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' Issue #154
Future Generations

Chairman’s Letter

Issue 154, Page 26 Read Article
' Issue #151
Game Plan

Artist Kevin Grass provides comprehensive advice on how to prepare for a successful art fair

Issue 151, Page 50 Read Article
' Issue #161
Garden Sketches

Using just a small sketchbook, John Lovett creates a warm pond scene in watercolor

Issue 161, Page 112 Read Article Visit Gallery Website
' Issue #42
Gathering information

When gathering information,give yourself permission to enjoy the expanded benefits offered by a digital camera.

Issue 42, Page 92
' Issue #158
General Costs to Run an Art Business

Delving into the various costs associated with running an independent venture

Issue 158, Page 56 Read Article
' Issue #147
Genres and Styles of Art

Understanding artistic vocabulary and experimenting with different ideas

Issue 147, Page 22 Read Article
' Issue #151
Gentle Repose

Watercolorist Peter Cronin uses a few simple washes that vary in intensity to create soft, luminous landscapes

Issue 151, Page 86 Read Article Visit Gallery Website
' Issue #113
Geoffrey Johnson

From dark to light

Issue 113, Page 82
' Issue #35
Geometric abstraction

An insight into abstract art.

Issue 35, Page 116
' Issue #87
Georg Huber

Recurrent themes form the inspirational subjects of compelling, mystical paintings

Issue 87, Page 38
' Issue #161
Gesture & Expression

Working in soft pastels, Yael Maimon creates impressionistic depictions of her feline subjects

Issue 161, Page 95 Read Article Visit Gallery Website
' Issue #17
Get out and paint!

Why Plein air painting is all the rage.

Issue 17, Page 16
' Issue #163
Get Together

Letter from the Editor

Issue 163, Page 3 Read Article
' Issue #120
Getting Away from the Subject

John Lovett shares his techniques for painting only the "important" elements of a scene

Issue 120, Page 116
' Issue #163
Getting Back to Art

James Gurney offers encouragement for restarting your art life after time away

Issue 163, Page 38 Read Article
' Issue #1
Getting going - making those first marks on canvas

Visual truthfulness is not about painting every petal in photographic detail, but placing the entire subject area in order of appearance. But where to start?

Issue 1, Page 100
' Issue #27
Getting in with a gallery. Part 2: It's not a raid, it's the beginning of a long-term relationship

Our professional art consultant will give you insight and advice on how to build a successful art career.

Issue 27, Page 16
' Issue #57
Getting nature into your lounge

This artist combines superior photographic skills with his sketches to capture the beauty of nature.

Issue 57, Page 142
' Issue #81
Getting The Viewer to Feel Your Paintings

Gail Descoeurs utilizes the magnetic power of mood

Issue 81, Page 114
' Issue #6
Ghyslaine Bluett, Carsen Frank, Klaus Hinkel, David Kenning and Glen Ladegaard

Issue 6, Page 88
' Issue #11
Gifted painters need not apply

Can a God-given gift be old fashioned?

Issue 11, Page 102
' Issue #6
Gigantic art cons make money at our expense

Yes, there's a lot of Canadian taxpayers' money being wasted on dubious art too

Issue 6, Page 50
' Issue #27
Giving birth to personal style

You must paint to please yourself first and personal style will follow.

Issue 27, Page 116
' Issue #20
Giving the creative process a prod

How to cure blank canvas syndrome.

Issue 20, Page 108
' Issue #139
Glazed

Emily Bickell takes a new approach in her recent paintings, working from the most detailed elements to the simplest

Issue 139, Page 62 Read Article
' Issue #133
Glazing an Underpainting with Color

Using this slow and methodical technique, Henry Riffe builds his paintings up through multiple layers of color

Issue 133, Page 66
' Issue #106
Glazing Techniques in Watercolours

Crystal Beshara discusses the process of working with glazes to create an illusion of depth and light

Issue 106, Page 100
' Issue #22
Go straight to the color you want to mix every time

Computer technology means you are no longer restricted to a meager handful of polka-dots arranged in a circle.

Issue 22, Page 26
' Issue #27
Go with the flow

Could International Artist magazine's Flowers and Gardens Art Prize Winner's poured wash technique put some zest back into your predictable watercolors?

Issue 27, Page 84
' Issue #82
Going [very] Wild in Africa

Australian wildlife artist Steve Morell claims you cannot 'truly' paint something you have never personally experienced - here is an opportunity to add to your experience!

Issue 82, Page 112
' Issue #37
Going beyond features to presence - Marshall Bouldin III

Issue 37, Page 33
' Issue #40
Going beyond the moment

Harvey Dinnerstein's large, figurative paintings do much more than record momentary glimpses of daily life.

Issue 40, Page 16
' Issue #15
Gold leaf abstracts of the Oman Desert

Issue 15, Page 72
' Issue #139
Golden Hour

Plein air painter Paul Kratter demonstrates how he captures the most powerful aspects of the landscape

Issue 139, Page 54 Read Article
' Issue #23
Good design creates impact

Train yourself to plan your paintings.

Issue 23, Page 100
' Issue #143
Good Vibrations

Striving to capture energy and rhythm, Aili Kurtis’ art sits on the edge of abstraction and realism

Issue 143, Page 90 Read Article
' Issue #153
Got Your Back

After 25 years in business, Raymar Art Panels continues to provide unwavering support to artists—figuratively and literally

Issue 153, Page 50 Read Article
' Issue #124
Grace en Plein Air

Issue 124, Page 44
' Issue #157
Grand Gestures

An instinctive painter, Holly Dyrland uses bold brushwork and energetic color to define her scenes

Issue 157, Page 80 Read Article Visit Gallery Website
' Issue #59
Graphic Images of Devon

This artist has formal training in graphic design that translates into dynamic paintings

Issue 59, Page 62
' Issue #30
Greg Hawke - Susan Lampinen - Jill Atkin - Mark Demsteader - Gaye Adams - Elizabeth Smith - Sara Genn - Jane Lincoln - Sheila Ablitt - Clare Money - John Paley

Issue 30, Page 92
' Issue #117
Gregory Mortenson: Depicting the Beauty and Triumph of the Human Spirit

Issue 117, Page 42
' Issue #116
Gregory Thielker

Visual perception

Issue 116, Page 74
' Issue #117
Grey Hues

John Lovett discusses the importance of grey in watercolour painting

Issue 117, Page 112
' Issue #52
Gritty Urban Super Realism

Creating powerful drawings with nothing but graphite requires a zealous eye for contrasts and patterns of light and texture.

Issue 52, Page 66
' Issue #19
Group dynamics

How a large group portrait can be unified into one natural, unified scene.

Issue 19, Page 104
' Issue #112
Group Excursions

John Lovett discusses the support provided by painting alongside a large group of artists

Issue 112, Page 124
' Issue #121
Guided by History

Z.S. Liang dives into the past to paint an act of kindness by Sitting Bull in Philadelphia

Issue 121, Page 62
' Issue #31
Hagop Hagopian - dreaming of his homeland

Meet an artist whose life and times have had a profound effect on his work.

Issue 31, Page 130
' Issue #128
Halima Washington-Dixon

Fresh and immediate

Issue 128, Page 80