part 1: Daniel Maidman

Issue 96, Page 42
' Issue #97
The Low-chroma Portrait, Part 2: Noah Becker

Issue 97, Page 44
' Issue #158
The Lull of the Sea

Using subdued colors and exploring blank areas on the paper, André Kano creates tranquil maritime scenes

Issue 158, Page 86 Read Article Visit Gallery Website
' Issue #44
The lure of pattern and texture

How to use a variety of materials and techniques for enhancing any subject with subtle, engaging textures and patterns.

Issue 44, Page 82
' Issue #6
The magic shortcut to fame and fortune

Is all you need a great publicist, and an angle?

Issue 6, Page 10
' Issue #1
The magical light and drama of the Cornish coast in mixed media

How to tackle an exhilarating subject using charcoal, marker pens, drawing ink, watercolor and pastels.

Issue 1, Page 84
' Issue #24
The magical rationality of Burton Silverman

Issue 24, Page 32
' Issue #89
The Making of a Country Doctor

Morgan Weistling shares the artistic process behind his new masterwork for the 2013 Masters of the American West show

Issue 89, Page 62
' Issue #66
The Making of a Masterpiece

Master Artist, Daniel Greene, gives us exclusive access to his studio to watch as he creates one of his largest works

Issue 66, Page 44
' Issue #56
The Making of an Artist Art Part 13: Visual Poetry and Equal Values.

Issue 56, Page 92
' Issue #57
The Making of an Artist Art Part 14: Triangulation and Reflected Light.

Issue 57, Page 88
' Issue #59
The Making of an Artist Art Part 16: Shape Variety and How to Observe Clouds

Issue 59, Page 120
' Issue #63
The Making of an Artist Art Part 19: 'Two-Value Notan Paintings' and 'Eye Pathways'

Issue 63, Page 138
' Issue #62
The Making of an Artist Art Part 19: 'Two-Value Notan Paintings' and 'Eye Pathways'

Issue 62, Page 136
' Issue #54
The Making of an Artist Part 11: Brushwork and Atmospheric Perspective and How to Deal with Wet Paint When painting Outdoors.

Issue 54, Page 102
' Issue #55
The Making of an Artist Part 12: Capturing a gesture and How to observe color.

Issue 55, Page 116
' Issue #60
The Making of an Artist Part 17: 'Varying Levels of Focus and Detail' and 'Horizon Lines and Vanishing Lines'

Issue 60, Page 140
' Issue #61
The Making of an Artist Part 18: 'Squaring off Forms' and 'Simplification'

Issue 61, Page 88
' Issue #45
The making of an artist Part 2:

'Double Split Complementaries' and 'Making Grays'

Issue 45, Page 138
' Issue #65
The Making of an Artist Part 21: 'Concept of Saturation' and 'Perspective Brushwork'

Issue 65, Page 136
' Issue #64
The Making of an Artist Part 21: 'Simplifying Complex Forms' and 'Imprimatura Technique'

Issue 64, Page 136
' Issue #66
The Making of an Artist Part 22: 'Color Harmonies' and 'Values and Realism'

Issue 66, Page 136
' Issue #46
The making of an artist Part 3:

'Use color to create eye movement' and 'Values and realism'

Issue 46, Page 124
' Issue #68
The Making of an Artist

Part 24: 'Choosing Subject Matter' and 'Making Grays'

Issue 68, Page 142