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Part Two of our new series showing the British landscape through the eyes of its acknowledged contemporary masters. This issue we ask the question of Kenneth Denton and David Curtis.
Issue 23, Page 66Part One of our new series showing the British landscape through the eyes of its acknowledged contemporary masters. Juliette Palmer, Keith Shackleton, Terry McKivragan, John Newberry, Stephen Brown and Edward Stamp.
Issue 22, Page 66How Ruth Brownlee uses her own visual language to interpret the landscape.
Issue 30, Page 110Creating powerful art is as simple as manipulating 5 essential elements.
Issue 20, Page 56There are certain building blocks that pave the way for expressive art. Once you understand and adopt these fundamentals your inner artistic message will follow naturally.
Issue 28, Page 62Art in the Outdoors Part 3. Michael King explores elements unique to painting in the field in this final installment of his three-part series.
Issue 144, Page 46 Read ArticleWhen you are confronted with a subject that is simply overwhelming, "Idea generators" can help you focus.
Issue 13, Page 34Get up to date with our report on major prize winners in the US, the UK and Australia.
Issue 19, Page 134With a successful career in graphic design JW Barnes has found that trying to paint styles different from your own could lead to the breakthrough you're looking for.
Issue 68, Page 68Today's so called 'art world' doesn't put much value on God-given gifts. Robert Dale Williams shows why they are so wrong.
Issue 62, Page 60Stick to the fundamentals and find your own path.
Issue 31, Page 40Adeste Deguilmo shares one method of painting a harmonious composition
Issue 122, Page 122Having a direct link to African needs, both human and endangered animals, professional realist wildlife artist Daniel Taylor has, over a span of 40 years, been bringing to life a 'trust' that may be lost within a single generation
Issue 66, Page 114Wayne Hovis proves that even major changes are possible deep into the painting process
Issue 76, Page 60We visit Myfanwi Pavelic, Canada's most famous painter of the famous
Issue 7, Page 106Readers of International Artist magazine show us where they are in the world with their photos
Issue 73, Page 20Emotional content doesn't just come through by accident.
Issue 30, Page 40Working with just a palette knife, Emilie Fantuz paints moments of modern life
Issue 155, Page 62 Read Article Visit Gallery WebsiteThis artist draws on several artistic traditions to create contemporary realist works.
Issue 38, Page 66Five accomplished artists and a handful of students traveled overseas for a 10-day workshop in Southern France
Issue 146, Page 50 Read ArticleJoyce Fournier's abstract expressionist artwork develops through an organic process of paint application
Issue 138, Page 70Watercolorist Ingela Matsson paints directly on dry paper, just soaking the areas she wants to paint
Issue 148, Page 98 Read ArticleA Californian wildlife artist confronts her fears of the big bad wolf.
Issue 5, Page 36Why both halves of our brains - the intuitive, spontaneous side and the analytical, linear side - are required in the painting process.
Issue 22, Page 106Every so often, when you are out painting and the situation is not as warm and cozy as you would like, does the thought run briefly through your mind: "At my age, what on earth am I doing out here?" Take heart from this master artist.
Issue 30, Page 52Secondary colors play an important role in preserving light, shadow and volume.
Issue 14, Page 124What drives us to select the subjects we choose to paint, David C. Powers explains
Issue 63, Page 60Ideas for tackling a common problem area.
Issue 42, Page 24We talk to Patricia Moran about her breakthrough book on painting flowers and portraits that will appeal to artists of all levels
Issue 7, Page 152All the Prize Winners in our International Artist Magazine Challenge No. 140
Issue 156, Page 6 Read ArticleAll the Prize Winners in our International Artist Magazine Challenge No. 131
Issue 147, Page 6 Read ArticleJulio Reyes talks with executive director of The Portrait Society of America, Christine Egnoski
Issue 87, Page 32Capturing the subtle magic of a snow scene is a blend of story, atmosphere and observation
Issue 154, Page 36 Read ArticlePrior to this year's May conference in Washington DC, Christine Egnoski spoke to members of the Portrait Society of America's faculty about their work.
Issue 53, Page 2215 respected artists and teachers speak about some important issues impacting on artists today.
Issue 47, Page 2814 respected artists and teachers speak about some important issues impacting on artists today.
Issue 48, Page 30