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' Issue #5
Don't be afraid of the darks

An expert offers plenty of clues on curing paintings that are poorly planned, lacking in tonal contrast with no light in them.

Issue 5, Page 76
' Issue #14
Don't believe everything you read

Issue 14, Page 28
' Issue #11
Don't fall into the detail trap

Like a good storyteller this artist clears away the clutter of detail while up the best parts of the story.

Issue 11, Page 68
' Issue #62
Don't focus on the focal point

Jeff Yeomans tells why he spends most of his time concentrating on everything but the focal point.

Issue 62, Page 80
' Issue #21
Don't just think - feel!

You must allow both sides of your brain to operate when you are creating works of art.

Issue 21, Page 118
' Issue #15
Don't let doing business destroy your creativity

Issue 15, Page 34
' Issue #47
Don't wait around for inspiration

Years of experience as an illustrator taught this artist how to get in and get the work done, even when his creative energy is lacking.

Issue 47, Page 108
' Issue #43
Donna Aldridge, Bob Olson, Rita Kirkman, Dennis Rhoades, Donna van Leer and Mike Walsh

Issue 43, Page 88
' Issue #33
Down with trial-and-error!

A paradigm shift in the way you think about watercolor.

Issue 33, Page 116
' Issue #77
Dragging Yourself Out of the Creative Funk

In Derek McGowan's second article on self-advancement, he ponders the complexity of artistic inspiration and discovers numerous solutions for breaking a stalemate

Issue 77, Page 74
' Issue #13
Dramatic light on water

Look no further if you are seeking dramatic water effects.

Issue 13, Page 90
' Issue #148
Dramatic Volume

Acrylic artist Scott Coulter focuses on the importance of value to achieve realistic looking landscapes

Issue 148, Page 74 Read Article Visit Gallery Website
' Issue #63
Drawing

John Lovett shows the importance of basic drawing skills

Issue 63, Page 90
' Issue #89
Drawing and Painting The Dynamic Connection

Young Su shows us how to achive the effect of a classical painting, without the complications

Issue 89, Page 98
' Issue #144
Drawing Inspiration

Where to find and organize your references

Issue 144, Page 22 Read Article
' Issue #46
Drawing inspiration from the basics

How to use basic fundamentals such as Temperature, Value and Edge to infuse excitement onto the canvas.

Issue 46, Page 50
' Issue #13
Drawing is knowing, not just seeing

Draftsmanship and of line give the artist a solid foundation on which to build.

Issue 13, Page 40
' Issue #142
Drawing of Juan Manuel

Issue 142, Page 44 Read Article
' Issue #17
Drawing on the mind

Using archival material to bring visions to reality.

Issue 17, Page 74
' Issue #92
Drawing Out an Idea

Using as many drawings that he deems necessary, Ezra Tucker creates a starting point for his wildlife paintings

Issue 92, Page 112
' Issue #115
Drawing Portraits in Charcoal

Insight on drawing materials, common challenges and the use of light and shadow

Issue 115, Page 24
' Issue #93
Drawing the Art of Life

Drawing the Art of Life with Leslie Adams the 2013 International Portrait Competition William F. Draper Grand Prize Winner

Issue 93, Page 32
' Issue #30
Drawing the line - an interview with a panel of portrait and figurative giants

William F. Draper, Anthony J. Ryder, Glenna Goodacre, Burton Silverman, Daniel E. Greene, Ronald N. Sherr, Everett Raymond Kinstler

Issue 30, Page 32
' Issue #134
Drawing, Sketching and Scribbling

John Lovett shares the importance of drawing and its relationship with painting

Issue 134, Page 104
' Issue #6
Drawing, texture and the layering technique

Judith White's great slabs of landscape on paper on canvas

Issue 6, Page 92
' Issue #80
Drawings in 24ct Gold

Gordon Hanley takes us on a Renaissance adventure in realist art with metalpoint

Issue 80, Page 112
' Issue #97
Drawn to the Light

Evan Wilson uses the "slight-size" method to create his stunning light-filled oil paintings.

Issue 97, Page 66
' Issue #139
Dream Worlds

Working with alcohol ink and acrylics, Hannah Rose creates fluid, fantastical paintings

Issue 139, Page 94 Read Article
' Issue #130
Dreama Tolle Perry

Vibrant expressions

Issue 130, Page 92
' Issue #156
Dreams Do Come True

Harley Brown’s fascinating things no one else will tell you

Issue 156, Page 122 Read Article
' Issue #128
Dreamscapes

J. Louis blends artistic styles in his textural figurative paintings that have a strong focus on technique and subject matter

Issue 128, Page 48
' Issue #155
Dreamy Ambiance

A limited palette and open composition allow Marwa Khidir to maintain flexibility in her artwork

Issue 155, Page 72 Read Article
' Issue #130
Duality and Synthesis

Issue 130, Page 40
' Issue #159
Dynamic Harmonies

Artist and educator Ken Goshen explores the concept of balancing oppositional qualities in composition

Issue 159, Page 40 Read Article Visit Gallery Website
' Issue #51
Earn your own commission

Take the task of selling seriously,and you'll be surprised at what can be done.

Issue 51, Page 17
' Issue #52
Earn your own commission

Take the task of selling seriously, and you'll be surprised at what can be done.

Issue 52, Page 17
' Issue #5
East meets West

Jack Wu's Western interpretation of ancient Chinese frescoes.

Issue 5, Page 130
' Issue #84
Edges and Transparency: How Differentiation Works

Sydney Brown establishes and holds interest in a painting with the use of edges and transparency

Issue 84, Page 84
' Issue #161
Educate, Inspire, Connect

Chairman’s Letter

Issue 161, Page 22 Read Article
' Issue #96
Education Leads to Discovery

With roots in academic art training, Timur Akhriev's experiences as a student have yielded individual artistic growth and style

Issue 96, Page 56
' Issue #48
Effectively portraying flowing water

This artist shares how he gained the knowledge to paint the endlessly challenging subject of flowing water.

Issue 48, Page 44
' Issue #47
Egg Tempera in the mix

Finding the flexibility of egg tempera.

Issue 47, Page 116
' Issue #159
Eileen Sorg: Mixing it up

Issue 159, Page 114 Read Article Visit Gallery Website
' Issue #151
Elegant Design

A well-executed drawing and composition make up the core tenets of Jose Lopez Vergara’s oil paintings

Issue 151, Page 70 Read Article Visit Gallery Website
' Issue #101
Elements of Construction

A well-composed composition sets the stage for Lyn Diefenbach's paintings, which are brought to life through line, tone, colour, and edge.

Issue 101, Page 110
' Issue #142
Elena Orlova: Gentle scenes

Issue 142, Page 98 Read Article
' Issue #99
Elevating the Commonplace

Grace M. DeVito shows how to turn everyday objects into items of importance within still life paintings

Issue 99, Page 76
' Issue #154
Elevator Pitch

Tips for writing your biography and artist’s statement

Issue 154, Page 24 Read Article
' Issue #144
Embracing the Water

Using rapid brushstrokes and copious amounts of water, João Cabral enhances the transparency of his watercolors

Issue 144, Page 92 Read Article
' Issue #61
Emerging Images

Eric Erekson's paintings are his response to the abstract shapes and colors that Constantly emerge from the evolving work.

Issue 61, Page 72