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James Gurney shares how new insights in visual perception and neuroscience can help us as artists
Issue 140, Page 26 Read Article
James Gurney shares how new insights in visual perception and neuroscience can help us as artists
Issue 141, Page 26 Read ArticleThis medium is matte, muted and cool, but it's not for the fainthearted.
Issue 13, Page 120A unique approach that combines found and constructed objects, first into collages and then into trompe l'oeil paintings.
Issue 23, Page 42Graeme Smith Examines whether there really is a correlation between quality and sales
Issue 86, Page 135This ancient Japanese technique closely related to marbeling
Issue 11, Page 36One of America's leading impressionistic painters shares his philosophy about what's eally important in the pursuit of fine art. With Aleksander Titovets
Issue 24, Page 84An insider's look at what it takes to land the top awards.
Issue 26, Page 50Alex Powers asks you to take this Self-Assessment Test to find out why your work looks the way it does.
Issue 71, Page 50Frank Gordon discusses the collision between the eternal and the ephemeral.
Issue 29, Page 110David Howell and Ben Manchipp offer their theories.
Issue 28, Page 118Tiana Marie and Bob Rudd offer their ideas on the poetic qualities of the Lake District, Snowdonia and Scotland.
Issue 27, Page 104Part 4 of our series showing the British landscape through the eyes of its acknowledged contemporary masters. This issue we ask the question of Vivienne Pooley, Robert Greenhalf, Helen Turner and Andy Wood
Issue 26, Page 98Part 4 of our series showing the British landscape through the eyes of its acknowledged contemporary masters. This issue we ask the question of Terence Storey and Raymond Leech.
Issue 25, Page 32Part 3 of our series showing the British landscape through the eyes of its acknowledged contemporary masters. This issue we ask the question of Lionel Aggett, Jeane Duffey and John McCombs
Issue 24, Page 48Part Two of our new series showing the British landscape through the eyes of its acknowledged contemporary masters. This issue we ask the question of Kenneth Denton and David Curtis.
Issue 23, Page 66Part One of our new series showing the British landscape through the eyes of its acknowledged contemporary masters. Juliette Palmer, Keith Shackleton, Terry McKivragan, John Newberry, Stephen Brown and Edward Stamp.
Issue 22, Page 66How Ruth Brownlee uses her own visual language to interpret the landscape.
Issue 30, Page 110Creating powerful art is as simple as manipulating 5 essential elements.
Issue 20, Page 56There are certain building blocks that pave the way for expressive art. Once you understand and adopt these fundamentals your inner artistic message will follow naturally.
Issue 28, Page 62
Art in the Outdoors Part 3. Michael King explores elements unique to painting in the field in this final installment of his three-part series.
Issue 144, Page 46 Read ArticleWhen you are confronted with a subject that is simply overwhelming, "Idea generators" can help you focus.
Issue 13, Page 34Get up to date with our report on major prize winners in the US, the UK and Australia.
Issue 19, Page 134With a successful career in graphic design JW Barnes has found that trying to paint styles different from your own could lead to the breakthrough you're looking for.
Issue 68, Page 68Today's so called 'art world' doesn't put much value on God-given gifts. Robert Dale Williams shows why they are so wrong.
Issue 62, Page 60Stick to the fundamentals and find your own path.
Issue 31, Page 40Adeste Deguilmo shares one method of painting a harmonious composition
Issue 122, Page 122Having a direct link to African needs, both human and endangered animals, professional realist wildlife artist Daniel Taylor has, over a span of 40 years, been bringing to life a 'trust' that may be lost within a single generation
Issue 66, Page 114Wayne Hovis proves that even major changes are possible deep into the painting process
Issue 76, Page 60We visit Myfanwi Pavelic, Canada's most famous painter of the famous
Issue 7, Page 106Readers of International Artist magazine show us where they are in the world with their photos
Issue 73, Page 20Emotional content doesn't just come through by accident.
Issue 30, Page 40
Working with just a palette knife, Emilie Fantuz paints moments of modern life
Issue 155, Page 62 Read Article Visit Gallery WebsiteThis artist draws on several artistic traditions to create contemporary realist works.
Issue 38, Page 66
Five accomplished artists and a handful of students traveled overseas for a 10-day workshop in Southern France
Issue 146, Page 50 Read ArticleJoyce Fournier's abstract expressionist artwork develops through an organic process of paint application
Issue 138, Page 70
Trompe l’oeil artist Natalie Featherston talks finding her art style and staying true to one’s passions
Issue 160, Page 58 Read Article