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' Issue #89
Drawing and Painting The Dynamic Connection

Young Su shows us how to achive the effect of a classical painting, without the complications

Issue 89, Page 98
' Issue #144
Drawing Inspiration

Where to find and organize your references

Issue 144, Page 22 Read Article
' Issue #46
Drawing inspiration from the basics

How to use basic fundamentals such as Temperature, Value and Edge to infuse excitement onto the canvas.

Issue 46, Page 50
' Issue #13
Drawing is knowing, not just seeing

Draftsmanship and of line give the artist a solid foundation on which to build.

Issue 13, Page 40
' Issue #142
Drawing of Juan Manuel

Issue 142, Page 44 Read Article
' Issue #17
Drawing on the mind

Using archival material to bring visions to reality.

Issue 17, Page 74
' Issue #92
Drawing Out an Idea

Using as many drawings that he deems necessary, Ezra Tucker creates a starting point for his wildlife paintings

Issue 92, Page 112
' Issue #115
Drawing Portraits in Charcoal

Insight on drawing materials, common challenges and the use of light and shadow

Issue 115, Page 24
' Issue #93
Drawing the Art of Life

Drawing the Art of Life with Leslie Adams the 2013 International Portrait Competition William F. Draper Grand Prize Winner

Issue 93, Page 32
' Issue #30
Drawing the line - an interview with a panel of portrait and figurative giants

William F. Draper, Anthony J. Ryder, Glenna Goodacre, Burton Silverman, Daniel E. Greene, Ronald N. Sherr, Everett Raymond Kinstler

Issue 30, Page 32
' Issue #134
Drawing, Sketching and Scribbling

John Lovett shares the importance of drawing and its relationship with painting

Issue 134, Page 104
' Issue #6
Drawing, texture and the layering technique

Judith White's great slabs of landscape on paper on canvas

Issue 6, Page 92
' Issue #80
Drawings in 24ct Gold

Gordon Hanley takes us on a Renaissance adventure in realist art with metalpoint

Issue 80, Page 112
' Issue #97
Drawn to the Light

Evan Wilson uses the "slight-size" method to create his stunning light-filled oil paintings.

Issue 97, Page 66
' Issue #139
Dream Worlds

Working with alcohol ink and acrylics, Hannah Rose creates fluid, fantastical paintings

Issue 139, Page 94 Read Article
' Issue #130
Dreama Tolle Perry

Vibrant expressions

Issue 130, Page 92
' Issue #156
Dreams Do Come True

Harley Brown’s fascinating things no one else will tell you

Issue 156, Page 122 Read Article
' Issue #166
Dreamscapes

Using knives, brushes and even her hands, Anna Taxén creates abstract, imaginative worlds

Issue 166, Page 76 Read Article Visit Gallery Website
' Issue #128
Dreamscapes

J. Louis blends artistic styles in his textural figurative paintings that have a strong focus on technique and subject matter

Issue 128, Page 48
' Issue #155
Dreamy Ambiance

A limited palette and open composition allow Marwa Khidir to maintain flexibility in her artwork

Issue 155, Page 72 Read Article
' Issue #130
Duality and Synthesis

Issue 130, Page 40
' Issue #159
Dynamic Harmonies

Artist and educator Ken Goshen explores the concept of balancing oppositional qualities in composition

Issue 159, Page 40 Read Article Visit Gallery Website
' Issue #51
Earn your own commission

Take the task of selling seriously,and you'll be surprised at what can be done.

Issue 51, Page 17
' Issue #52
Earn your own commission

Take the task of selling seriously, and you'll be surprised at what can be done.

Issue 52, Page 17
' Issue #5
East meets West

Jack Wu's Western interpretation of ancient Chinese frescoes.

Issue 5, Page 130
' Issue #166
Echoes of the Old Masters

Exploring the artistic vision of a new generation

Issue 166, Page 22 Read Article
' Issue #84
Edges and Transparency: How Differentiation Works

Sydney Brown establishes and holds interest in a painting with the use of edges and transparency

Issue 84, Page 84
' Issue #161
Educate, Inspire, Connect

Chairman’s Letter

Issue 161, Page 22 Read Article
' Issue #96
Education Leads to Discovery

With roots in academic art training, Timur Akhriev's experiences as a student have yielded individual artistic growth and style

Issue 96, Page 56
' Issue #48
Effectively portraying flowing water

This artist shares how he gained the knowledge to paint the endlessly challenging subject of flowing water.

Issue 48, Page 44
' Issue #47
Egg Tempera in the mix

Finding the flexibility of egg tempera.

Issue 47, Page 116
' Issue #159
Eileen Sorg: Mixing it up

Issue 159, Page 114 Read Article Visit Gallery Website
' Issue #170
Electric Nature

Dark and light, urban and wild— all of these elements come together in the electrifying neon art of Gigi Chen

Issue 170, Page 36 Read Article Visit Gallery Website
' Issue #151
Elegant Design

A well-executed drawing and composition make up the core tenets of Jose Lopez Vergara’s oil paintings

Issue 151, Page 70 Read Article Visit Gallery Website
' Issue #101
Elements of Construction

A well-composed composition sets the stage for Lyn Diefenbach's paintings, which are brought to life through line, tone, colour, and edge.

Issue 101, Page 110
' Issue #142
Elena Orlova: Gentle scenes

Issue 142, Page 98 Read Article
' Issue #99
Elevating the Commonplace

Grace M. DeVito shows how to turn everyday objects into items of importance within still life paintings

Issue 99, Page 76
' Issue #154
Elevator Pitch

Tips for writing your biography and artist’s statement

Issue 154, Page 24 Read Article
' Issue #144
Embracing the Water

Using rapid brushstrokes and copious amounts of water, João Cabral enhances the transparency of his watercolors

Issue 144, Page 92 Read Article
' Issue #61
Emerging Images

Eric Erekson's paintings are his response to the abstract shapes and colors that Constantly emerge from the evolving work.

Issue 61, Page 72
' Issue #132
Emotional Connections

Jeannie Dolan's paintings reflect the emotion she felt upon finding her subject matter

Issue 132, Page 70
' Issue #155
Emphasizing Details

Working with pencils of moderate softness, Solomiia Boiko blends layers of color in varying degrees of pressure

Issue 155, Page 104 Read Article
' Issue #4
Enchanting artistry

Revered Beijing artist's flower and bird paintings show a profound traditional element, achieved from years of studying the ancient masterworks. But he is regarded by his contemporaries as being truly original.

Issue 4, Page 128
' Issue #149
Endless Possibilities

Often taking hundreds of photos, Sarah Abbott experiments with numerous ideas when planning her compositions

Issue 149, Page 76 Read Article Visit Gallery Website
' Issue #129
Endless Possibilities

Gemma Gylling has found the the properties of colored pencils allow for an array of techniques, styles and values

Issue 129, Page 118
' Issue #111
Energy of the Sea

Using photographs and firsthand experience, Bari Duncan captures the movements of water

Issue 111, Page 74
' Issue #102
Engaging the Viewer

Through carefully designed scenes, Atle Skudal allows interpretation of the stories in his composition.

Issue 102, Page 100
' Issue #138
Enhance and Protect Your Finished Oil Paintings

Issue 138, Page 44
' Issue #113
Enhancing One's Craft

An inside look at a two-week summer intensive painting workshop in New York City

Issue 113, Page 32
' Issue #162
Enjoy the Here and Now

Harley Brown’s fascinating things no one else will tell you

Issue 162, Page 122 Read Article