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Painstaking preparation of your canvas or panel, a good underpainting, a careful set-up and first sitting are the foundations for this artist's style.
Issue 52, Page 58James Morgan's wildlife and nature paintings are inspired by his experiences and observations of the environment
Issue 109, Page 64Using color, color temperature, tone, intensity and edges to paint an inspired work of art
Issue 101, Page 56
James Gurney tackles challenges specific to the medium of gouache
Issue 144, Page 26 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 125
Issue 141, Page 6 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 133
Issue 149, Page 6 Read Article
Luisa Holden creates abstract landscapes by building up layers of paint and experimental brushstrokes
Issue 153, Page 102 Read Article Visit Gallery Website
Pigments merge and create subtle gradients in Ian de Hoog’s traditional wet-in-wet approach
Issue 164, Page 80 Read Article Visit Gallery Website
Artist David Barclay discusses how to pack painting gear for air travel—managing bulk, weight restrictions and more
Issue 157, Page 40 Read Article Visit Gallery Website
Shawn Gould combines elements of various reference photos to create dynamic and balanced compositions
Issue 151, Page 78 Read Article Visit Gallery WebsiteFinding and enhancing the focal point of the painting is the key to Troels Kirk's artwork
Issue 130, Page 96John Lovett shares how to make focal points work for your painting.
Issue 103, Page 116In each issue we examine some of the essential art materials available to practicing artists
Issue 118, Page 25We examine some of the essential art materials available to practicing artists
Issue 129, Page 20In each issue we examine some of the essential art materials available to practicing artists
Issue 120, Page 26We examine some of the essential art materials available to practicing artists
Issue 122, Page 20We spotlight essential art materials available for practicing artists
Issue 134, Page 26We spotlight essential art materials available to practicing artists
Issue 136, Page 28In each issue we examine some of the essential art materials available to practicing artists
Issue 126, Page 25In each issue we examine some of the essential art materials available to practicing artist
Issue 127, Page 20A showcase of the work of an international master painter.
Issue 32, Page 72This artist has shifted the cultural perspective in his figurative paintings by protraying the religious life in a realistic manner, and putting a human face to faith.
Issue 49, Page 146Eric Bowman explains the importance of light in developing a composition
Issue 99, Page 84Be it landscape or portrait, Jeremy Lipking's paintings are always about the quality of the light
Issue 62, Page 70
Wilderness painter Dolores Phelps lets gravity and the natural flow of water guide the way
Issue 162, Page 92 Read Article Visit Gallery Website
The Southeastern Wildlife Exposition has an enduring legacy in the world of wildlife art and conservation
Issue 149, Page 40 Read ArticlePhilip Miles explains how he balances form and content to create a powerful and dynamic work of art
Issue 115, Page 48
Working with calligraphy brushes, palette knives and other tools, Eugenia Gorbacheva harmonizes softness and structure
Issue 163, Page 88 Read Article Visit Gallery Website
Alicia Ponzio’s interest in human anatomy guides her sculptural works
Issue 164, Page 48 Read Article
Artist Lisa Gleim shares the evolution of her career and how she grew into her preferred medium of pastels
Issue 152, Page 56 Read ArticleWhile Roger Dale Brown approaches each scene he paints differently, there are underlying truths for each work
Issue 92, Page 62How to get through with your pride and sanity intact.
Issue 13, Page 48Issue 7, Page 98
Did the city of this artist's dreams live up to his expectations?
Issue 9, Page 114
The alla prima technique lends Iryna Khort a sense of unbridled expression when capturing her wildlife subjects
Issue 145, Page 78 Read Article
Christopher Stephen sketches and takes notes while outdoors to retain a sense of looseness back in the studio
Issue 150, Page 98 Read Article Visit Gallery WebsiteTo keep her works spontaneous and fresh, artist Christa Hillekamp prefers to work without reference materials
Issue 107, Page 118
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
Issue 159, Page 48 Read ArticleTuning in to Monet to create a work from the imagination.
Issue 43, Page 4410 top tips for getting the most out of painting holidays abroad.
Issue 48, Page 60
Harley Brown’s fascinating things no one else will tell you
Issue 154, Page 122 Read ArticleJames Zwaldo shows how an aerial view can intensify the subject, the message, movement and color
Issue 91, Page 70