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Words of Wisdom

Christine Egnoski continues her conversation with the 2012 Portrait Society Faculty

Issue 84, Page 26

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Words of Wisdom

from the 2023 The Art of the Portrait Faculty Artists

Issue 149, Page 32 Read Article

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Words of Wisdom

from the 2023 The Art of the Portrait Faculty Artists

Issue 150, Page 32 Read Article

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Words of Wisdom from the 2015 Faculty

Issue 102, Page 30

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Words of Wisdom from the 2016 Faculty, Part 2

Issue 108, Page 36

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Words of Wisdom from the 2019 Faculty

Issue 125, Page 40

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Words of Wisdom from the 2020 Faculty

Issue 131, Page 38

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Words of Wisdom from the 2020 Faculty -- Part 2

Issue 132, Page 42

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Words of Wisdom from the 2022 Faculty

Issue 143, Page 34 Read Article

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Words of Wisdoms

from the 2022 Faculty, Part Two

Issue 144, Page 32 Read Article

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Words of Wisdon from the 2016 Faculty

Issue 107, Page 34

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Working in Natural Light

Diane Leonard's paintings evoke the colors and mood of late afternoon light

Issue 125, Page 70

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Working in Three Stages

Bonnie Hamlin divides her painting process into three segments: creative energy, technical painting and instinctive balancing

Issue 105, Page 82

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Working on a grand scale

There are essentially two ways to increase the size of an image

Issue 34, Page 68

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Working with a Limited Pallete

Artist Elaine Hahn begins with a palette of three colors and white and black when creating her highly realistic paintings

Issue 94, Page 80

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Working with Color

Paul Baldassini explains how to use piles and puddles for color mixing and value matching

Issue 137, Page 62

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Working with the elements

This artist builds his paintings much like he would prepare a stage scene in a theatre

Issue 58, Page 68

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Working with the elements

Born and bred in Cornwall, this artist is confronted with an abundance of subject matter.

Issue 57, Page 76

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Working with the weather

When you live in challenging climate you have to learn to make the most of every opportunity.

Issue 44, Page 102

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Workshop Holiday

Embarking on a painting trip with fellow artists is a unique experience that sparks learning, interaction and exploration

Issue 97, Page 131

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Xiangyuan Jie, Tom Edgerton, Jacqueline Jasper, John Michael Carter, Yoshi Mizutani, Andy Thomas

Issue 26, Page 40

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Yin, yang and the art of watercolor

Creativity versus control.

Issue 14, Page 112

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You Are No One Else

Harley Brown’s fascinating things no one else will tell you

Issue 149, Page 122 Read Article

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You are now entering the creative zone!

Prodding your consciousness from rational thinking to that transformed state where beauty and truth flow from the brush.

Issue 25, Page 108

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You can be an art investment Part 26:

Whether your buyers are collectors or investors, if you can prove to them that your art will grow in value over time, they'll feel better about paying higher market prices.

Issue 54, Page 17

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You have my permission!

Issue 7, Page 84

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You Hired an Agent, Now What?

Issue 136, Page 25

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Young Art Maestros

Issue 79, Page 28

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Young at Art

Harley Brown’s fascinating things no one else will tell you

Issue 142, Page 124 Read Article

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Your Compositions Should Evoke an Emotion

The deserts, rivers and lakes of the southwest offer Don Britton an everchanging range of subjectsy

Issue 70, Page 52

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Your emotions determine your actions

Issue 64, Page 28

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Your emotions determine your actions

Issue 63, Page 34

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Your Painting Workshops Continue

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 86, Page 124

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Your Painting Workshops Continue

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 87, Page 116

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Your Painting Workshops Continue

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 88, Page 140

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Your Painting Workshops Continue

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 89, Page 114

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Your Painting Workshops Continue

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 90, Page 110

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Your Painting Workshops Continue

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting.

Issue 91, Page 136

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Your Painting Workshops continue

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 84, Page 116

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Your Painting Workshops Continue

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 85, Page 124

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Your Painting Workshops Start This Issue!

New Zealand artist, Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Issue 83, Page 90

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Your work is wonderful!

Why can't we take the time to praise each other's work?

Issue 14, Page 110

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Zeroing In On The Detail

Paula Fiebich looks for the extraordinary qualities in ordinary subjects

Issue 78, Page 42

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Zoe Fitchet: Sharpened focus

Issue 147, Page 112 Read Article Visit Gallery Website

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Zoltan Boros: Room for variety

Issue 153, Page 112 Read Article Visit Gallery Website

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Zorn and His Museum

A Discussion with Museum Director, Dr. Johan Cederlund

Issue 79, Page 31

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