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An expert offers plenty of clues on curing paintings that are poorly planned, lacking in tonal contrast with no light in them.
Issue 5, Page 76Like a good storyteller this artist clears away the clutter of detail while up the best parts of the story.
Issue 11, Page 68Jeff Yeomans tells why he spends most of his time concentrating on everything but the focal point.
Issue 62, Page 80You must allow both sides of your brain to operate when you are creating works of art.
Issue 21, Page 118Years of experience as an illustrator taught this artist how to get in and get the work done, even when his creative energy is lacking.
Issue 47, Page 108Issue 43, Page 88
A paradigm shift in the way you think about watercolor.
Issue 33, Page 116In Derek McGowan's second article on self-advancement, he ponders the complexity of artistic inspiration and discovers numerous solutions for breaking a stalemate
Issue 77, Page 74Look no further if you are seeking dramatic water effects.
Issue 13, Page 90
Acrylic artist Scott Coulter focuses on the importance of value to achieve realistic looking landscapes
Issue 148, Page 74 Read Article Visit Gallery WebsiteYoung Su shows us how to achive the effect of a classical painting, without the complications
Issue 89, Page 98How to use basic fundamentals such as Temperature, Value and Edge to infuse excitement onto the canvas.
Issue 46, Page 50Draftsmanship and of line give the artist a solid foundation on which to build.
Issue 13, Page 40Using as many drawings that he deems necessary, Ezra Tucker creates a starting point for his wildlife paintings
Issue 92, Page 112Insight on drawing materials, common challenges and the use of light and shadow
Issue 115, Page 24Drawing the Art of Life with Leslie Adams the 2013 International Portrait Competition William F. Draper Grand Prize Winner
Issue 93, Page 32William F. Draper, Anthony J. Ryder, Glenna Goodacre, Burton Silverman, Daniel E. Greene, Ronald N. Sherr, Everett Raymond Kinstler
Issue 30, Page 32John Lovett shares the importance of drawing and its relationship with painting
Issue 134, Page 104Judith White's great slabs of landscape on paper on canvas
Issue 6, Page 92Gordon Hanley takes us on a Renaissance adventure in realist art with metalpoint
Issue 80, Page 112Evan Wilson uses the "slight-size" method to create his stunning light-filled oil paintings.
Issue 97, Page 66
Working with alcohol ink and acrylics, Hannah Rose creates fluid, fantastical paintings
Issue 139, Page 94 Read Article
Harley Brown’s fascinating things no one else will tell you
Issue 156, Page 122 Read ArticleJ. Louis blends artistic styles in his textural figurative paintings that have a strong focus on technique and subject matter
Issue 128, Page 48
A limited palette and open composition allow Marwa Khidir to maintain flexibility in her artwork
Issue 155, Page 72 Read Article
Artist and educator Ken Goshen explores the concept of balancing oppositional qualities in composition
Issue 159, Page 40 Read Article Visit Gallery WebsiteTake the task of selling seriously,and you'll be surprised at what can be done.
Issue 51, Page 17Take the task of selling seriously, and you'll be surprised at what can be done.
Issue 52, Page 17Sydney Brown establishes and holds interest in a painting with the use of edges and transparency
Issue 84, Page 84With roots in academic art training, Timur Akhriev's experiences as a student have yielded individual artistic growth and style
Issue 96, Page 56This artist shares how he gained the knowledge to paint the endlessly challenging subject of flowing water.
Issue 48, Page 44
A well-executed drawing and composition make up the core tenets of Jose Lopez Vergara’s oil paintings
Issue 151, Page 70 Read Article Visit Gallery WebsiteA well-composed composition sets the stage for Lyn Diefenbach's paintings, which are brought to life through line, tone, colour, and edge.
Issue 101, Page 110Grace M. DeVito shows how to turn everyday objects into items of importance within still life paintings
Issue 99, Page 76
Tips for writing your biography and artist’s statement
Issue 154, Page 24 Read Article
Using rapid brushstrokes and copious amounts of water, João Cabral enhances the transparency of his watercolors
Issue 144, Page 92 Read ArticleEric Erekson's paintings are his response to the abstract shapes and colors that Constantly emerge from the evolving work.
Issue 61, Page 72