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Harley Brown’s fascinating things no one else will tell you
Issue 139, Page 108 Read ArticleLearn the tonal oil painting approach and you will be able to paint any subject
Issue 7, Page 154Here's what to do when you need a reference in a hurry, but want more than a photograph can provide.
Issue 29, Page 40Why interior architecture is such a potent subject and how to aesthetically harness the mysterious inner sanctum of the man-made environment.
Issue 49, Page 108Daniel Goldenberg turns 'nothing into something' by seeking mystery in realism
Issue 77, Page 114It may be our responsibility to make the sitter an ally and to plan the journey together.
Issue 24, Page 40Our UK editor bares his soul to give you his candid appraisal of the workshop scene in Europe.
Issue 3, Page 52
In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting
Issue 142, Page 46 Read ArticleThis artist doesn't strive to give his works meaning, instead he relies on the power of light and place to give the mind pause and let the heart rest awhile.
Issue 4, Page 120Guy-Anne Massicotte's still life realism flirts with abstraction, creating a beautiful tension
Issue 83, Page 98After this artist found an ancient indian arrowhead in the dirt, painting objects from the past became a way of life.
Issue 14, Page 42Fergus A. Ryan's detailed, mystical, and melancholic paintings are inspired by transcendental themes
Issue 85, Page 100Part 8: Framing questions and answers. Is it possible to save money on framing costs?
Issue 33, Page 126Provide a guarantee and you'll guarantee sales
Issue 37, Page 126This artist says its not what you do, but 'what is' that counts in the creation of mood.
Issue 57, Page 64Sarah Wood turned to botanical art to satisfy her drive for a precise way to paint
Issue 86, Page 70Daniel Brient's traditional art education has helped guide his paintings
Issue 108, Page 78After a career in architectural rendering, Marilyn Liedman now paints as much as possible on location to use all the elements available in nature
Issue 91, Page 86
Jessica Jane carefully chooses the color of her underpainting to achieve the desired effect in her paintings
Issue 143, Page 102 Read ArticleThe President of The Royal Watercolour Society presents a showcase of it's members work.
Issue 56, Page 86Creating harmony between forms, colors, lines, texture, spaces and abstract content
Issue 26, Page 138There are many tried and true technique which have been almost lost to today's artists. Marina Dieul shows us the simple but effective 'trois crayons' approach to capturing tonal values
Issue 66, Page 76An accidental discovery while trying to fix a failed watercolor became a eureka moment for Eric Michaels
Issue 64, Page 62Master painter Richard Schmid takes us stage by stage through his 'Selective Start' method of painting
Issue 96, Page 48How personal engagement with subjects drives an artist to paint
Issue 104, Page 50
Acrylic painter Virginie Schroeder uses color as structural elements in her artwork
Issue 161, Page 76 Read Article Visit Gallery Website
A thorough understanding of simplified shapes and values allows Catherine Bobkoski to capture the intricacy of her subjects
Issue 146, Page 60 Read ArticleA fascination with reflections and the ever changing form and pattern of water.
Issue 40, Page 82using a sketchbook as a tool in the creative process for studio paintings
Issue 111, Page 48Instead of focusing on the negative aspects of city life, this artist creates cityscapes that show the heart and soul.
Issue 44, Page 48Observe, understand, sketch and, yes, use your camera.
Issue 37, Page 72Round color wheel, square palette, sorry, this does not compute! Read all about in color mixing method that relates the color wheel to a circular palette.
Issue 1, Page 22There is so much that has an impact on the process of creating a watercolor that it is always full of surprises.
Issue 45, Page 68Four top Artist/Illustrators share their thoughts
Issue 79, Page 40There's more to success than gimmicks.
Issue 14, Page 80Three specific primaries can be the keys to color harmony.
Issue 20, Page 26Jerry Markham strikes a balance between individualism and realism
Issue 78, Page 68Some purists believe gouache should never be used in a watercolor, but this Australian master proves that it certainly has its uses
Issue 22, Page 92
From tide pools to kelp forests, artist and biologist Mark Hobson paints the wonders below the surface
Issue 162, Page 38 Read Article