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' Issue #49
Mixing it up

Why choose a single medium when you can use many at the same time?

Issue 49, Page 88
' Issue #40
Mixing lively, lovely neutrals

Neutral colors are essential in painting, but some neutrals can drain the energy right out of your work.

Issue 40, Page 138
' Issue #110
Mixing Realism and Abstraction

Michele Poirier Mozzone's series of underwater figures melds two styles through sunlight rays and water distortion

Issue 110, Page 106
' Issue #8
Modeling for mood

How contemporary painter Robert Ryan uses precise modeling to emphasize the mood of his deceptively simple compositions.

Issue 8, Page 108
' Issue #76
Modeling with Light and Color

Vadim Dolgov shows how to use light and colour when creating still life compositions.

Issue 76, Page 88
' Issue #165
Modern Tools

A look at several new software programs that make running your art business even easier

Issue 165, Page 121 Read Article Visit Gallery Website
' Issue #153
Modes of Perception

Alex Kelly interprets the visual relationships between subjects in his artwork, using it as a springboard for creative expression

Issue 153, Page 62 Read Article Visit Gallery Website
' Issue #47
Moira Huntley

Featuring the pictorial thoughts and images of a Master Artist.

Issue 47, Page 20
' Issue #24
Monoprinting on mylar

Try free-flowing monoprints as jumping off points for landscape paintings.

Issue 24, Page 72
' Issue #26
Mood in the making

If you can master atmosphere and mood you will be able to turn ordinary paintings into art.

Issue 26, Page 88
' Issue #84
More Bang for Your Buck

John Lovett shows the merits of stretching the limits of a subject into a whole series of paintings

Issue 84, Page 136
' Issue #34
More than a picture

How a chance encounter in a New York restaurant resulted in a portrait commission.

Issue 34, Page 33
' Issue #146
More than Blue

From turquoise to green to brilliant blue, Dolores Saul demonstrates how to accurately paint the color and movement of the ocean

Issue 146, Page 104 Read Article
' Issue #50
More than just fruit

This artist aims for transparency in every layer of her work by integrating the effect of light moving across subjects into the design stage of a painting.

Issue 50, Page 54
' Issue #54
More Words from the Wise - Part II

Christine Egnoski continues her dialogue with members of the Portrait Society faculty prior to this year's May conference in Washington DC.

Issue 54, Page 27
' Issue #16
Mountains and valleys

Colored pencil ideas.

Issue 16, Page 36
' Issue #161
Moved by Instinct

Inspired by the beauty of nature, Jean Haines’ watercolors bloom with spontaneity

Issue 161, Page 90 Read Article Visit Gallery Website
' Issue #100
Multiple Methods

Using her own set of rules and knowledge of paints, Kathleen Giles combines techniques to create dramatic and realistic watercolors

Issue 100, Page 100
' Issue #43
My 3-H portrait painting method

Read how any successful artwork should have equal portions of three ingredients.

Issue 43, Page 24
' Issue #15
My 8-point plan

Revisting the foundation of good art.

Issue 15, Page 92
' Issue #89
My American Odyssey

Colley Whisson found a trail of inspiration on his visit to USA

Issue 89, Page 92
' Issue #48
My Country

Unity through colour continuity.

Issue 48, Page 56
' Issue #49
My Country

How I mastered painting the greens of England.

Issue 49, Page 54
' Issue #61
My Country - Graham Forsythe

Issue 61, Page 98
' Issue #60
My Country - Joanne Sibley

Issue 60, Page 74
' Issue #60
My Country - John Todd

Issue 60, Page 70
' Issue #61
My Country - Ravi Paranjape

Issue 61, Page 136
' Issue #61
My Country - Richard Clare

Issue 61, Page 112
' Issue #16
My humorous window on life

Life's little ironies are the stuff art is made of.

Issue 16, Page 90
' Issue #37
My Jamaica

Transport yourself to a tropical paradise of lush and vibrant watercolors

Issue 37, Page 118
' Issue #1
My life as a dog artist

The 7 secrets that demand the would-be dog painter's close attention.

Issue 1, Page 50
' Issue #51
My love affair with drawing

This master artist explains how drawing can heighten the emotional spirit of paintings

Issue 51, Page 50
' Issue #82
My Point of View

Christine Egnoski speak with featured artist Patricia Watwood

Issue 82, Page 26
' Issue #41
My search for a unique visual language

It is the responsibility of all serious painters to find their own visual language.

Issue 41, Page 68
' Issue #41
My tao to watercolor

In the Taoist tradition the way to perfect happiness begins when one empties one's mind of prior notions.

Issue 41, Page 40
' Issue #32
Mystical landscapes in transparent oil

Sensitive layers of color, light-filled atmosphere and vibrating strokes.

Issue 32, Page 74
' Issue #112
Myths of the West

Arizona sculptor John Coleman make s a bold statement as a painter with his new collection of Native American Paintings

Issue 112, Page 40
' Issue #12
Nancy Tichborne's Flowers

Issue 12, Page 150
' Issue #128
Narrative Portraits

Using a "drawing by subtraction" technique, Tracy Frein creates black-and-white portraits wrought with emotion

Issue 128, Page 118
' Issue #131
Narrative Portraiture

David Sandell's meticulous portraits are researched and have unique narratives

Issue 131, Page 118
' Issue #116
Nathan Walsh

Experiencing the city

Issue 116, Page 82
' Issue #166
Natural complements

Carla Grace

Issue 166, Page 108 Read Article Visit Gallery Website
' Issue #75
Natural Evolution

Whitney C. Brook discovered that you cannot force the making of 'style'

Issue 75, Page 60
' Issue #154
Natural Movement

Diane Van Noord creates her landscape paintings using palette knives and limited colors

Issue 154, Page 74 Read Article Visit Gallery Website
' Issue #162
Natural Rhythm

Focusing on structure and composition, Björn Wirtz creates paintings with a strong sense of visual flow

Issue 162, Page 62 Read Article Visit Gallery Website
' Issue #97
Natural Talent

Young artist Brittany Weistling uses her keen drawing and observation skills to paint from the heart.

Issue 97, Page 50
' Issue #137
Nature Abstracted

Aparajita Sen's latest series of painting was inspired by climate change

Issue 137, Page 82
' Issue #71
Nature is my Studio

The goal for Dmitry Oivadis is to make his viewers to feel the same as he feels and to bring them to a beautiful place that would otherwise go unseen

Issue 71, Page 82
' Issue #114
Nature’s Gifts

Colorado painter Jay Moore uses the beauty of nature to explore light, memory and the permanence of paint

Issue 114, Page 40
' Issue #45
Need Direction? Think like the masters

How to keep a fresh outlook when painting on the spot by thinking like the masters.

Issue 45, Page 48