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LaVone Sterling explains the significance of two essential elements in achieving a dynamic work of art
Issue 111, Page 100Chinese artist Xi Guo creates paintings where every element serves a purpose to the completed composition
Issue 115, Page 70John Lovett shares his methods for controlling edges in watercolour painting
Issue 123, Page 120This artist shows how a strong concept for your still life is like having a good road map. Keep following it and you won't get lost!.
Issue 55, Page 70For more than 30 years, Tom Browning has focused on the handling of light in his Western scenes
Issue 108, Page 56Daniel Maidman shows why no one part plays a more pivotal and dramatic role in a painting than the 'specular highlight'
Issue 91, Page 52Adeste Deguilmo believes that creativity is the act of learning all the time.
Issue 74, Page 82Moving beyond subject matter, Marta Crawford aims to connect with the viewers of her artwork
Issue 105, Page 74A California artist shares some crucial pieces of understanding gained through a life spent climbing the ladder of art.
Issue 3, Page 30
Using the Japanese moku hanga technique, Leon Loughridge creates rich woodblock prints of the American Southwest
Issue 150, Page 48 Read Article Visit Gallery WebsiteColley Whisson advises you to always keep an open mind if you want to progress as an artist
Issue 67, Page 108This artist bought some hot new colors and took them out for a spin.
Issue 8, Page 84There's no better way to learn how to paint the coastline than through the eyes and hands of a dedicated Aussie surfer.
Issue 53, Page 52A new perspective of the Australian landscape that does not involve vast tracts of sweeping plains.
Issue 5, Page 116With two fantastic historically listed studios, no wonder Ken Howard finds endless inspiration right at home.
Issue 19, Page 64In addition to aesthetics, Patricia Guzman uses her art to say and express ideas emotionally
Issue 99, Page 120This Sydney-based architect is absorbed by the challenge of finding the most economical use of the pen to communicate the essence of a building or place.
Issue 53, Page 142Zhou Tianya shares the importance of color, value, composition and individuality in watercolor painting
Issue 118, Page 106How to make a simple tool to help you understand and use linear perspective - and get your drawings right every time.
Issue 2, Page 6Ali A. Aryan benefits from the complete freedom of endless experimentation
Issue 88, Page 76John Lovett shows us how getting the punctuating marks right can bring your painting to life
Issue 88, Page 136Canadian artist Brittani Faulkes says we sometimes take ourselves too seriously. She shows how she puts the fun into her funky landscapes
Issue 65, Page 74
Using subdued colors and exploring blank areas on the paper, André Kano creates tranquil maritime scenes
Issue 158, Page 86 Read Article Visit Gallery WebsiteHow to use a variety of materials and techniques for enhancing any subject with subtle, engaging textures and patterns.
Issue 44, Page 82Is all you need a great publicist, and an angle?
Issue 6, Page 10How to tackle an exhilarating subject using charcoal, marker pens, drawing ink, watercolor and pastels.
Issue 1, Page 84Morgan Weistling shares the artistic process behind his new masterwork for the 2013 Masters of the American West show
Issue 89, Page 62Master Artist, Daniel Greene, gives us exclusive access to his studio to watch as he creates one of his largest works
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Issue 54, Page 102
Issue 60, Page 140
'Double Split Complementaries' and 'Making Grays'
Issue 45, Page 138Issue 65, Page 136
Issue 64, Page 136
'Use color to create eye movement' and 'Values and realism'
Issue 46, Page 124