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' Issue #138
Professional Artist

Galleries and an agent can work together

Issue 138, Page 25
' Issue #98
Professional Artist: Is Copyright Worth Money?

How to earn extra income through artwork copyrights.

Issue 98, Page 131
' Issue #109
Professional Artist: A Call to Action

Ask your clients for the sale by following these simple strategies

Issue 109, Page 31
' Issue #112
Professional Artist: Building Your Brand

Insights on identifying, growing and promoting your brand

Issue 112, Page 25
' Issue #111
Professional Artist: Common "Art Myths"

A look at popular views of art and how to formulate your own path

Issue 111, Page 28
' Issue #118
Professional Artist: Do people buy artwork the first time they think about it?

Strategies for marketing your artwork to current and new collectors

Issue 118, Page 26
' Issue #100
Professional Artist: Does Your Art Really Communicate?

Engage audiences through focused channels of communication

Issue 100, Page 126
' Issue #123
Professional Artist: Find Your Niche

How to market your brand of artwork

Issue 123, Page 27
' Issue #113
Professional Artist: Finding Your Client Base

How to keep collectors interested in your services

Issue 113, Page 31
' Issue #106
Professional Artist: How many artworks are created in a year?

Understanding this, and other art market statistics, can lead to greater success

Issue 106, Page 26
' Issue #117
Professional Artist: How to Increase Your Sales through Exhibitions

We continue our last article with additional information on sales, pricing and finding new prospects who are interested in your work

Issue 117, Page 20
' Issue #99
Professional Artist: Is Art Actually an Investment?

Stay up to date on your art's value to increase buyer interest

Issue 99, Page 131
' Issue #107
Professional Artist: Is there a magic bullet?

Identifying the pathway to a successful and thriving art career.

Issue 107, Page 24
' Issue #110
Professional Artist: Paving Your Path to Success

Market your art to meet long-term career goals

Issue 110, Page 31
' Issue #119
Professional Artist: Question & Answer

How asking collectors questions can help you succeed in closing sales

Issue 119, Page 24
' Issue #114
Professional Artist: Should you consider prints?

The pros and cons of creating prints of your artwork

Issue 114, Page 128
' Issue #122
Professional Artist: The Importance of Exhibitions

An artist shares his experiences with creating a sellout exhibition

Issue 122, Page 27
' Issue #116
Professional Artist: The Importance of Exhibitions

Breaking down the reasons why you should exhibit your work

Issue 116, Page 18
' Issue #102
Professional Artist: What do you stand for?

Methods to creating a strong brand for yourself and your artwork

Issue 102, Page 126
' Issue #120
Professional Artist: What is a Print?

The ins and outs of reproducing prints from your art

Issue 120, Page 25
' Issue #124
Professional Artist: What Should a Client Know Before They Buy?

Insights on how to market to your client and keep them happy long after their purchase.

Issue 124, Page 29
' Issue #115
Professional Artist: Why Are Commissions So Important?

A look at the key elements of commissioned artwork

Issue 115, Page 18
' Issue #101
Professional Artist: Why do people come to your art exhibitions?

Get to know your audience, so that everyone attending your show is a potential buyer

Issue 101, Page 126
' Issue #104
Professional Artists: Do you have a long-term vision about your career?

Instead of just focusing on the present, look at what is ahead in your art career

Issue 104, Page 132
' Issue #117
Properties of Water

Sheri Farabaugh's seascapes hone in on the reflections, transparency and movement of water

Issue 117, Page 56
' Issue #64
Props banish the Creative Block

With a successful career as a professional medical illustrator behind her, Jean Miller Harding has no problems when it comes to fleshing out the bones of her real life subjects

Issue 64, Page 100
' Issue #43
Protecting your work

Did you know that from the moment you finish your painting it will start to deteriorate?

Issue 43, Page 92
' Issue #145
Pulled Into the Scene

Holly Dyrland focuses on a balance of opaque/transparent layers to intensify depth in her landscapes

Issue 145, Page 54 Read Article
' Issue #152
Pure Bliss

Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork

Issue 152, Page 68 Read Article Visit Gallery Website
' Issue #161
Pure Energy

Paul Bailey renders the Welsh coastline with a set of dynamic acrylic techniques

Issue 161, Page 82 Read Article Visit Gallery Website
' Issue #143
Pure Harmony

Yanina Eberhard builds her colors by checking value and temperature relative to the paint already on the surface

Issue 143, Page 62 Read Article
' Issue #146
Pure Need

Harley Brown’s fascinating things no one else will tell you

Issue 146, Page 124 Read Article
' Issue #163
Pure Observation

Landscape painter Bill Farnsworth balances the colors of the natural environment through a direct observational approach

Issue 163, Page 58 Read Article Visit Gallery Website
' Issue #61
Pursuing an Artist's Life behind the easel Part 4

A 7 part series that takes you into the world of the art student.

Issue 61, Page 50
' Issue #62
Pursuing an Artist's Life behind the Easel Part 5 Taking the Easel Outdoors

A 7 part series that takes you into the world of the art student

Issue 62, Page 48
' Issue #63
Pursuing an Artist's Life Behind the Easel Part 6 - Exploring situations and environments in your studio

An 8 part series that takes you into the world of the art student

Issue 63, Page 50
' Issue #64
Pursuing an Artist's Life Behind the Easel Part 7 - Figures in the Landscape

An 8 part series that takes you into the world of the art student

Issue 64, Page 72
' Issue #65
Pursuing an Artist's Life Behind the Easel Part 8 Developing Your Subject And Your Style

The final part in the series that takes you into the world of the art student

Issue 65, Page 50
' Issue #158
Push and Pull

Megan Elizabeth Read approaches her figurative paintings in a contiguous manner, moving between detail and simplicity

Issue 158, Page 73 Read Article Visit Gallery Website
' Issue #53
Pushing color for vibrancy

This artist "paints ugly first", before the transformation into her trademark luscious colors.

Issue 53, Page 102
' Issue #62
Pushing the 'what-if ' boundaries

Canadian experimental artist Patricia Peacock uses multiple shapes within shapes to achieve complex integrated designs

Issue 62, Page 106
' Issue #32
Pushing the palette

Color complements, fortified with other types of contrast, are the key to high-impact pastels.

Issue 32, Page 86
' Issue #52
Put your flowers on steroids

Cross-pollinating size and color has given voluptuous blooms a unique dose of botanical hybrid vigor.

Issue 52, Page 120
' Issue #8
Put yourself in the picture

Find out who and where we are.

Issue 8, Page 82
' Issue #32
Putting on a show

Don't wait to be discovered. Do something yourself!

Issue 32, Page 154
' Issue #140
Putting on a Show

Using dynamic color and expressive brushstrokes, Alex Sprouse highlights the most important elements of his gouache pieces

Issue 140, Page 86 Read Article
' Issue #5
Putting your display together

Our Art Fairs series concludes with advice on setting up the stall, lighting and security, finances and record-keeping.

Issue 5, Page 9
' Issue #139
Qing Zhang: Free as a bird

Issue 139, Page 68 Read Article
' Issue #42
Quality street Part 15:

If you are to survive in a tough market you must pay attention to the details.

Issue 42, Page 106
' Issue #42
Questioning the conventional wisdom on watercolor

This artist finds watercolor happiness

Issue 42, Page 40