Search Results

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Enjoy the Here and Now

Harley Brown’s fascinating things no one else will tell you

Issue 162, Page 122 Read Article

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Enriching deep and meaningful subjects with pastel

How the unique characteristics of pastel can achieve transcendental light and lush hues for special subjects.

Issue 48, Page 110

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Entering Art Shows

The ins and outs of submitting your artwork to juried shows

Issue 156, Page 58 Read Article

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Entry form for International Artist magazine's Challenge 26 - Flowers & Gardens

Issue 40, Page 12

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Entry form for International Artist magazine's Challenge 27 - Seascapes, Rivers & Lakes

Issue 41, Page 12

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Entry form for International Artist magazine's Challenge No 22 - Favorite Subjects

Issue 36, Page 12

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Entry form for International Artist magazine's Challenge No 75 Wildlife Now you can enter using digital printouts and online!

Issue 89, Page 19

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Entry form for International Artist magazine's Challenge No 8: Flowers and Gardens

You can win generous cash prizes, Award Certificates and subscriptions. Anyone can win - using any medium.

Issue 22, Page 12

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Entry form for International Artist magazine's Challenge No 9: Seascapes, Rivers and Lakes

You can win generous cash prizes, Award Certificates and subscriptions

Issue 23, Page 12

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Entry form for International Artist magazine's Challenge No. 23 - Still Life and Florals

Issue 37, Page 12

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Entry form for International Artist magazine's Challenge No. 24 - People & Figures

Issue 38, Page 12

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Entry form for International Artist magazine's Challenge No. 83, Wildlife.

Or you can enter using digital printouts and online!

Issue 97, Page 19

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Entry form for International Artist magazine's Challenge No. 88, Favorite Subjects. Or you can enter using digital printouts and online!

Issue 102, Page 19

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Ephemeral Moments

A slow and steady application of soft washes allows Aki Kano to create portraits that capture nuanced emotion

Issue 157, Page 96 Read Article Visit Gallery Website

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Eric Alfaro Gomez: Untethered

Issue 154, Page 88 Read Article Visit Gallery Website

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Eric Armusick

Character development

Issue 114, Page 82

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Eric Zener

Achieving an individual vision

Issue 119, Page 90

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Erica Norelius

A charcoal drawing demonstration

Issue 108, Page 40

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Escapes

Issue 12, Page 142

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Escapes

Issue 10, Page 131

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Escapes

Issue 7, Page 150

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Escapes

Issue 6, Page 153

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Escapes

Issue 11, Page 135

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Escapes

Issue 9, Page 143

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Escapes

Issue 8, Page 147

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Escapes

Issue 13, Page 140

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Escapes

Issue 5, Page 147

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Essence as subject

The mission of this self-proclaimed poet-with-a-paintbox is to show people the deeper sensibilities of nature - the things that tend to go unnoticed.

Issue 31, Page 90

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Establishing the Framework

Prior planning and calculated compositions allow Theo Felizzola the freedom to paint his original concepts

Issue 110, Page 58

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Europe

Peggy Sands, David McEwan, Kavi, Jeroen Coenders, Klaus Hinkel, Andrea Matthijs, Jake Baddeley

Issue 18, Page 84

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Europe Showcase

Ulco Glimmerveen - Netherlands, Margit Kaseorg - Norway, Heli Tuhkanen - Finland, Echi Aaberg - Sweden, Jeroen Dercksen - Netherlands, Helmuth Graff - Austria, Jacek Cichon - Poland

Issue 16, Page 94

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Evelyn Dunphy, Sonia Grineva, Fred Fields , Isabel McCauley, Beth Flor , Barbara Misheck, Jacqueline Gnott and Alexandra Tyng

Issue 41, Page 28

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Everett Raymond Kinstler

Pulps to Portraits Norman Rockwell Museum March 10 - May 28, 2012

Issue 84, Page 34

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Evert Ploeg Demonstrates

Issue 74, Page 44

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Every picture tells a story

This artist tells how to construct a real life experience on canvas using a good camera and an even better travel tale.

Issue 47, Page 46

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Everything from the EARTH

Wildlife and nature artist Jon Ching shifts his imagination toward the wonders of gems and minerals

Issue 151, Page 44 Read Article

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Evolution of the Self-Portrait

Figurative artist Haley Hasler uses the self-portrait as a vehicle for larger narrative paintings

Issue 123, Page 92

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Evolving Artwork

As John Dawson constructs his pieces, the work undergoes changes and alterations

Issue 91, Page 58

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Exaggerate a Little to Improve Your Paintings

Gerald Hennessey believes that it is the slight exaggeration of shapes, colors and values that defines a painting as an individual work of art, the expression of an artist and not just a copy of reality

Issue 71, Page 74

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