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Michael Wilcox is a leading expert in the science of color. Here is the first of his new series as he explains the science of color

Michael Wilcox is a leading expert in the science of color. Here in the second of his new series he explains the science of color

In this three-part series, Todd M. Casey provides a deeper understanding of the properties of pigments in oil painting

Michael Wilcox is a leading expert in the science of color. Here he explains the Combination of Contrasts

Michael Wilcox is a leading expert in the science of color. Here he answers some questions on Color and Technique

Michael Wilcox is a leading expert in the science of color. In this issue he looks a the paints and pigments that we have available. Starting with the various Yellows

Michael Wilcox is a leading expert in the science of color. In this issue he looks at the paints and pigments that we have available.

Michael Wilcox is a leading expert in the science of color. In this issue he looks at the paints and pigments that we have available.

Michael Wilcox is a leading expert in the science of color. In this issue we will now take a look at the various greens

Michael Wilcox is a leading expert in the science of color. Here in the third of his new series he explains the science of color

Michael Wilcox is a leading expert in the science of color. Here he explains the mixing of Blue and Gray

Michael Wilcox is a leading expert in the science of color. Here he explains about putting a value on light and dark

Michael Wilcox is a leading expert in the science of color. Here he explains more about putting a value on light and dark.

Michael Wilcox is a leading expert in the science of color. Here he explains more about the Contrast of Temperature.

Michael Wilcox is a leading expert in the science of color. Here he explains the Contrasts of Complementaries.

In Part 8 of his series Master artist Daniel Greene takes a closer look at pastel painting surfaces and their preparation

Julie Bell shares how she came to recognize the patterns and rhythms of painting an animal and its coat

Through his colored pencil drawings, Elliott Everson translates the colors and textures of the Southwestern desert

Robin Berry discusses the importance of balancing light and shadow in watercolor painting

John Lovett shares tips for experimenting with unconventional tools

This artist lucidly expresses the creative instinct and the process behind the craft of painting, putting into words the essence and source of visual originality.

Darren Baker, Lynn McGregor, Martin Banks, Robert Maddison, Caroline Hulse, John Scarland

Peter Donnithorne, Paul Hardy, Jane Lampard, John Lines, JRC Martin, Michael Moss, Hazel Soan, John Tookey

Seren Bell, Maureen Jordan, P. Haynes, Paul Banning, David Curtis, Francis Boag, Sharon Rogers, Christopher Wood, Peter Barker, Michael B. Edwards, Brenda M. Sington

Malcolm Ashman, Pam Carter, Helen M. Turner, Gerald Green

Diana M. Armfield, Trevor Chamberlain, Brian TA Jones, Caroline Penny, Aubrey Phillips, J. Richard Plincke, Nicholas St. John Rosse, Peter Welton

Brian Bennett, Christopher Ryland, Peter Graham, John L. Chapman, Tom Kelly, Anthony Atkinson, Norman Sims, Jonathan Probert, Sandra Fletcher, Parastoo Ganjei

Martin Decent, Philip Gerrard, Bob Erends, John L. Hammond, Robin Reckitt, Bernard McDonald, Warren Storey, Rosemary Sarah Welch

Lisa Graa Jensen, Ronald Morgan, Derek Baulcomb, Siriol Sherlock, Annette Kane, Dorne Wright, Patricia Watling, Noel McCready, Alex Williams

David Bellamy, Ken Howard, Ronald Jesty, Alan Oliver, John Palmer, Colin Radcliffe, Alan Simpson, Trevor Waugh

Denis Lord, Alistair Butt, Nick Cudworth, H. Royston Hudson, Heather Hilder, Martin Dobson, Carole Williams, Neil Murison

David Birtwhistle, Christopher Insoll, Shirley Goodsell, Kenneth Denton, Samuel Fenton, Daphne Ellman, June Berry, Barry Freeman, Katharina Kubrick-Hobbs, Ray Evans

Rob Milliken, Anuk Naumann, Jenny Keal, Kevin Parrish, Kenneth Denton, Brian Lindley, Andrea Bates, Leslie Goodwin, William Newton

Norman Battershill, Ann Blockley, James Fletcher-Watson, Ian Houston, Brian Lancaster, Arthur Maderson, Tony Slater, Barry Watkin

Michael Chaplin, John Cowley, Marianne Cox, Bob Eckersley, Carol Mountford, Barbara Robertson, Philip Westcott, David Weston

Tim Rose, George Busby, Paul Dyson, Duncan C. Storr, Alan Cotton, Lin Pattullo, Jane Evans, Mary Batchelor, R. Mackervoy, Lori Hollenbeck

John Darlinson, Ann Parkin, Robbie Wraith, Peter Day, Robert Talbot, Andy Wood, Alan Edwards

Kristy Kutch, Evelyne Boren-Sadlier, Sue Zylak, Lawrence T. Yun, Mickey Bond, George Molstad, Wei Tai, Barbara Gene Kenyon, Ken Hosmer

Stacy Schimbeck, George Allan, Mae Rash, Hiroki Morinoue, Marian Freeman, Sidney T.K. Yee, David Farrington, Diana Lehr, Gayle Fulwyler Smith, Sally Sisson Anderson

Ann Manry Kenyon has seen her career shift away from traditional head and shoulder compositions to more complex full-length figures.

Sandra Nicholl reveals her skeleton keys for gaining entry into a world of wonder and enlightenment workshop

Abstract artist David Michael Slonim talks imagination, intuition and finding your own voice

Ric Dentinger tackles his watercolor paintings by working from dark to light

Wildlife artist Becca Barron achieves realistic portraits through a delicate drawing style and precise layers

This artist likes to take a bee's-eye view of flowers in order to take people right into the character of her subject.

Old roof slates provide the perfect working surface for this artist's textured paintings.

Barbara Dahlstedt uses a grisaille technique to create unity and color harmony in her drawings.

Oil Painters of America’s National Exhibition and Convention showcase some of the best in representational oil painting

Heather Souliere focuses on value, composition and accurate perspective to create compelling cityscapes