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' Issue #134
Precision in Painting

Skillfully executing still lifes allows Blair Atherholt to elevate the objects depicted to new levels

Issue 134, Page 60
' Issue #49
Prepare for the right moment

This artist sets himself up hours in advance and waits for exactly the right moment to capture the drama of his subjects.

Issue 49, Page 44
' Issue #104
Preparing for Your Solo Show, Part 1

The Gallery Director's Perspective

Issue 104, Page 46
' Issue #105
Preparing for Your Solo Show, Part 2

The Artist's Persepective

Issue 105, Page 46
' Issue #157
Preserving the Soul of Art

Chairmans Letter

Issue 157, Page 22 Read Article
' Issue #165
Pressed & Bound

Issue 165, Page 21 Read Article
' Issue #108
Prfessional Artist: There is No Short Cut

Building the path to successful gallery exhibitions

Issue 108, Page 31
' Issue #15
Prize winners from major art competitions

Issue 15, Page 6
' Issue #14
Prize winners from major art competitions

Issue 14, Page 6
' Issue #12
Prize winners from major competitions

Issue 12, Page 6
' Issue #11
Prize winners from the world's major art competition

Issue 11, Page 10
' Issue #13
Prizewinners from major art competitions

Issue 13, Page 6
' Issue #22
Prizewinners from the Arts for the Parks, American Women Artists and the Colored Pencil Society of America

Issue 22, Page 16
' Issue #21
Prizewinners from the Texas Watercolor Society, the Midwest Watercolor Society and the California Watercolor Association

Issue 21, Page 18
' Issue #22
Prizewinners in the Singer & Friedlander/Sunday Times Watercolour Competition and the Royal Society of British Artists turns 178 years old

Issue 22, Page 62
' Issue #7
Probing opaque and transparent color

A watercolor master emphasizes the difference between transparent and opaque colors

Issue 7, Page 144
' Issue #147
Process and Intuition

Working with a variety of materials, Steve Baylis allows instinct to guide him in his abstract art

Issue 147, Page 104 Read Article
' Issue #105
Profession Artist: Can you make money on the Web?

Insights on how to monetize your online presence

Issue 105, Page 128
' Issue #121
Profession Artist: What can you learn?

How to find the ideal market for specialized projects

Issue 121, Page 25
' Issue #70
Professional Artist Can you bring your clients back?

An inexpensive way to add value

Issue 70, Page 1
' Issue #132
Professional Artist

A professional artist is not merely a painter-- that is an artist.

Issue 132, Page 20
' Issue #138
Professional Artist

Galleries and an agent can work together

Issue 138, Page 25
' Issue #98
Professional Artist: Is Copyright Worth Money?

How to earn extra income through artwork copyrights.

Issue 98, Page 131
' Issue #109
Professional Artist: A Call to Action

Ask your clients for the sale by following these simple strategies

Issue 109, Page 31
' Issue #112
Professional Artist: Building Your Brand

Insights on identifying, growing and promoting your brand

Issue 112, Page 25
' Issue #111
Professional Artist: Common "Art Myths"

A look at popular views of art and how to formulate your own path

Issue 111, Page 28
' Issue #118
Professional Artist: Do people buy artwork the first time they think about it?

Strategies for marketing your artwork to current and new collectors

Issue 118, Page 26
' Issue #100
Professional Artist: Does Your Art Really Communicate?

Engage audiences through focused channels of communication

Issue 100, Page 126
' Issue #123
Professional Artist: Find Your Niche

How to market your brand of artwork

Issue 123, Page 27
' Issue #113
Professional Artist: Finding Your Client Base

How to keep collectors interested in your services

Issue 113, Page 31
' Issue #106
Professional Artist: How many artworks are created in a year?

Understanding this, and other art market statistics, can lead to greater success

Issue 106, Page 26
' Issue #117
Professional Artist: How to Increase Your Sales through Exhibitions

We continue our last article with additional information on sales, pricing and finding new prospects who are interested in your work

Issue 117, Page 20
' Issue #99
Professional Artist: Is Art Actually an Investment?

Stay up to date on your art's value to increase buyer interest

Issue 99, Page 131
' Issue #107
Professional Artist: Is there a magic bullet?

Identifying the pathway to a successful and thriving art career.

Issue 107, Page 24
' Issue #110
Professional Artist: Paving Your Path to Success

Market your art to meet long-term career goals

Issue 110, Page 31
' Issue #119
Professional Artist: Question & Answer

How asking collectors questions can help you succeed in closing sales

Issue 119, Page 24
' Issue #114
Professional Artist: Should you consider prints?

The pros and cons of creating prints of your artwork

Issue 114, Page 128
' Issue #122
Professional Artist: The Importance of Exhibitions

An artist shares his experiences with creating a sellout exhibition

Issue 122, Page 27
' Issue #116
Professional Artist: The Importance of Exhibitions

Breaking down the reasons why you should exhibit your work

Issue 116, Page 18
' Issue #102
Professional Artist: What do you stand for?

Methods to creating a strong brand for yourself and your artwork

Issue 102, Page 126
' Issue #120
Professional Artist: What is a Print?

The ins and outs of reproducing prints from your art

Issue 120, Page 25
' Issue #124
Professional Artist: What Should a Client Know Before They Buy?

Insights on how to market to your client and keep them happy long after their purchase.

Issue 124, Page 29
' Issue #115
Professional Artist: Why Are Commissions So Important?

A look at the key elements of commissioned artwork

Issue 115, Page 18
' Issue #101
Professional Artist: Why do people come to your art exhibitions?

Get to know your audience, so that everyone attending your show is a potential buyer

Issue 101, Page 126
' Issue #104
Professional Artists: Do you have a long-term vision about your career?

Instead of just focusing on the present, look at what is ahead in your art career

Issue 104, Page 132
' Issue #117
Properties of Water

Sheri Farabaugh's seascapes hone in on the reflections, transparency and movement of water

Issue 117, Page 56
' Issue #64
Props banish the Creative Block

With a successful career as a professional medical illustrator behind her, Jean Miller Harding has no problems when it comes to fleshing out the bones of her real life subjects

Issue 64, Page 100
' Issue #43
Protecting your work

Did you know that from the moment you finish your painting it will start to deteriorate?

Issue 43, Page 92
' Issue #145
Pulled Into the Scene

Holly Dyrland focuses on a balance of opaque/transparent layers to intensify depth in her landscapes

Issue 145, Page 54 Read Article
' Issue #152
Pure Bliss

Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork

Issue 152, Page 68 Read Article Visit Gallery Website