Artist Search
Here are the results of your search...

Trompe l’oeil artist Natalie Featherston talks finding her art style and staying true to one’s passions
Issue 160, Page 58 Read Article
Watercolorist Ingela Matsson paints directly on dry paper, just soaking the areas she wants to paint
Issue 148, Page 98 Read ArticleA Californian wildlife artist confronts her fears of the big bad wolf.
Issue 5, Page 36Why both halves of our brains - the intuitive, spontaneous side and the analytical, linear side - are required in the painting process.
Issue 22, Page 106Every so often, when you are out painting and the situation is not as warm and cozy as you would like, does the thought run briefly through your mind: "At my age, what on earth am I doing out here?" Take heart from this master artist.
Issue 30, Page 52Secondary colors play an important role in preserving light, shadow and volume.
Issue 14, Page 124What drives us to select the subjects we choose to paint, David C. Powers explains
Issue 63, Page 60Ideas for tackling a common problem area.
Issue 42, Page 24We talk to Patricia Moran about her breakthrough book on painting flowers and portraits that will appeal to artists of all levels
Issue 7, Page 152
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
Issue 159, Page 74 Read Article Visit Gallery Website
All the Prize Winners in our International Artist Magazine Challenge No. 140
Issue 156, Page 6 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 131
Issue 147, Page 6 Read ArticleJulio Reyes talks with executive director of The Portrait Society of America, Christine Egnoski
Issue 87, Page 32
Capturing the subtle magic of a snow scene is a blend of story, atmosphere and observation
Issue 154, Page 36 Read ArticlePrior to this year's May conference in Washington DC, Christine Egnoski spoke to members of the Portrait Society of America's faculty about their work.
Issue 53, Page 2215 respected artists and teachers speak about some important issues impacting on artists today.
Issue 47, Page 2814 respected artists and teachers speak about some important issues impacting on artists today.
Issue 48, Page 30Christine Egnoski continues her conversation with the 2012 Portrait Society Faculty
Issue 84, Page 26
from the 2023 The Art of the Portrait Faculty Artists
Issue 149, Page 32 Read Article
from the 2023 The Art of the Portrait Faculty Artists
Issue 150, Page 32 Read Article
from the 2025 The Art of the Portrait Faculty Artists
Issue 161, Page 24 Read ArticleDiane Leonard's paintings evoke the colors and mood of late afternoon light
Issue 125, Page 70Bonnie Hamlin divides her painting process into three segments: creative energy, technical painting and instinctive balancing
Issue 105, Page 82There are essentially two ways to increase the size of an image
Issue 34, Page 68Artist Elaine Hahn begins with a palette of three colors and white and black when creating her highly realistic paintings
Issue 94, Page 80Paul Baldassini explains how to use piles and puddles for color mixing and value matching
Issue 137, Page 62This artist builds his paintings much like he would prepare a stage scene in a theatre
Issue 58, Page 68Born and bred in Cornwall, this artist is confronted with an abundance of subject matter.
Issue 57, Page 76When you live in challenging climate you have to learn to make the most of every opportunity.
Issue 44, Page 102Embarking on a painting trip with fellow artists is a unique experience that sparks learning, interaction and exploration
Issue 97, Page 131Issue 26, Page 40

Harley Brown’s fascinating things no one else will tell you
Issue 149, Page 122 Read ArticleProdding your consciousness from rational thinking to that transformed state where beauty and truth flow from the brush.
Issue 25, Page 108