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Young Su shows us how to achive the effect of a classical painting, without the complications
Issue 89, Page 98How to use basic fundamentals such as Temperature, Value and Edge to infuse excitement onto the canvas.
Issue 46, Page 50Draftsmanship and of line give the artist a solid foundation on which to build.
Issue 13, Page 40Using as many drawings that he deems necessary, Ezra Tucker creates a starting point for his wildlife paintings
Issue 92, Page 112Insight on drawing materials, common challenges and the use of light and shadow
Issue 115, Page 24Drawing the Art of Life with Leslie Adams the 2013 International Portrait Competition William F. Draper Grand Prize Winner
Issue 93, Page 32William F. Draper, Anthony J. Ryder, Glenna Goodacre, Burton Silverman, Daniel E. Greene, Ronald N. Sherr, Everett Raymond Kinstler
Issue 30, Page 32John Lovett shares the importance of drawing and its relationship with painting
Issue 134, Page 104Judith White's great slabs of landscape on paper on canvas
Issue 6, Page 92Gordon Hanley takes us on a Renaissance adventure in realist art with metalpoint
Issue 80, Page 112Evan Wilson uses the "slight-size" method to create his stunning light-filled oil paintings.
Issue 97, Page 66
Working with alcohol ink and acrylics, Hannah Rose creates fluid, fantastical paintings
Issue 139, Page 94 Read Article
Harley Brown’s fascinating things no one else will tell you
Issue 156, Page 122 Read Article
Using knives, brushes and even her hands, Anna Taxén creates abstract, imaginative worlds
Issue 166, Page 76 Read Article Visit Gallery WebsiteJ. Louis blends artistic styles in his textural figurative paintings that have a strong focus on technique and subject matter
Issue 128, Page 48
A limited palette and open composition allow Marwa Khidir to maintain flexibility in her artwork
Issue 155, Page 72 Read Article
Artist and educator Ken Goshen explores the concept of balancing oppositional qualities in composition
Issue 159, Page 40 Read Article Visit Gallery WebsiteTake the task of selling seriously,and you'll be surprised at what can be done.
Issue 51, Page 17Take the task of selling seriously, and you'll be surprised at what can be done.
Issue 52, Page 17
Exploring the artistic vision of a new generation
Issue 166, Page 22 Read ArticleSydney Brown establishes and holds interest in a painting with the use of edges and transparency
Issue 84, Page 84With roots in academic art training, Timur Akhriev's experiences as a student have yielded individual artistic growth and style
Issue 96, Page 56This artist shares how he gained the knowledge to paint the endlessly challenging subject of flowing water.
Issue 48, Page 44
Dark and light, urban and wild— all of these elements come together in the electrifying neon art of Gigi Chen
Issue 170, Page 36 Read Article Visit Gallery Website
A well-executed drawing and composition make up the core tenets of Jose Lopez Vergara’s oil paintings
Issue 151, Page 70 Read Article Visit Gallery WebsiteA well-composed composition sets the stage for Lyn Diefenbach's paintings, which are brought to life through line, tone, colour, and edge.
Issue 101, Page 110Grace M. DeVito shows how to turn everyday objects into items of importance within still life paintings
Issue 99, Page 76
Tips for writing your biography and artist’s statement
Issue 154, Page 24 Read Article
Using rapid brushstrokes and copious amounts of water, João Cabral enhances the transparency of his watercolors
Issue 144, Page 92 Read ArticleEric Erekson's paintings are his response to the abstract shapes and colors that Constantly emerge from the evolving work.
Issue 61, Page 72Jeannie Dolan's paintings reflect the emotion she felt upon finding her subject matter
Issue 132, Page 70
Working with pencils of moderate softness, Solomiia Boiko blends layers of color in varying degrees of pressure
Issue 155, Page 104 Read ArticleRevered Beijing artist's flower and bird paintings show a profound traditional element, achieved from years of studying the ancient masterworks. But he is regarded by his contemporaries as being truly original.
Issue 4, Page 128
Often taking hundreds of photos, Sarah Abbott experiments with numerous ideas when planning her compositions
Issue 149, Page 76 Read Article Visit Gallery WebsiteGemma Gylling has found the the properties of colored pencils allow for an array of techniques, styles and values
Issue 129, Page 118Using photographs and firsthand experience, Bari Duncan captures the movements of water
Issue 111, Page 74Through carefully designed scenes, Atle Skudal allows interpretation of the stories in his composition.
Issue 102, Page 100An inside look at a two-week summer intensive painting workshop in New York City
Issue 113, Page 32
Harley Brown’s fascinating things no one else will tell you
Issue 162, Page 122 Read Article