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' Issue #160
Whimsical Illusions

Trompe l’oeil artist Natalie Featherston talks finding her art style and staying true to one’s passions

Issue 160, Page 58 Read Article
' Issue #148
Whimsy and Control

Watercolorist Ingela Matsson paints directly on dry paper, just soaking the areas she wants to paint

Issue 148, Page 98 Read Article
' Issue #39
White light!

Achieve the beautiful, dappled sunlight effects of the woodland.

Issue 39, Page 130
' Issue #5
Who's afraid . . . ?

A Californian wildlife artist confronts her fears of the big bad wolf.

Issue 5, Page 36
' Issue #22
Whole-brain painting

Why both halves of our brains - the intuitive, spontaneous side and the analytical, linear side - are required in the painting process.

Issue 22, Page 106
' Issue #30
Why I still paint outdoors

Every so often, when you are out painting and the situation is not as warm and cozy as you would like, does the thought run briefly through your mind: "At my age, what on earth am I doing out here?" Take heart from this master artist.

Issue 30, Page 52
' Issue #14
Why let secondary colors play second fiddle?

Secondary colors play an important role in preserving light, shadow and volume.

Issue 14, Page 124
' Issue #63
Why this?

What drives us to select the subjects we choose to paint, David C. Powers explains

Issue 63, Page 60
' Issue #42
Why we hate backgrounds (and how to love them)

Ideas for tackling a common problem area.

Issue 42, Page 24
' Issue #11
Why we must keep the traditions alive

A respected artist speaks out.

Issue 11, Page 18
' Issue #7
Why you should keep this book in your studio

We talk to Patricia Moran about her breakthrough book on painting flowers and portraits that will appeal to artists of all levels

Issue 7, Page 152
' Issue #39
Wild at heart

Expressive animal collages

Issue 39, Page 76
' Issue #159
Wild Spirit

Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom

Issue 159, Page 74 Read Article Visit Gallery Website
' Issue #156
Wildlife

All the Prize Winners in our International Artist Magazine Challenge No. 140

Issue 156, Page 6 Read Article
' Issue #147
Wildlife

All the Prize Winners in our International Artist Magazine Challenge No. 131

Issue 147, Page 6 Read Article
' Issue #85
William A. Schneider

A Portrait Demonstration

Issue 85, Page 38
' Issue #87
William F. Draper Grand Prize Winner

Julio Reyes talks with executive director of The Portrait Society of America, Christine Egnoski

Issue 87, Page 32
' Issue #154
Winter Spell

Capturing the subtle magic of a snow scene is a blend of story, atmosphere and observation

Issue 154, Page 36 Read Article
' Issue #53
Words from the Wise

Prior to this year's May conference in Washington DC, Christine Egnoski spoke to members of the Portrait Society of America's faculty about their work.

Issue 53, Page 22
' Issue #47
Words from the wise

15 respected artists and teachers speak about some important issues impacting on artists today.

Issue 47, Page 28
' Issue #48
Words from the wise

14 respected artists and teachers speak about some important issues impacting on artists today.

Issue 48, Page 30
' Issue #162
Words of Wisdom

from the 2025 Art of the Portrait Faculty Artists

Issue 162, Page 24 Read Article
' Issue #155
Words of Wisdom

from the 2024 Art of the Portrait Faculty Artists

Issue 155, Page 28 Read Article
' Issue #156
Words of Wisdom

from the 2024 Art of the Portrait Faculty Artists

Issue 156, Page 26 Read Article
' Issue #83
Words of Wisdom

Christine Egnoski speaks with the 2012 Portrait Society Faculty

Issue 83, Page 26
' Issue #84
Words of Wisdom

Christine Egnoski continues her conversation with the 2012 Portrait Society Faculty

Issue 84, Page 26
' Issue #149
Words of Wisdom

from the 2023 The Art of the Portrait Faculty Artists

Issue 149, Page 32 Read Article
' Issue #150
Words of Wisdom

from the 2023 The Art of the Portrait Faculty Artists

Issue 150, Page 32 Read Article
' Issue #161
Words of Wisdom

from the 2025 The Art of the Portrait Faculty Artists

Issue 161, Page 24 Read Article
' Issue #102
Words of Wisdom from the 2015 Faculty

Issue 102, Page 30
' Issue #108
Words of Wisdom from the 2016 Faculty, Part 2

Issue 108, Page 36
' Issue #125
Words of Wisdom from the 2019 Faculty

Issue 125, Page 40
' Issue #131
Words of Wisdom from the 2020 Faculty

Issue 131, Page 38
' Issue #132
Words of Wisdom from the 2020 Faculty -- Part 2

Issue 132, Page 42
' Issue #143
Words of Wisdom from the 2022 Faculty

Issue 143, Page 34 Read Article
' Issue #144
Words of Wisdoms

from the 2022 Faculty, Part Two

Issue 144, Page 32 Read Article
' Issue #107
Words of Wisdon from the 2016 Faculty

Issue 107, Page 34
' Issue #125
Working in Natural Light

Diane Leonard's paintings evoke the colors and mood of late afternoon light

Issue 125, Page 70
' Issue #105
Working in Three Stages

Bonnie Hamlin divides her painting process into three segments: creative energy, technical painting and instinctive balancing

Issue 105, Page 82
' Issue #34
Working on a grand scale

There are essentially two ways to increase the size of an image

Issue 34, Page 68
' Issue #94
Working with a Limited Pallete

Artist Elaine Hahn begins with a palette of three colors and white and black when creating her highly realistic paintings

Issue 94, Page 80
' Issue #137
Working with Color

Paul Baldassini explains how to use piles and puddles for color mixing and value matching

Issue 137, Page 62
' Issue #58
Working with the elements

This artist builds his paintings much like he would prepare a stage scene in a theatre

Issue 58, Page 68
' Issue #57
Working with the elements

Born and bred in Cornwall, this artist is confronted with an abundance of subject matter.

Issue 57, Page 76
' Issue #44
Working with the weather

When you live in challenging climate you have to learn to make the most of every opportunity.

Issue 44, Page 102
' Issue #97
Workshop Holiday

Embarking on a painting trip with fellow artists is a unique experience that sparks learning, interaction and exploration

Issue 97, Page 131
' Issue #26
Xiangyuan Jie, Tom Edgerton, Jacqueline Jasper, John Michael Carter, Yoshi Mizutani, Andy Thomas

Issue 26, Page 40
' Issue #14
Yin, yang and the art of watercolor

Creativity versus control.

Issue 14, Page 112
' Issue #149
You Are No One Else

Harley Brown’s fascinating things no one else will tell you

Issue 149, Page 122 Read Article
' Issue #25
You are now entering the creative zone!

Prodding your consciousness from rational thinking to that transformed state where beauty and truth flow from the brush.

Issue 25, Page 108