Search Results

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The Making of an Artist Art Part 13: Visual Poetry and Equal Values.

Issue 56, Page 92

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The Making of an Artist Art Part 14: Triangulation and Reflected Light.

Issue 57, Page 88

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The Making of an Artist Art Part 16: Shape Variety and How to Observe Clouds

Issue 59, Page 120

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The Making of an Artist Art Part 19: 'Two-Value Notan Paintings' and 'Eye Pathways'

Issue 63, Page 138

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The Making of an Artist Art Part 19: 'Two-Value Notan Paintings' and 'Eye Pathways'

Issue 62, Page 136

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The Making of an Artist Part 11: Brushwork and Atmospheric Perspective and How to Deal with Wet Paint When painting Outdoors.

Issue 54, Page 102

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The Making of an Artist Part 12: Capturing a gesture and How to observe color.

Issue 55, Page 116

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The Making of an Artist Part 17: 'Varying Levels of Focus and Detail' and 'Horizon Lines and Vanishing Lines'

Issue 60, Page 140

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The Making of an Artist Part 18: 'Squaring off Forms' and 'Simplification'

Issue 61, Page 88

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The making of an artist Part 2:

'Double Split Complementaries' and 'Making Grays'

Issue 45, Page 138

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The Making of an Artist Part 21: 'Concept of Saturation' and 'Perspective Brushwork'

Issue 65, Page 136

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The Making of an Artist Part 21: 'Simplifying Complex Forms' and 'Imprimatura Technique'

Issue 64, Page 136

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The Making of an Artist Part 22: 'Color Harmonies' and 'Values and Realism'

Issue 66, Page 136

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The making of an artist Part 3:

'Use color to create eye movement' and 'Values and realism'

Issue 46, Page 124

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The Making of an Artist

Part 24: 'Choosing Subject Matter' and 'Making Grays'

Issue 68, Page 142

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The Making of an Artist

Part 25: 'What are the 3 characteristics of Color?' and 'Contrast of Temperature'

Issue 69, Page 124

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The making of an artist

Master the principles of painting that took this artist from raw beginner to prize winning professional in only five years.

Issue 44, Page 126

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The making of an artist

'The Two-Value Statement' and 'The Golden Mean'

Issue 47, Page 136

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The making of an artist

'Use saturated colors in the focal area' and 'Put more detail in one area'

Issue 48, Page 146

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The making of an artist

'Color Pairs' and 'Exaggerating color spots'

Issue 49, Page 144

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The Making of an Artist

Part 46 'Block Studies' and 'Using Impasto Brushwork for Texture'

Issue 90, Page 124

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The Making of an Artist

Part 47 'General to Specific' and 'On the Beach, Carmel'

Issue 91, Page 134

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The making of an artist

'Using Texture to Bring Your Subject Alive' and 'How to Varnish a Painting'.

Issue 51, Page 20

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The Making of an Artist

Part 30: 'Golden Section' and 'Narrative'

Issue 74, Page 122

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The Making of an Artist

Part 31: 'Mass Gesture' and 'Variety of Brushwork' by Barry John Raybould

Issue 75, Page 122

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The Making of an Artist Art Part 15: Mixing Vivid Colours and Dominant Values.

Issue 58, Page 120

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The Making of an Artist Part 29: 'Color Pairs' and 'Optical Color Mixing'

Issue 73, Page 124

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The Making of an Artist Part 32:

'Use Colour to Create Eye Movement' and 'Venetian Canal'

Issue 76, Page 122

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The Making of an Artist Part 33: 'Point, Line & Mass' & 'Santa Maria della Pieta, Venice'

Issue 77, Page 122

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The Making of an Artist Part 34:

'Emphasis' & 'Master at Work'

Issue 78, Page 92

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The Making of an Artist Part 35: 'Complementary Contrast' & 'Focal Point Saturation'

Issue 79, Page 122

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The Making of an Artist Part 36 'Active and Passive Mix' & 'Reflected Light'

Issue 80, Page 126

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The Making of an Artist Part 37 'Negative Space' & 'Complementary Contrast'

Issue 81, Page 126

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The Making of an Artist Part 38

'Communicating Emotion with Brushwork' & 'Complementary Color Harmony'

Issue 82, Page 126

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The Making of an Artist Part 39

'Straight Line Approximation' & 'Unequal Space Division'

Issue 83, Page 126

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The Making of an Artist Part 41 'General to Specific' and the Analysis

Issue 85, Page 116

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The Making of an Artist Part 44

'Eye Pathways' and 'Atmospheric Perspective'

Issue 88, Page 124

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The Making of an Artist Part 45

'Straight Line Approximation' and Key Discoveries in Practice

Issue 89, Page 124

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The Making of an Artist Part 48

Flattening Values and Put More Detail in One Area

Issue 92, Page 138

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The Making of an Artist Part 49

Low Saturation Field and Chinese Laundry

Issue 93, Page 138

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The Making of an Artist Part 81

Secondary Color Harmonies & A Kasakh Farmhouse in Tianshan

Issue 125, Page 126

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The Making of an Artist Part 82

Wet Painting Carriers & Italy, Florence, The Arno

Issue 126, Page 138

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The Making of an Artist Part 83

Iridescence and Shimmering Water & Day at the Beach

Issue 127, Page 138

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The Making of an Artist Part 84

Interlocking Shapes & Still Life

Issue 128, Page 126

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The Making of an Artist Part 85

Cropping Your Subject & Pianello Roses

Issue 129, Page 134

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The Making of an Artist: Cropping your Subject and How to temporarily mount loose linen canvas.

Issue 53, Page 152

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The Making of and Artist Part 40

'Block Studies' & 'Impasto Brushstrokes for Texture'

Issue 84, Page 124

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The Making of The Toy Peddler of Dupont Street

The step-by-step development of Mian Situ's latest materpiece for the Jackson Hole art auction

Issue 82, Page 86

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The Making on an Artist Part 42 'Flattening Values' and the Analysis

Issue 86, Page 116

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The Making on an Artist Part 43 'Envelope Technique' and the Analysis

Issue 87, Page 124

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