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' Issue #23
What makes a British landscape?

Part Two of our new series showing the British landscape through the eyes of its acknowledged contemporary masters. This issue we ask the question of Kenneth Denton and David Curtis.

Issue 23, Page 66
' Issue #22
What makes a British landscape?

Part One of our new series showing the British landscape through the eyes of its acknowledged contemporary masters. Juliette Palmer, Keith Shackleton, Terry McKivragan, John Newberry, Stephen Brown and Edward Stamp.

Issue 22, Page 66
' Issue #30
What makes a British landscape?

How Ruth Brownlee uses her own visual language to interpret the landscape.

Issue 30, Page 110
' Issue #20
What makes a powerful painting?

Creating powerful art is as simple as manipulating 5 essential elements.

Issue 20, Page 56
' Issue #28
What makes great art?

There are certain building blocks that pave the way for expressive art. Once you understand and adopt these fundamentals your inner artistic message will follow naturally.

Issue 28, Page 62
' Issue #56
What Now?

Means Pick up your brush and paint; the best way to get started.

Issue 56, Page 94
' Issue #144
What to Paint When You Arrive

Art in the Outdoors Part 3. Michael King explores elements unique to painting in the field in this final installment of his three-part series.

Issue 144, Page 46 Read Article
' Issue #9
What, me worry?

Step up to the analyst's couch please.

Issue 9, Page 36
' Issue #31
What's in a name?

Part 6: Psst! Start list building now!

Issue 31, Page 30
' Issue #97
What's in a paint sketch?

Issue 97, Page 36
' Issue #13
What's the big idea?

When you are confronted with a subject that is simply overwhelming, "Idea generators" can help you focus.

Issue 13, Page 34
' Issue #12
What's the big idea?

First get the idea, and build passion through planning.

Issue 12, Page 56
' Issue #19
What's winning where?

Get up to date with our report on major prize winners in the US, the UK and Australia.

Issue 19, Page 134
' Issue #68
What's Your Concept?

With a successful career in graphic design JW Barnes has found that trying to paint styles different from your own could lead to the breakthrough you're looking for.

Issue 68, Page 68
' Issue #62
When is talent unfashionable?

Today's so called 'art world' doesn't put much value on God-given gifts. Robert Dale Williams shows why they are so wrong.

Issue 62, Page 60
' Issue #31
When it comes to methods - take the best of what's on offer

Stick to the fundamentals and find your own path.

Issue 31, Page 40
' Issue #122
When Neutral Color Functions as a Complementary

Adeste Deguilmo shares one method of painting a harmonious composition

Issue 122, Page 122
' Issue #66
When Paintings Come Alive

Having a direct link to African needs, both human and endangered animals, professional realist wildlife artist Daniel Taylor has, over a span of 40 years, been bringing to life a 'trust' that may be lost within a single generation

Issue 66, Page 114
' Issue #76
When Repainting is the Only Solution

Wayne Hovis proves that even major changes are possible deep into the painting process

Issue 76, Page 60
' Issue #77
Where Are They Now?

Issue 77, Page 30
' Issue #7
Where does the landscape end?

We visit Myfanwi Pavelic, Canada's most famous painter of the famous

Issue 7, Page 106
' Issue #73
Where in the World Art You?

Readers of International Artist magazine show us where they are in the world with their photos

Issue 73, Page 20
' Issue #30
Where intuition meets logic

Emotional content doesn't just come through by accident.

Issue 30, Page 40
' Issue #155
Where Life Happens

Working with just a palette knife, Emilie Fantuz paints moments of modern life

Issue 155, Page 62 Read Article Visit Gallery Website
' Issue #38
Where true magic is found

This artist draws on several artistic traditions to create contemporary realist works.

Issue 38, Page 66
' Issue #146
Where Van Gogh Painted

Five accomplished artists and a handful of students traveled overseas for a 10-day workshop in Southern France

Issue 146, Page 50 Read Article
' Issue #138
Wherever it Leads

Joyce Fournier's abstract expressionist artwork develops through an organic process of paint application

Issue 138, Page 70
' Issue #89
Which White?

John Lovett shows us which white is what and how to use it

Issue 89, Page 136
' Issue #148
Whimsy and Control

Watercolorist Ingela Matsson paints directly on dry paper, just soaking the areas she wants to paint

Issue 148, Page 98 Read Article
' Issue #39
White light!

Achieve the beautiful, dappled sunlight effects of the woodland.

Issue 39, Page 130
' Issue #5
Who's afraid . . . ?

A Californian wildlife artist confronts her fears of the big bad wolf.

Issue 5, Page 36
' Issue #22
Whole-brain painting

Why both halves of our brains - the intuitive, spontaneous side and the analytical, linear side - are required in the painting process.

Issue 22, Page 106
' Issue #30
Why I still paint outdoors

Every so often, when you are out painting and the situation is not as warm and cozy as you would like, does the thought run briefly through your mind: "At my age, what on earth am I doing out here?" Take heart from this master artist.

Issue 30, Page 52
' Issue #14
Why let secondary colors play second fiddle?

Secondary colors play an important role in preserving light, shadow and volume.

Issue 14, Page 124
' Issue #63
Why this?

What drives us to select the subjects we choose to paint, David C. Powers explains

Issue 63, Page 60
' Issue #42
Why we hate backgrounds (and how to love them)

Ideas for tackling a common problem area.

Issue 42, Page 24
' Issue #11
Why we must keep the traditions alive

A respected artist speaks out.

Issue 11, Page 18
' Issue #7
Why you should keep this book in your studio

We talk to Patricia Moran about her breakthrough book on painting flowers and portraits that will appeal to artists of all levels

Issue 7, Page 152
' Issue #39
Wild at heart

Expressive animal collages

Issue 39, Page 76
' Issue #156
Wildlife

All the Prize Winners in our International Artist Magazine Challenge No. 140

Issue 156, Page 6 Read Article
' Issue #147
Wildlife

All the Prize Winners in our International Artist Magazine Challenge No. 131

Issue 147, Page 6 Read Article
' Issue #85
William A. Schneider

A Portrait Demonstration

Issue 85, Page 38
' Issue #87
William F. Draper Grand Prize Winner

Julio Reyes talks with executive director of The Portrait Society of America, Christine Egnoski

Issue 87, Page 32
' Issue #154
Winter Spell

Capturing the subtle magic of a snow scene is a blend of story, atmosphere and observation

Issue 154, Page 36 Read Article
' Issue #53
Words from the Wise

Prior to this year's May conference in Washington DC, Christine Egnoski spoke to members of the Portrait Society of America's faculty about their work.

Issue 53, Page 22
' Issue #47
Words from the wise

15 respected artists and teachers speak about some important issues impacting on artists today.

Issue 47, Page 28
' Issue #48
Words from the wise

14 respected artists and teachers speak about some important issues impacting on artists today.

Issue 48, Page 30
' Issue #155
Words of Wisdom

from the 2024 Art of the Portrait Faculty Artists

Issue 155, Page 28 Read Article
' Issue #156
Words of Wisdom

from the 2024 Art of the Portrait Faculty Artists

Issue 156, Page 26 Read Article
' Issue #83
Words of Wisdom

Christine Egnoski speaks with the 2012 Portrait Society Faculty

Issue 83, Page 26