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Victoria Kart demonstrates how to keep acrylic paintings fluid by utilizing water throughout the process
Issue 142, Page 92 Read Article
From plein air studies to final studio paintings, Kim Casebeer distills the intensity and vibrance of the landscape
Issue 144, Page 50 Read Article
Jeff Olson’s abstract landscapes embrace the spontaneity of both nature and the painting process itself
Issue 157, Page 70 Read Article Visit Gallery WebsiteColor and spontaneity are the two most important aspects of what this artist paints and how she paints it.
Issue 21, Page 60There are excellent rewards for the art seller who learns to appeal to people's envy without telling them they're greedy.
Issue 50, Page 143This artists background across two continents in commercial art, numerous crafts and advertising, has contributed a certain quirkiness to his paintings, which hallmarks his own consistent style..
Issue 51, Page 40Advice and ideas to help guide the working process, form the development stage to production
Issue 109, Page 42
Long-time International Artist contributors James Gurney, Harley Brown, John Lovett and Richard Robinson chat about the past, present and future
Issue 152, Page 44 Read Article
Jo Payne creates textured coastal paintings in oil using a classic notan as a starting point
Issue 150, Page 72 Read Article Visit Gallery WebsiteSandy Terry shares the elements that are fundamental to her creative process
Issue 134, Page 72Building up underpaintings in shades of grey before glazing with color.
Issue 28, Page 102A distinctly symbolic take on painting portraits.
Issue 33, Page 134Brian Smith integrates figures and structures in his representational landscapes
Issue 77, Page 106John Lovett explains how to achieve a loose casual style while still maintaining accuracy and detail.
Issue 74, Page 135
Classically-trained artist Julia Albo uses the power of observation to create three-dimensionality on a flat surface
Issue 142, Page 54 Read ArticleMorgan Samuel Price Explains how to adjust color to create accurate shapes and perspectives
Issue 113, Page 70Morgan Samuel Price Explains how to adjust color to create accurate shapes and perspectives
Issue 113, Page 70LaVone Sterling explains the significance of two essential elements in achieving a dynamic work of art
Issue 111, Page 100Chinese artist Xi Guo creates paintings where every element serves a purpose to the completed composition
Issue 115, Page 70John Lovett shares his methods for controlling edges in watercolour painting
Issue 123, Page 120This artist shows how a strong concept for your still life is like having a good road map. Keep following it and you won't get lost!.
Issue 55, Page 70For more than 30 years, Tom Browning has focused on the handling of light in his Western scenes
Issue 108, Page 56Daniel Maidman shows why no one part plays a more pivotal and dramatic role in a painting than the 'specular highlight'
Issue 91, Page 52Adeste Deguilmo believes that creativity is the act of learning all the time.
Issue 74, Page 82Moving beyond subject matter, Marta Crawford aims to connect with the viewers of her artwork
Issue 105, Page 74A California artist shares some crucial pieces of understanding gained through a life spent climbing the ladder of art.
Issue 3, Page 30
Using the Japanese moku hanga technique, Leon Loughridge creates rich woodblock prints of the American Southwest
Issue 150, Page 48 Read Article Visit Gallery WebsiteColley Whisson advises you to always keep an open mind if you want to progress as an artist
Issue 67, Page 108This artist bought some hot new colors and took them out for a spin.
Issue 8, Page 84There's no better way to learn how to paint the coastline than through the eyes and hands of a dedicated Aussie surfer.
Issue 53, Page 52A new perspective of the Australian landscape that does not involve vast tracts of sweeping plains.
Issue 5, Page 116With two fantastic historically listed studios, no wonder Ken Howard finds endless inspiration right at home.
Issue 19, Page 64In addition to aesthetics, Patricia Guzman uses her art to say and express ideas emotionally
Issue 99, Page 120This Sydney-based architect is absorbed by the challenge of finding the most economical use of the pen to communicate the essence of a building or place.
Issue 53, Page 142Zhou Tianya shares the importance of color, value, composition and individuality in watercolor painting
Issue 118, Page 106How to make a simple tool to help you understand and use linear perspective - and get your drawings right every time.
Issue 2, Page 6Ali A. Aryan benefits from the complete freedom of endless experimentation
Issue 88, Page 76John Lovett shows us how getting the punctuating marks right can bring your painting to life
Issue 88, Page 136Canadian artist Brittani Faulkes says we sometimes take ourselves too seriously. She shows how she puts the fun into her funky landscapes
Issue 65, Page 74
Using subdued colors and exploring blank areas on the paper, André Kano creates tranquil maritime scenes
Issue 158, Page 86 Read Article Visit Gallery Website