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Issue 38, Page 12
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Issue 97, Page 19Issue 102, Page 19

A slow and steady application of soft washes allows Aki Kano to create portraits that capture nuanced emotion
Issue 157, Page 96 Read Article Visit Gallery WebsiteThe mission of this self-proclaimed poet-with-a-paintbox is to show people the deeper sensibilities of nature - the things that tend to go unnoticed.
Issue 31, Page 90Prior planning and calculated compositions allow Theo Felizzola the freedom to paint his original concepts
Issue 110, Page 58Peggy Sands, David McEwan, Kavi, Jeroen Coenders, Klaus Hinkel, Andrea Matthijs, Jake Baddeley
Issue 18, Page 84Ulco Glimmerveen - Netherlands, Margit Kaseorg - Norway, Heli Tuhkanen - Finland, Echi Aaberg - Sweden, Jeroen Dercksen - Netherlands, Helmuth Graff - Austria, Jacek Cichon - Poland
Issue 16, Page 94Issue 41, Page 28
Pulps to Portraits Norman Rockwell Museum March 10 - May 28, 2012
Issue 84, Page 34This artist tells how to construct a real life experience on canvas using a good camera and an even better travel tale.
Issue 47, Page 46
Wildlife and nature artist Jon Ching shifts his imagination toward the wonders of gems and minerals
Issue 151, Page 44 Read ArticleFigurative artist Haley Hasler uses the self-portrait as a vehicle for larger narrative paintings
Issue 123, Page 92As John Dawson constructs his pieces, the work undergoes changes and alterations
Issue 91, Page 58Gerald Hennessey believes that it is the slight exaggeration of shapes, colors and values that defines a painting as an individual work of art, the expression of an artist and not just a copy of reality
Issue 71, Page 74This artist combines her talents as both fashion design teacher and gifted artist to create exquisite images that demand attention.
Issue 49, Page 118Painting in a loose, impressionistic style allows Michele Usibelli to push her work to new limits
Issue 128, Page 70These sit-ups for the brain will really get the creative juices pumping.
Issue 14, Page 138Billy Seccombe discusses the impact of teaching artist residencies and workshops
Issue 125, Page 56The more you know and research, the more viable your artwork will be
Issue 130, Page 25John Lovett shows how using white gouache can enhance your paintings.
Issue 61, Page 90Work through the uncertainties and win the rewards
Issue 12, Page 100Demonstrates an experimental technique that's bursting with texture, color, symbols . . . and cobwebs.
Issue 47, Page 56Fresh ideas and unique approaches are all around us. All we have to do is open our minds to exploration and experimentation
Issue 29, Page 130Through three demonstrations, Judith I. Bridgland experiments with composition, texture and patterns in landscape paintings
Issue 100, Page 82John Lovett shows the value of expanding upon subjects while painting
Issue 106, Page 116