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' Issue #139
The Obsession

Harley Brown’s fascinating things no one else will tell you

Issue 139, Page 108 Read Article
' Issue #7
The Oil Painter's Flower & Portrait Companion

Learn the tonal oil painting approach and you will be able to paint any subject

Issue 7, Page 154
' Issue #29
The pastel field sketch tradition

Here's what to do when you need a reference in a hurry, but want more than a photograph can provide.

Issue 29, Page 40
' Issue #49
The personality of private places

Why interior architecture is such a potent subject and how to aesthetically harness the mysterious inner sanctum of the man-made environment.

Issue 49, Page 108
' Issue #77
The Pervading Element of Mystery

Daniel Goldenberg turns 'nothing into something' by seeking mystery in realism

Issue 77, Page 114
' Issue #8
The politics of art

Could it be time to level the great playing field of art?

Issue 8, Page 48
' Issue #24
The portrait as journey of discovery

It may be our responsibility to make the sitter an ally and to plan the journey together.

Issue 24, Page 40
' Issue #52
The Portrait Society of America

Master Showcase

Issue 52, Page 28
' Issue #3
The power and the gory of painting workshops

Our UK editor bares his soul to give you his candid appraisal of the workshop scene in Europe.

Issue 3, Page 52
' Issue #12
The power of chance

Experimenting with the acrylic photo-transfer technique.

Issue 12, Page 108
' Issue #142
The Power of Iteration, Part 4

In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Issue 142, Page 46 Read Article
' Issue #4
The power of light and place

This artist doesn't strive to give his works meaning, instead he relies on the power of light and place to give the mind pause and let the heart rest awhile.

Issue 4, Page 120
' Issue #92
The Power of Notan in Landscape Composition

Part 1: The Power of Notan

Issue 92, Page 50
' Issue #93
The Power of Notan in Landscape Composition

Part 2: Notan Exercises

Issue 93, Page 50
' Issue #83
The Power of Sheer Beauty

Guy-Anne Massicotte's still life realism flirts with abstraction, creating a beautiful tension

Issue 83, Page 98
' Issue #14
The power of the past

After this artist found an ancient indian arrowhead in the dirt, painting objects from the past became a way of life.

Issue 14, Page 42
' Issue #85
The Presence of Absence

Fergus A. Ryan's detailed, mystical, and melancholic paintings are inspired by transcendental themes

Issue 85, Page 100
' Issue #35
The Professional Artist

Part 10: Think twice before discounting.

Issue 35, Page 144
' Issue #33
The Professional Artist

Part 8: Framing questions and answers. Is it possible to save money on framing costs?

Issue 33, Page 126
' Issue #37
The professional artist Part 11:

Provide a guarantee and you'll guarantee sales

Issue 37, Page 126
' Issue #57
The promise of something more

This artist says its not what you do, but 'what is' that counts in the creation of mood.

Issue 57, Page 64
' Issue #86
The Pure Inspiration of Raindrops

Sarah Wood turned to botanical art to satisfy her drive for a precise way to paint

Issue 86, Page 70
' Issue #108
The Realist Tradition

Daniel Brient's traditional art education has helped guide his paintings

Issue 108, Page 78
' Issue #91
The Reality of What You See

After a career in architectural rendering, Marilyn Liedman now paints as much as possible on location to use all the elements available in nature

Issue 91, Page 86
' Issue #143
The Right Tones

Jessica Jane carefully chooses the color of her underpainting to achieve the desired effect in her paintings

Issue 143, Page 102 Read Article
' Issue #56
The Royal Watercolour Society

The President of The Royal Watercolour Society presents a showcase of it's members work.

Issue 56, Page 86
' Issue #150
The Scholar

Issue 150, Page 38 Read Article
' Issue #26
The search for abstract beauty

Creating harmony between forms, colors, lines, texture, spaces and abstract content

Issue 26, Page 138
' Issue #66
The Secret of the 3 Crayons

There are many tried and true technique which have been almost lost to today's artists. Marina Dieul shows us the simple but effective 'trois crayons' approach to capturing tonal values

Issue 66, Page 76
' Issue #64
The Secret of the Inner Glow

An accidental discovery while trying to fix a failed watercolor became a eureka moment for Eric Michaels

Issue 64, Page 62
' Issue #96
The Selective Start

Master painter Richard Schmid takes us stage by stage through his 'Selective Start' method of painting

Issue 96, Page 48
' Issue #104
The Selfish Artist

How personal engagement with subjects drives an artist to paint

Issue 104, Page 50
' Issue #125
The Sequence of Beauty

Issue 125, Page 46
' Issue #161
The Shape of Color

Acrylic painter Virginie Schroeder uses color as structural elements in her artwork

Issue 161, Page 76 Read Article Visit Gallery Website
' Issue #146
The Shape of Petals

A thorough understanding of simplified shapes and values allows Catherine Bobkoski to capture the intricacy of her subjects

Issue 146, Page 60 Read Article
' Issue #40
The shape of water

A fascination with reflections and the ever changing form and pattern of water.

Issue 40, Page 82
' Issue #111
The Sketchbook: A Powerful Influence

using a sketchbook as a tool in the creative process for studio paintings

Issue 111, Page 48
' Issue #18
The smartest sketchbook is a dummy!

This artist is starting a new trend.

Issue 18, Page 88
' Issue #44
The Soul of the City

Instead of focusing on the negative aspects of city life, this artist creates cityscapes that show the heart and soul.

Issue 44, Page 48
' Issue #37
The split-second truths about wildlife art

Observe, understand, sketch and, yes, use your camera.

Issue 37, Page 72
' Issue #130
The Still Life

A look at Richard Schimd's newest book on still life painting

Issue 130, Page 48
' Issue #16
The storyteller's checklist

Ask yourself these pertinent questions.

Issue 16, Page 42
' Issue #1
The strange case of the square peg in the round hole

Round color wheel, square palette, sorry, this does not compute! Read all about in color mixing method that relates the color wheel to a circular palette.

Issue 1, Page 22
' Issue #45
The surprising process of watercolor

There is so much that has an impact on the process of creating a watercolor that it is always full of surprises.

Issue 45, Page 68
' Issue #79
The Thought Processes of 4 Top Artist / Illustrators

Four top Artist/Illustrators share their thoughts

Issue 79, Page 40
' Issue #14
The three Cs - color, composition and concept

There's more to success than gimmicks.

Issue 14, Page 80
' Issue #20
The tri-hue color system

Three specific primaries can be the keys to color harmony.

Issue 20, Page 26
' Issue #78
The True Voice of Your Interpretation

Jerry Markham strikes a balance between individualism and realism

Issue 78, Page 68
' Issue #22
The truth about gouache

Some purists believe gouache should never be used in a watercolor, but this Australian master proves that it certainly has its uses

Issue 22, Page 92
' Issue #162
The Underwater Realm

From tide pools to kelp forests, artist and biologist Mark Hobson paints the wonders below the surface

Issue 162, Page 38 Read Article