Search Results

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Get out and paint!

Why Plein air painting is all the rage.

Issue 17, Page 16

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Getting Away from the Subject

John Lovett shares his techniques for painting only the "important" elements of a scene

Issue 120, Page 116

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Getting going - making those first marks on canvas

Visual truthfulness is not about painting every petal in photographic detail, but placing the entire subject area in order of appearance. But where to start?

Issue 1, Page 100

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Getting in with a gallery. Part 2: It's not a raid, it's the beginning of a long-term relationship

Our professional art consultant will give you insight and advice on how to build a successful art career.

Issue 27, Page 16

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Getting nature into your lounge

This artist combines superior photographic skills with his sketches to capture the beauty of nature.

Issue 57, Page 142

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Getting The Viewer to Feel Your Paintings

Gail Descoeurs utilizes the magnetic power of mood

Issue 81, Page 114

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Ghyslaine Bluett, Carsen Frank, Klaus Hinkel, David Kenning and Glen Ladegaard

Issue 6, Page 88

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Gifted painters need not apply

Can a God-given gift be old fashioned?

Issue 11, Page 102

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Gigantic art cons make money at our expense

Yes, there's a lot of Canadian taxpayers' money being wasted on dubious art too

Issue 6, Page 50

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Giving birth to personal style

You must paint to please yourself first and personal style will follow.

Issue 27, Page 116

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Giving the creative process a prod

How to cure blank canvas syndrome.

Issue 20, Page 108

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Glazed

Emily Bickell takes a new approach in her recent paintings, working from the most detailed elements to the simplest

Issue 139, Page 62 Read Article

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Glazing an Underpainting with Color

Using this slow and methodical technique, Henry Riffe builds his paintings up through multiple layers of color

Issue 133, Page 66

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Glazing Techniques in Watercolours

Crystal Beshara discusses the process of working with glazes to create an illusion of depth and light

Issue 106, Page 100

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Go straight to the color you want to mix every time

Computer technology means you are no longer restricted to a meager handful of polka-dots arranged in a circle.

Issue 22, Page 26

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Go with the flow

Could International Artist magazine's Flowers and Gardens Art Prize Winner's poured wash technique put some zest back into your predictable watercolors?

Issue 27, Page 84

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Going [very] Wild in Africa

Australian wildlife artist Steve Morell claims you cannot 'truly' paint something you have never personally experienced - here is an opportunity to add to your experience!

Issue 82, Page 112

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Going beyond features to presence - Marshall Bouldin III

Issue 37, Page 33

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Going beyond the moment

Harvey Dinnerstein's large, figurative paintings do much more than record momentary glimpses of daily life.

Issue 40, Page 16

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Gold leaf abstracts of the Oman Desert

Issue 15, Page 72

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Golden Hour

Plein air painter Paul Kratter demonstrates how he captures the most powerful aspects of the landscape

Issue 139, Page 54 Read Article

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Good design creates impact

Train yourself to plan your paintings.

Issue 23, Page 100

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Good Vibrations

Striving to capture energy and rhythm, Aili Kurtis’ art sits on the edge of abstraction and realism

Issue 143, Page 90 Read Article

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Got Your Back

After 25 years in business, Raymar Art Panels continues to provide unwavering support to artists—figuratively and literally

Issue 153, Page 50 Read Article

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Grace en Plein Air

Issue 124, Page 44

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Grand Gestures

An instinctive painter, Holly Dyrland uses bold brushwork and energetic color to define her scenes

Issue 157, Page 80 Read Article Visit Gallery Website

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Graphic Images of Devon

This artist has formal training in graphic design that translates into dynamic paintings

Issue 59, Page 62

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Greg Hawke - Susan Lampinen - Jill Atkin - Mark Demsteader - Gaye Adams - Elizabeth Smith - Sara Genn - Jane Lincoln - Sheila Ablitt - Clare Money - John Paley

Issue 30, Page 92

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Gregory Mortenson: Depicting the Beauty and Triumph of the Human Spirit

Issue 117, Page 42

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Gregory Thielker

Visual perception

Issue 116, Page 74

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Grey Hues

John Lovett discusses the importance of grey in watercolour painting

Issue 117, Page 112

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Gritty Urban Super Realism

Creating powerful drawings with nothing but graphite requires a zealous eye for contrasts and patterns of light and texture.

Issue 52, Page 66

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Group dynamics

How a large group portrait can be unified into one natural, unified scene.

Issue 19, Page 104

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Group Excursions

John Lovett discusses the support provided by painting alongside a large group of artists

Issue 112, Page 124

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Guided by History

Z.S. Liang dives into the past to paint an act of kindness by Sitting Bull in Philadelphia

Issue 121, Page 62

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Hagop Hagopian - dreaming of his homeland

Meet an artist whose life and times have had a profound effect on his work.

Issue 31, Page 130

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Halima Washington-Dixon

Fresh and immediate

Issue 128, Page 80

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Hands-on Process

From the subjects to the setup to the lighting, Stefaan Eyckmans freely controls each aspect of his realistic still lifes

Issue 98, Page 88

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Haoyun Erin Zhao

Changing paths

Issue 126, Page 131

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Harboring a Flair for Precision

Peter van Nes studied chemistry but found a new chemistry in his art and a passion for the harbor

Issue 61, Page 118

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Harley Brown's eternal truths for every artist

Issue 15, Page 144

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Harley Brown's Fascinating Things No One Else Will Tell You

Part 44 You have a Lifetime Membership!

Issue 70, Page 140

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Harley Brown's fascinating things no one else will tell you Part 15:

Taking time out to paint a world next door

Issue 41, Page 98

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Harley Brown's fascinating things no one else will tell you Part 17:

Getting personal

Issue 44, Page 98

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Harley Brown's fascinating things no one else will tell you Part 19:

A revolutionary idea.

Issue 45, Page 114

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Harley Brown's fascinating things no one else will tell you Part 20: Let me be your mentor.

Issue 46, Page 130

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Harley Brown's fascinating things no one else will tell you Part 29:

The Other Harley

Issue 55, Page 86

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Harley Brown's fascinating things no one else will tell you Part 30:

Creative momentum and you.

Issue 56, Page 154

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Harley Brown's fascinating things no one else will tell you Part 31:

Congratulations!

Issue 57, Page 152

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Harley Brown's fascinating things no one else will tell you Part 32: What is Art?

Issue 58, Page 122

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