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Michael Wilcox is a leading expert in the science of color. Here is the first of his new series as he explains the science of color
Issue 68, Page 108Michael Wilcox is a leading expert in the science of color. Here in the second of his new series he explains the science of color
Issue 69, Page 120
In this three-part series, Todd M. Casey provides a deeper understanding of the properties of pigments in oil painting
Issue 154, Page 52 Read ArticleMichael Wilcox is a leading expert in the science of color. Here he explains the Combination of Contrasts
Issue 77, Page 92Michael Wilcox is a leading expert in the science of color. Here he answers some questions on Color and Technique
Issue 78, Page 78Michael Wilcox is a leading expert in the science of color. In this issue he looks a the paints and pigments that we have available. Starting with the various Yellows
Issue 79, Page 92Michael Wilcox is a leading expert in the science of color. In this issue he looks at the paints and pigments that we have available.
Issue 80, Page 100Michael Wilcox is a leading expert in the science of color. In this issue he looks at the paints and pigments that we have available.
Issue 81, Page 98Michael Wilcox is a leading expert in the science of color. In this issue we will now take a look at the various greens
Issue 82, Page 122Michael Wilcox is a leading expert in the science of color. Here in the third of his new series he explains the science of color
Issue 70, Page 122Michael Wilcox is a leading expert in the science of color. Here he explains the mixing of Blue and Gray
Issue 71, Page 120Michael Wilcox is a leading expert in the science of color. Here he explains about putting a value on light and dark
Issue 73, Page 110Michael Wilcox is a leading expert in the science of color. Here he explains more about putting a value on light and dark.
Issue 74, Page 78Michael Wilcox is a leading expert in the science of color. Here he explains more about the Contrast of Temperature.
Issue 75, Page 118Michael Wilcox is a leading expert in the science of color. Here he explains the Contrasts of Complementaries.
Issue 76, Page 118In Part 8 of his series Master artist Daniel Greene takes a closer look at pastel painting surfaces and their preparation
Issue 67, Page 42Julie Bell shares how she came to recognize the patterns and rhythms of painting an animal and its coat
Issue 97, Page 76Through his colored pencil drawings, Elliott Everson translates the colors and textures of the Southwestern desert
Issue 127, Page 116Robin Berry discusses the importance of balancing light and shadow in watercolor painting
Issue 116, Page 86John Lovett shares tips for experimenting with unconventional tools
Issue 127, Page 112This artist lucidly expresses the creative instinct and the process behind the craft of painting, putting into words the essence and source of visual originality.
Issue 53, Page 110Darren Baker, Lynn McGregor, Martin Banks, Robert Maddison, Caroline Hulse, John Scarland
Issue 20, Page 80Peter Donnithorne, Paul Hardy, Jane Lampard, John Lines, JRC Martin, Michael Moss, Hazel Soan, John Tookey
Issue 4, Page 84Seren Bell, Maureen Jordan, P. Haynes, Paul Banning, David Curtis, Francis Boag, Sharon Rogers, Christopher Wood, Peter Barker, Michael B. Edwards, Brenda M. Sington
Issue 19, Page 76Diana M. Armfield, Trevor Chamberlain, Brian TA Jones, Caroline Penny, Aubrey Phillips, J. Richard Plincke, Nicholas St. John Rosse, Peter Welton
Issue 3, Page 80Brian Bennett, Christopher Ryland, Peter Graham, John L. Chapman, Tom Kelly, Anthony Atkinson, Norman Sims, Jonathan Probert, Sandra Fletcher, Parastoo Ganjei
Issue 17, Page 86Martin Decent, Philip Gerrard, Bob Erends, John L. Hammond, Robin Reckitt, Bernard McDonald, Warren Storey, Rosemary Sarah Welch
Issue 11, Page 96Lisa Graa Jensen, Ronald Morgan, Derek Baulcomb, Siriol Sherlock, Annette Kane, Dorne Wright, Patricia Watling, Noel McCready, Alex Williams
Issue 16, Page 84David Bellamy, Ken Howard, Ronald Jesty, Alan Oliver, John Palmer, Colin Radcliffe, Alan Simpson, Trevor Waugh
Issue 2, Page 80Denis Lord, Alistair Butt, Nick Cudworth, H. Royston Hudson, Heather Hilder, Martin Dobson, Carole Williams, Neil Murison
Issue 9, Page 54David Birtwhistle, Christopher Insoll, Shirley Goodsell, Kenneth Denton, Samuel Fenton, Daphne Ellman, June Berry, Barry Freeman, Katharina Kubrick-Hobbs, Ray Evans
Issue 15, Page 108Rob Milliken, Anuk Naumann, Jenny Keal, Kevin Parrish, Kenneth Denton, Brian Lindley, Andrea Bates, Leslie Goodwin, William Newton
Issue 8, Page 66Norman Battershill, Ann Blockley, James Fletcher-Watson, Ian Houston, Brian Lancaster, Arthur Maderson, Tony Slater, Barry Watkin
Issue 1, Page 92Michael Chaplin, John Cowley, Marianne Cox, Bob Eckersley, Carol Mountford, Barbara Robertson, Philip Westcott, David Weston
Issue 5, Page 84Tim Rose, George Busby, Paul Dyson, Duncan C. Storr, Alan Cotton, Lin Pattullo, Jane Evans, Mary Batchelor, R. Mackervoy, Lori Hollenbeck
Issue 13, Page 98John Darlinson, Ann Parkin, Robbie Wraith, Peter Day, Robert Talbot, Andy Wood, Alan Edwards
Issue 21, Page 76Kristy Kutch, Evelyne Boren-Sadlier, Sue Zylak, Lawrence T. Yun, Mickey Bond, George Molstad, Wei Tai, Barbara Gene Kenyon, Ken Hosmer
Issue 19, Page 28Stacy Schimbeck, George Allan, Mae Rash, Hiroki Morinoue, Marian Freeman, Sidney T.K. Yee, David Farrington, Diana Lehr, Gayle Fulwyler Smith, Sally Sisson Anderson
Issue 21, Page 46Ann Manry Kenyon has seen her career shift away from traditional head and shoulder compositions to more complex full-length figures.
Issue 28, Page 32Sandra Nicholl reveals her skeleton keys for gaining entry into a world of wonder and enlightenment workshop
Issue 64, Page 116
Abstract artist David Michael Slonim talks imagination, intuition and finding your own voice
Issue 146, Page 24 Read Article
Ric Dentinger tackles his watercolor paintings by working from dark to light
Issue 155, Page 94 Read Article Visit Gallery Website
Wildlife artist Becca Barron achieves realistic portraits through a delicate drawing style and precise layers
Issue 146, Page 86 Read ArticleThis artist likes to take a bee's-eye view of flowers in order to take people right into the character of her subject.
Issue 23, Page 136Old roof slates provide the perfect working surface for this artist's textured paintings.
Issue 50, Page 28Barbara Dahlstedt uses a grisaille technique to create unity and color harmony in her drawings.
Issue 124, Page 108
Oil Painters of America’s National Exhibition and Convention showcase some of the best in representational oil painting
Issue 160, Page 112 Read Article Visit Gallery Website
Heather Souliere focuses on value, composition and accurate perspective to create compelling cityscapes
Issue 141, Page 90 Read Article