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' Issue #136
Focus on Materials

We spotlight essential art materials available to practicing artists

Issue 136, Page 28
' Issue #126
Focus on Materials

In each issue we examine some of the essential art materials available to practicing artists

Issue 126, Page 25
' Issue #127
Focus on Materials

In each issue we examine some of the essential art materials available to practicing artist

Issue 127, Page 20
' Issue #32
Focus on Sir Kyffin Williams

A showcase of the work of an international master painter.

Issue 32, Page 72
' Issue #49
Focusing on the face of devotion

This artist has shifted the cultural perspective in his figurative paintings by protraying the religious life in a realistic manner, and putting a human face to faith.

Issue 49, Page 146
' Issue #99
Follow the Light

Eric Bowman explains the importance of light in developing a composition

Issue 99, Page 84
' Issue #62
Force of nature

Be it landscape or portrait, Jeremy Lipking's paintings are always about the quality of the light

Issue 62, Page 70
' Issue #162
Forces of Nature

Wilderness painter Dolores Phelps lets gravity and the natural flow of water guide the way

Issue 162, Page 92 Read Article Visit Gallery Website
' Issue #149
Forever Wild

The Southeastern Wildlife Exposition has an enduring legacy in the world of wildlife art and conservation

Issue 149, Page 40 Read Article
' Issue #115
Form and Content in Painting

Philip Miles explains how he balances form and content to create a powerful and dynamic work of art

Issue 115, Page 48
' Issue #163
Form and Flexibility

Working with calligraphy brushes, palette knives and other tools, Eugenia Gorbacheva harmonizes softness and structure

Issue 163, Page 88 Read Article Visit Gallery Website
' Issue #152
Forward Momentum

Artist Lisa Gleim shares the evolution of her career and how she grew into her preferred medium of pastels

Issue 152, Page 56 Read Article
' Issue #92
Foundational Truths

While Roger Dale Brown approaches each scene he paints differently, there are underlying truths for each work

Issue 92, Page 62
' Issue #13
Four rules for surviving an art class

How to get through with your pride and sanity intact.

Issue 13, Page 48
' Issue #49
Frame-up!

The right frame improves your chances of making a sale.

Issue 49, Page 143
' Issue #152
Francois Malnati: Intrigue in the ordinary

Issue 152, Page 110 Read Article Visit Gallery Website
' Issue #7
Francoise Cervantes, Micheline Pranzo, Jacques Chauvry, Jacquot-Van Eukem, Leclerc d'Orleac, Maggie Horner, Marie-Claire d'Armagnac, Antoine Oliver, Nicole Biles, Luce Tourne, Caron and Philippe Dardel

Issue 7, Page 98
' Issue #134
Frank Eber

Personal visions

Issue 134, Page 92
' Issue #9
Frank Hodgkinson's Paris

Did the city of this artist's dreams live up to his expectations?

Issue 9, Page 114
' Issue #145
Free Bird

The alla prima technique lends Iryna Khort a sense of unbridled expression when capturing her wildlife subjects

Issue 145, Page 78 Read Article
' Issue #161
Free Bird

Letter from the Editor

Issue 161, Page 130 Read Article
' Issue #150
Free Flowing

Christopher Stephen sketches and takes notes while outdoors to retain a sense of looseness back in the studio

Issue 150, Page 98 Read Article Visit Gallery Website
' Issue #107
Freedom of Expression

To keep her works spontaneous and fresh, artist Christa Hillekamp prefers to work without reference materials

Issue 107, Page 118
' Issue #159
Fresh Eyes

Anna Rose Bain discusses the passions of being an artist and helping students transform their own work

Issue 159, Page 48 Read Article
' Issue #43
Fresh floral impressionism

Tuning in to Monet to create a work from the imagination.

Issue 43, Page 44
' Issue #48
Freshen up your inspiration with a painting holiday

10 top tips for getting the most out of painting holidays abroad.

Issue 48, Page 60
' Issue #154
Friends for Life

Harley Brown’s fascinating things no one else will tell you

Issue 154, Page 122 Read Article
' Issue #91
From a Great Height

James Zwaldo shows how an aerial view can intensify the subject, the message, movement and color

Issue 91, Page 70
' Issue #100
From Abstract to Realism

Gerry Thompson creates her realistic works by first painting abstract shapes

Issue 100, Page 74
' Issue #114
From America to Provence: In Cézanne’s Footsteps

A look inside the artistic journey of artist Jill Steenhuis

Issue 114, Page 58
' Issue #122
From Concept to Canvas

Warren Chang's newest painting, Give Us Our Daily Bread, comes to fruition after years of development

Issue 122, Page 64
' Issue #160
From Concept to Creation

Naturalist painter Shanna Kunz discusses her techniques for thinking outside the box when working on a new piece

Issue 160, Page 32 Read Article Visit Gallery Website
' Issue #99
From Dark to Light

Building up her pastel works from dark to light tones allows Rosie McClelland to make vivid and well-planned scenes

Issue 99, Page 110
' Issue #108
From Field to Studio

Gathering source information is the vital first step for the artwork of Roger Dale Brown

Issue 108, Page 70
' Issue #77
From Flicker of Fantasy, to Reality

Steve Scheuring explores the sheer breadth and depth of artistic inspiration

Issue 77, Page 68
' Issue #117
From Inspiration to Artist

Professional artist Jane A. Cook shares her insights on the path to a successful career

Issue 117, Page 44
' Issue #118
From Inspiration to Artist - Part 2

Professional artist Janet A. Cook shares her insights on the path to a successful career

Issue 118, Page 46
' Issue #92
From Inspiration to Painting

Issue 92, Page 102
' Issue #118
From Little Things...

Painting small-scale sketches enabled John Lovett to experiment with technique and compositions

Issue 118, Page 120
' Issue #154
From New Zealand to Florence

Elizabeth Ralph-Smith’s Artistic Odyssey

Issue 154, Page 28 Read Article
' Issue #95
From On Site to the Studio

By beginning with a plein air painting and reference photos, Elaine Lisle expands her pieces into detailed large-scale studio works

Issue 95, Page 82
' Issue #89
From Pencil to Pastel

When Mark Whittaker wanted to move onto color, he discovered that pastel made the transition from pencil drawing successful for his style and subjects

Issue 89, Page 86
' Issue #124
From Root to Crown: A Conversation with Bo Bartlett

Issue 124, Page 36
' Issue #13
From Russia with love

A Moscow painter aims to show the beauty of the world - the things we see every day - but from a different angle.

Issue 13, Page 114
' Issue #59
From the Mind to the Canvas

With no references to guide him this artist uses heavily diluted oil Colors to create spontaneous visions directly onto the canvas

Issue 59, Page 136
' Issue #141
Full of Personality

The medium of gouache allows Maida Morrison the flexibility to capture the character of her wildlife subjects

Issue 141, Page 98 Read Article
' Issue #154
Full Transparency

Jenny Barnes combines accurate pencil sketches with the spontaneity of watercolor to create portraits that bleed emotion

Issue 154, Page 98 Read Article
' Issue #114
Fundamentals of Art

To create a solid composition, Stan Miller relies on drawing and visual elements he has learned during his art career

Issue 114, Page 94
' Issue #138
Fur, Feathers, & Scales

Wildlife artists working in a variety of mediums share their processes for capturing the unique textures of animals

Issue 138, Page 46
' Issue #106
Fusion of Methods

Jason Patrick Jenkins' combination of previous and current methods reflects his effort to maintain strengths while evolving artistically

Issue 106, Page 62