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Approach every painting with a spirit of adventure - and don't overlook the computer!
Issue 11, Page 90Life observations and photo references guide Marcia Wegman to an ideal, attention-grabbing composition that entices viewers
Issue 112, Page 100Elizabeth Tyler paints acrylics that can be experiences at both a distance and close-up
Issue 99, Page 92Can it be that galleries aren't on easy street after all?
Issue 12, Page 98The philosophy and working of portrait giant Everett RaymondKinstler.
Issue 13, Page 20Jeremy Lipking has discovered his subject matter and is exploring it deeper than ever before
Issue 95, Page 46Hebe Brooks explains how she enhances her artwork through vivid reflections, fabrics, environment and more
Issue 105, Page 66Using the clair-obscur technique, John Boe Paulsen paints figurative works that are technically sound and filled with narrative
Issue 98, Page 78This artist's gift for line and tone combines with a mastery of color and reflected light.
Issue 54, Page 36
Always snapping reference photos, Tracy Lyn Propp lets serendipity guide her artwork
Issue 148, Page 80 Read Article Visit Gallery WebsiteBy analyzing her subjects, Debra Reid Jenkins identifies key design elements to explore in every painting
Issue 125, Page 62Warren Chang demonstrates his latest fieldworker painting, Lettuce Harvest
Issue 109, Page 96Master artist David Leffel discusses art, movement and melody with International Artist magazine
Issue 94, Page 60To stay focused and consistent in the painting process, Debbie Smith sets her goals and asks questions about her artwork
Issue 107, Page 64Slawa Radziszewska discusses her painting process and how to overcome painting challenges
Issue 126, Page 56
Expressive oil painter Matt Ryder talks painting, passion and seizing opportunities
Issue 151, Page 26 Read ArticleJohn Lovett explains methods to painting thin lines and the importance of keeping your brushes and tools fresh
Issue 98, Page 108Painstaking preparation of your canvas or panel, a good underpainting, a careful set-up and first sitting are the foundations for this artist's style.
Issue 52, Page 58James Morgan's wildlife and nature paintings are inspired by his experiences and observations of the environment
Issue 109, Page 64Using color, color temperature, tone, intensity and edges to paint an inspired work of art
Issue 101, Page 56
James Gurney tackles challenges specific to the medium of gouache
Issue 144, Page 26 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 125
Issue 141, Page 6 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 133
Issue 149, Page 6 Read Article
Luisa Holden creates abstract landscapes by building up layers of paint and experimental brushstrokes
Issue 153, Page 102 Read Article Visit Gallery Website
Artist David Barclay discusses how to pack painting gear for air travel—managing bulk, weight restrictions and more
Issue 157, Page 40 Read Article Visit Gallery Website
Shawn Gould combines elements of various reference photos to create dynamic and balanced compositions
Issue 151, Page 78 Read Article Visit Gallery WebsiteFinding and enhancing the focal point of the painting is the key to Troels Kirk's artwork
Issue 130, Page 96John Lovett shares how to make focal points work for your painting.
Issue 103, Page 116In each issue we examine some of the essential art materials available to practicing artists
Issue 118, Page 25We examine some of the essential art materials available to practicing artists
Issue 129, Page 20In each issue we examine some of the essential art materials available to practicing artists
Issue 120, Page 26We examine some of the essential art materials available to practicing artists
Issue 122, Page 20We spotlight essential art materials available for practicing artists
Issue 134, Page 26We spotlight essential art materials available to practicing artists
Issue 136, Page 28In each issue we examine some of the essential art materials available to practicing artists
Issue 126, Page 25In each issue we examine some of the essential art materials available to practicing artist
Issue 127, Page 20A showcase of the work of an international master painter.
Issue 32, Page 72This artist has shifted the cultural perspective in his figurative paintings by protraying the religious life in a realistic manner, and putting a human face to faith.
Issue 49, Page 146Eric Bowman explains the importance of light in developing a composition
Issue 99, Page 84Be it landscape or portrait, Jeremy Lipking's paintings are always about the quality of the light
Issue 62, Page 70
Wilderness painter Dolores Phelps lets gravity and the natural flow of water guide the way
Issue 162, Page 92 Read Article Visit Gallery Website
The Southeastern Wildlife Exposition has an enduring legacy in the world of wildlife art and conservation
Issue 149, Page 40 Read ArticlePhilip Miles explains how he balances form and content to create a powerful and dynamic work of art
Issue 115, Page 48