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Aging paint, crumbling brick, the elegance and daring of man-made structures, and the chance you will be mugged.

Lisa Homan-Conger, Phil Austin, Natasha Isenhour, Alice R. Laputka, Zimou Larry Tan, Riva Leviten, Torgesen Murdock, Jane Oliver, Christopher Pierce, Carol E. Swinney

Bryn Barnard, Mary Hortman, Donna Catotti, Jill L. Kline, Mary K. Forshagen, Robert McCall, Donald Holden, Linda St. Clair, Christopher Schink

Andrew Denman - Marlin Rotach - Armand Cabrera - John Hulsey - John R Maslen - Betty Nash - Linda Rinehart - June Young - Charles W Rowland

John M. Angelini, Ginger Bowen, Lynn Gertenbach, Susan Guy, Donna Krizek, Diane McCarten, Jody Mattison, Malcolm Rae, Leslie Taylor, Jane Trainor

Frankie Johnson, Bob Rankin, Travis Erion, Mary Lou Correia, Sam Connery, Randy Pijoan, Hai-Ou Hou, David Band, Charles Timothy Prutzer

Lucille T. Sillman, Kevin Macpherson, Karol Mack, Bob Gerbracht

Angelo John Grado, Bob Rohm, John Pototschnik, Buzz Brandt, Charlynn J M Knight, Geri Keary, Ken Cadwallader, Janie Gildow, Gretchen Schwab, Nancy K. Howe, Erik Sundgaard

Jeanne Mackenzie, Graeme Stevenson, Hedi Moran, Richard Schmid, Susan Webb, Grace L. Haverty, Bob Ragland, Renee Fakhrai

Miles Batt, Barbara W. Doncaster, Rose Ann Day, Joni Falk, Doug Katonak, Lewis B. Lehrman, Zoltan Szabo, Peter Van Dusen, Detha Watson, Frank Webb, Arne Westerman

Del-Bourree Bach - Daniel Truth - William M. Vrscak - Bob Heiks - Peggy Kingsbury - Thomas J. Owen - Charles Muench

John Swatsley - Christopher Stuart - Grant Hughes - Jackie Myers - Jada Rowland - Rongxu Long - Fumiko Kimura - Georgiana Cray Bart

Deborah Chapin, Henry Dixon, Marnie Johnson, Vera Curnow, Robert Steedman, William Conte, William Condit, Marilyn Hughey Phillis

George Allen, Jane R. Hofstetter, Leslie Clark, Florian K. Lawton, Joan January, Chery D. McClure, Sharon Wood

Judy Wengrovitz, Louise McCall, Annette Hodges, Chuck Marshall, Rocco J. Mirro, Heide Presse, Susan Sarback, Rob Goldberg, Vincent S Chiaramonte, Doug Gorrell

How working with a preliminary color sketch helps you get it right.

John Lovett shows us how to build intricate layers of texture

Use the color and light you see to sharpen your landscapes. This artist says the early hours and the remains of the day are special times for seeing what light and color can do to your landscapes.

Lines help guide Miranda Woollett throughout her painting process

Combining daring, experimental techniques and materials with computer technology to create unique female forms.

Mary Maxam's background in watercolor painting translates into her oil compositions

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists.

In Part Three, Amy K. Sanders shows how widening the range of values in your work plays the primary role in communicating depth

Reiko Hervin enlivened her paintings by stretching her color boundaries

Every hour of the day holds a unique light quality. Finding the right light for the subject is the key to an atmosphere-laden painting.

Claudia Seymour demonstrates how to use the same items to create varied, stand-alone still life setups

Photographic references allow Diane Davich-Craig to hone in on the fine details of her paintings

To create unique texture in her watercolours, artist Wendy Mould uses slat to draw out pigments

Coastal scenes and landscapes allow pastel artist Ros Harvey to create works full of color and light effects

This artist uses high contrast and movement to design her dynamic figure compositions.

Watercolorist Hank Pulkowski combines elements from three or more photos to create painting compositions

Still life artist Sadie J. Valeri works in distinct stages when painting

Sketches and photos from working on location aid Mostafa Keyahni in larger studio pieces

This artist's designed compositions are visual statements created by joining simple elements with complex tonal and textural patterns, infused with the clever use of light

David Kitler applies transparent washes over opaque textures to breathe life into his acrylic paintings

The wonderful world of color and shape.

Does repeatedly painting the same motifs lead to better work?

Timothy Rees guides viewers through his paintings by thinking of opposition in components such as size, color and brushstroke application

Charlotte Elizabeth

Christine Egnoski talked to the Grand Prize winner who had travelled all the way from India.

Choctaw artist Karen Clarkson paints contemporary portraits on historical documents

Creating harmony

Kathleen Lack paints figurative scenes from a unique vantage point in her series of works

Mark Laguë paints aerial perspectives of some of the world's most recognized cities and landmarks

Simplifying Complex Forms & The Fountain, Chianciano, Terme, Italy