Search Results

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The unpredictable nature of inspiration

Ideas come from many sources, you just have to stay attuned and put some effort into working them out.

Issue 29, Page 86

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The Uses of Tracing Paper

James Gurney presents numerous scenarios in which tracing paper can be an essential resource for artists

Issue 145, Page 26 Read Article

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The Value of a Notan - Part 2

The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Issue 140, Page 44 Read Article

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The value of falling in love with your subject

This artist details the merits of connecting with his subjects and describes the advantages of live sittings and the heartache of parting with his renditions of reality.

Issue 46, Page 134

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The Value of Planning

Brienne M. Brown delves into the importance of creating value sketches before embarking on a new piece

Issue 160, Page 98 Read Article Visit Gallery Website

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The Value of Workshops

Issue 163, Page 56 Read Article Visit Gallery Website

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The Voyage

A journey of exploration and self-discovery has led colored pencil artist Jesse Lane into the depths of imaginative realism

Issue 149, Page 48 Read Article Visit Gallery Website

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The watercolors of American artist Thomas Sgouros

Issue 38, Page 42

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The Watercolours of Tony Foster

In this new 6 part series international artist Tony Foster will take you on a journey to exciting destinations around the world

Issue 67, Page 62

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The work of the Watercolour Society of South Africa

Sue Kemp, Elsabe Valcke, Valerie Christie

Issue 24, Page 114

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The world is my studio

Why much traveled artist, Robert A. Wade has earned himself the title of Unofficial World Ambassador of Watercolor.

Issue 1, Page 6

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The world's secret painting places

Secret place number 5: USA: Port Clyde in Maine

Issue 12, Page 146

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The world's secret painting places

Secret place number 21 Toledo, Spain.

Issue 29, Page 144

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The world's secret painting places

Secret place number 9: Robin Hood's Bay, North Yorkshire, UK.

Issue 16, Page 142

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The world's secret painting places

Belgium: Leuven

Issue 9, Page 156

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The world's secret painting places

Secret place number 8: Perouges, France

Issue 15, Page 28

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The World's Secret Painting Places

Portugal: The flower markets of Caldas da Rainha

Issue 8, Page 150

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The world's secret painting places

Secret place number 7: Chioggia, Italy.

Issue 14, Page 140

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The world's secret painting places

Secret place number 6: Taxco, Mexico.

Issue 13, Page 142

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The World's secret painting places .

International Artist magazine's very own artist retreat in Italy

Issue 11, Page 156

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The World's Secret Painting Places, France: Dinan in Brittany

Issue 10, Page 150

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Theater meets art history

Great masterpieces of art recreated live, before your very eyes.

Issue 15, Page 14

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Theory of relativity

How to work with the relationships that exist between line, tone, color and edge.

Issue 43, Page 60

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There's a new way of painting everything

It doesn't matter if it's been done before.

Issue 21, Page 68

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There's nothing like the real thing

This Singapore artist believes painting on the spot makes for a work with that elusive transient quality - atmosphere.

Issue 12, Page 72

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There's plenty in a name

Issue 16, Page 118

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There's Something about Water

John Lovett reflects on the merits of depicting water in your paintings

Issue 86, Page 136

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Thick and Thin

Utilizing different oil mediums, Justin Wood layers a variety of textures to create still lifes that are both loose and defined

Issue 163, Page 66 Read Article Visit Gallery Website

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Thinking Conceptually

The paintings of Alfredo Barros reach beyond the ordinary still life with geometrics

Issue 104, Page 88

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Thinking in expressive color themes

Plan your paintings with strong structure and don't be afraid to establish strong color early on

Issue 31, Page 110

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Thinking Negatively - Part 1

The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Issue 139, Page 42 Read Article

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Thinking of switching to oil paints?

This artist offers practical information and advice for any artist thinking of starting or switching to oil painting.

Issue 55, Page 108

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Third Shenzhen International Watercolour Biennial Announced

Issue 114, Page 50

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This issue we feature the work of:

Stephen Griffin, Mary Ann Viola, David Goatley, Linda Kollacks

Issue 24, Page 38

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Those Steps We Take

Harley Brown’s fascinating things no one else will tell you

Issue 140, Page 108 Read Article

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Three Basic Rules of Drawings

Robert Stollar shares his rules to learning how to draw a realistic figure with more precision

Issue 96, Page 112

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Three Blues and a Green

John Lovett has fun with mixed media by working in a limited color range

Issue 129, Page 106

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Three Point Linkage

Lee Alban divides the painting process into three stages - the drawing, the values and the color

Issue 85, Page 72

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Three specialists in their fields

Ariane Beigneux, William T Chambers, L Steven Moppert

Issue 15, Page 19

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Three-step Process

Using a refined method gives artist Catherine Hearding the framework for her paintings

Issue 136, Page 82

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Thriving in Nature

Painting from life has enhanced Daniel J. Keys' still lifes and landscapes

Issue 131, Page 46

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Thumbnail Sketches

John Lovett shares how sketches help in the creation of large-scale watercolour paintings

Issue 96, Page 108

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Tim Daniels, Sandra Nicholl, Marguerite Elliott, Gail S. Sibley, Denis Jacques, Kyle Thomson, Sam Mateer, Ginger Whellock, Hazel Monzingo and William A Schneider

Issue 39, Page 116

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Tim Rees: Alla Prima Portraits in Charcoal

Issue 129, Page 48

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