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We spotlight essential art materials available to practicing artists
Issue 136, Page 28In each issue we examine some of the essential art materials available to practicing artists
Issue 126, Page 25In each issue we examine some of the essential art materials available to practicing artist
Issue 127, Page 20A showcase of the work of an international master painter.
Issue 32, Page 72This artist has shifted the cultural perspective in his figurative paintings by protraying the religious life in a realistic manner, and putting a human face to faith.
Issue 49, Page 146Eric Bowman explains the importance of light in developing a composition
Issue 99, Page 84Be it landscape or portrait, Jeremy Lipking's paintings are always about the quality of the light
Issue 62, Page 70
Wilderness painter Dolores Phelps lets gravity and the natural flow of water guide the way
Issue 162, Page 92 Read Article Visit Gallery Website
The Southeastern Wildlife Exposition has an enduring legacy in the world of wildlife art and conservation
Issue 149, Page 40 Read ArticlePhilip Miles explains how he balances form and content to create a powerful and dynamic work of art
Issue 115, Page 48
Working with calligraphy brushes, palette knives and other tools, Eugenia Gorbacheva harmonizes softness and structure
Issue 163, Page 88 Read Article Visit Gallery Website
Artist Lisa Gleim shares the evolution of her career and how she grew into her preferred medium of pastels
Issue 152, Page 56 Read ArticleWhile Roger Dale Brown approaches each scene he paints differently, there are underlying truths for each work
Issue 92, Page 62How to get through with your pride and sanity intact.
Issue 13, Page 48Issue 7, Page 98
Did the city of this artist's dreams live up to his expectations?
Issue 9, Page 114
The alla prima technique lends Iryna Khort a sense of unbridled expression when capturing her wildlife subjects
Issue 145, Page 78 Read Article
Christopher Stephen sketches and takes notes while outdoors to retain a sense of looseness back in the studio
Issue 150, Page 98 Read Article Visit Gallery WebsiteTo keep her works spontaneous and fresh, artist Christa Hillekamp prefers to work without reference materials
Issue 107, Page 118
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
Issue 159, Page 48 Read ArticleTuning in to Monet to create a work from the imagination.
Issue 43, Page 4410 top tips for getting the most out of painting holidays abroad.
Issue 48, Page 60
Harley Brown’s fascinating things no one else will tell you
Issue 154, Page 122 Read ArticleJames Zwaldo shows how an aerial view can intensify the subject, the message, movement and color
Issue 91, Page 70Gerry Thompson creates her realistic works by first painting abstract shapes
Issue 100, Page 74A look inside the artistic journey of artist Jill Steenhuis
Issue 114, Page 58Warren Chang's newest painting, Give Us Our Daily Bread, comes to fruition after years of development
Issue 122, Page 64
Naturalist painter Shanna Kunz discusses her techniques for thinking outside the box when working on a new piece
Issue 160, Page 32 Read Article Visit Gallery WebsiteBuilding up her pastel works from dark to light tones allows Rosie McClelland to make vivid and well-planned scenes
Issue 99, Page 110Gathering source information is the vital first step for the artwork of Roger Dale Brown
Issue 108, Page 70Steve Scheuring explores the sheer breadth and depth of artistic inspiration
Issue 77, Page 68Professional artist Jane A. Cook shares her insights on the path to a successful career
Issue 117, Page 44Professional artist Janet A. Cook shares her insights on the path to a successful career
Issue 118, Page 46Painting small-scale sketches enabled John Lovett to experiment with technique and compositions
Issue 118, Page 120
Elizabeth Ralph-Smith’s Artistic Odyssey
Issue 154, Page 28 Read ArticleBy beginning with a plein air painting and reference photos, Elaine Lisle expands her pieces into detailed large-scale studio works
Issue 95, Page 82When Mark Whittaker wanted to move onto color, he discovered that pastel made the transition from pencil drawing successful for his style and subjects
Issue 89, Page 86A Moscow painter aims to show the beauty of the world - the things we see every day - but from a different angle.
Issue 13, Page 114With no references to guide him this artist uses heavily diluted oil Colors to create spontaneous visions directly onto the canvas
Issue 59, Page 136
The medium of gouache allows Maida Morrison the flexibility to capture the character of her wildlife subjects
Issue 141, Page 98 Read Article
Jenny Barnes combines accurate pencil sketches with the spontaneity of watercolor to create portraits that bleed emotion
Issue 154, Page 98 Read ArticleTo create a solid composition, Stan Miller relies on drawing and visual elements he has learned during his art career
Issue 114, Page 94Wildlife artists working in a variety of mediums share their processes for capturing the unique textures of animals
Issue 138, Page 46Jason Patrick Jenkins' combination of previous and current methods reflects his effort to maintain strengths while evolving artistically
Issue 106, Page 62