Search Results

'

Methods and materials

Issue 27, Page 158

'

Methods and Materials

Issue 44, Page 158

'

Methods and materials

Issue 18, Page 156

'

Methods and materials

Issue 7, Page 157

'

Methods and materials

Issue 41, Page 142

'

Methods and materials

Issue 26, Page 158

'

Methods and materials

Issue 17, Page 156

'

Methods and materials

Issue 35, Page 159

'

Methods and materials

Issue 25, Page 157

'

Methods and materials

Issue 47, Page 156

'

Methods and materials

Issue 48, Page 157

'

Methods and materials

Issue 49, Page 158

'

Methods and materials

Issue 16, Page 158

'

Methods and materials

Issue 34, Page 158

'

Methods and Materials

Issue 51, Page 159

'

Methods and materials

Issue 38, Page 158

'

Methods and materials

Issue 40, Page 15

'

Methods and materials

Issue 24, Page 156

'

Methods and Materials

Issue 52, Page 150

'

Methods and materials

Issue 33, Page 158

'

Methods and materials

Issue 23, Page 156

'

Methods and materials

Issue 32, Page 158

'

Methods and materials

Issue 22, Page 156

'

Methods and materials

Issue 37, Page 158

'

Methods and materials

Issue 31, Page 158

'

Methods and materials

Issue 21, Page 158

'

Methods and materials

Issue 36, Page 158

'

Methods and Materials

Issue 56, Page 158

'

Methods and materials

Issue 30, Page 158

'

Methods and materials - A Question of Color

Issue 10, Page 152

'

Methods to Gain Exposure

Is exposure all that's needed to start people talking?

Issue 94, Page 25

'

Mia Bergeron: Order out of Chaos

Issue 127, Page 42

'

Michael B. Edwards, AT Hughes, James McGregor, Kristine Nason, Christine Russell, Peter Toms and Frans Wesselman

Issue 6, Page 82

'

Michael Shane Neal Demonstrates

Issue 67, Page 40

'

Michael Shane Neal: Using a Photo Reference Wisely

Issue 134, Page 46

'

Mindfulness

Harley Brown’s fascinating things no one else will tell you

Issue 144, Page 124 Read Article

'

Minimum strokes for maximum effect

Fiddling and overworking can kill a promising watercolor.

Issue 18, Page 112

'

Mission accomplished!

Portrait Society of America Inaugural Convention Report.

Issue 8, Page 10

'

Misun Holdorf: Rhythmic impasto

Issue 162, Page 106 Read Article Visit Gallery Website

'

Mixed media - the possibilities are open

Issue 14, Page 68

'

Mixed media using oil pastel

Try combining oil pastels with gouache washes.

Issue 12, Page 86

'

Mixed-Media Showcase

Janet Cook-Rutnik, Ruth H. Sawatzk, Ann Zielinski

Issue 11, Page 42

'

Mixing & Match Color

John Lovett delves into color theory and demonstrates how to properly mix pigments

Issue 138, Page 94

'

Mixing it up

Why choose a single medium when you can use many at the same time?

Issue 49, Page 88

'

Mixing lively, lovely neutrals

Neutral colors are essential in painting, but some neutrals can drain the energy right out of your work.

Issue 40, Page 138

'

Mixing Realism and Abstraction

Michele Poirier Mozzone's series of underwater figures melds two styles through sunlight rays and water distortion

Issue 110, Page 106

'

Modeling for mood

How contemporary painter Robert Ryan uses precise modeling to emphasize the mood of his deceptively simple compositions.

Issue 8, Page 108

'

Modeling with Light and Color

Vadim Dolgov shows how to use light and colour when creating still life compositions.

Issue 76, Page 88

'

Modes of Perception

Alex Kelly interprets the visual relationships between subjects in his artwork, using it as a springboard for creative expression

Issue 153, Page 62 Read Article Visit Gallery Website

'

Moira Huntley

Featuring the pictorial thoughts and images of a Master Artist.

Issue 47, Page 20

Artist Search