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Issue 22, Page 16
Issue 21, Page 18
Issue 22, Page 62
A watercolor master emphasizes the difference between transparent and opaque colors
Issue 7, Page 144
Working with a variety of materials, Steve Baylis allows instinct to guide him in his abstract art
Issue 147, Page 104 Read ArticleInsights on how to monetize your online presence
Issue 105, Page 128How to find the ideal market for specialized projects
Issue 121, Page 25An inexpensive way to add value
Issue 70, Page 1A professional artist is not merely a painter-- that is an artist.
Issue 132, Page 20How to earn extra income through artwork copyrights.
Issue 98, Page 131Ask your clients for the sale by following these simple strategies
Issue 109, Page 31Insights on identifying, growing and promoting your brand
Issue 112, Page 25A look at popular views of art and how to formulate your own path
Issue 111, Page 28Strategies for marketing your artwork to current and new collectors
Issue 118, Page 26Engage audiences through focused channels of communication
Issue 100, Page 126How to keep collectors interested in your services
Issue 113, Page 31Understanding this, and other art market statistics, can lead to greater success
Issue 106, Page 26We continue our last article with additional information on sales, pricing and finding new prospects who are interested in your work
Issue 117, Page 20Stay up to date on your art's value to increase buyer interest
Issue 99, Page 131Identifying the pathway to a successful and thriving art career.
Issue 107, Page 24Market your art to meet long-term career goals
Issue 110, Page 31How asking collectors questions can help you succeed in closing sales
Issue 119, Page 24The pros and cons of creating prints of your artwork
Issue 114, Page 128An artist shares his experiences with creating a sellout exhibition
Issue 122, Page 27Breaking down the reasons why you should exhibit your work
Issue 116, Page 18Methods to creating a strong brand for yourself and your artwork
Issue 102, Page 126The ins and outs of reproducing prints from your art
Issue 120, Page 25Insights on how to market to your client and keep them happy long after their purchase.
Issue 124, Page 29A look at the key elements of commissioned artwork
Issue 115, Page 18Get to know your audience, so that everyone attending your show is a potential buyer
Issue 101, Page 126Instead of just focusing on the present, look at what is ahead in your art career
Issue 104, Page 132Sheri Farabaugh's seascapes hone in on the reflections, transparency and movement of water
Issue 117, Page 56With a successful career as a professional medical illustrator behind her, Jean Miller Harding has no problems when it comes to fleshing out the bones of her real life subjects
Issue 64, Page 100Did you know that from the moment you finish your painting it will start to deteriorate?
Issue 43, Page 92
Holly Dyrland focuses on a balance of opaque/transparent layers to intensify depth in her landscapes
Issue 145, Page 54 Read Article
Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork
Issue 152, Page 68 Read Article Visit Gallery Website
Paul Bailey renders the Welsh coastline with a set of dynamic acrylic techniques
Issue 161, Page 82 Read Article Visit Gallery Website
Yanina Eberhard builds her colors by checking value and temperature relative to the paint already on the surface
Issue 143, Page 62 Read Article
Harley Brown’s fascinating things no one else will tell you
Issue 146, Page 124 Read ArticleA 7 part series that takes you into the world of the art student.
Issue 61, Page 50A 7 part series that takes you into the world of the art student
Issue 62, Page 48An 8 part series that takes you into the world of the art student
Issue 63, Page 50An 8 part series that takes you into the world of the art student
Issue 64, Page 72The final part in the series that takes you into the world of the art student
Issue 65, Page 50