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' Issue #92
Drawing Out an Idea

Using as many drawings that he deems necessary, Ezra Tucker creates a starting point for his wildlife paintings

Issue 92, Page 112
' Issue #115
Drawing Portraits in Charcoal

Insight on drawing materials, common challenges and the use of light and shadow

Issue 115, Page 24
' Issue #93
Drawing the Art of Life

Drawing the Art of Life with Leslie Adams the 2013 International Portrait Competition William F. Draper Grand Prize Winner

Issue 93, Page 32
' Issue #30
Drawing the line - an interview with a panel of portrait and figurative giants

William F. Draper, Anthony J. Ryder, Glenna Goodacre, Burton Silverman, Daniel E. Greene, Ronald N. Sherr, Everett Raymond Kinstler

Issue 30, Page 32
' Issue #134
Drawing, Sketching and Scribbling

John Lovett shares the importance of drawing and its relationship with painting

Issue 134, Page 104
' Issue #6
Drawing, texture and the layering technique

Judith White's great slabs of landscape on paper on canvas

Issue 6, Page 92
' Issue #80
Drawings in 24ct Gold

Gordon Hanley takes us on a Renaissance adventure in realist art with metalpoint

Issue 80, Page 112
' Issue #97
Drawn to the Light

Evan Wilson uses the "slight-size" method to create his stunning light-filled oil paintings.

Issue 97, Page 66
' Issue #139
Dream Worlds

Working with alcohol ink and acrylics, Hannah Rose creates fluid, fantastical paintings

Issue 139, Page 94 Read Article
' Issue #130
Dreama Tolle Perry

Vibrant expressions

Issue 130, Page 92
' Issue #156
Dreams Do Come True

Harley Brown’s fascinating things no one else will tell you

Issue 156, Page 122 Read Article
' Issue #128
Dreamscapes

J. Louis blends artistic styles in his textural figurative paintings that have a strong focus on technique and subject matter

Issue 128, Page 48
' Issue #155
Dreamy Ambiance

A limited palette and open composition allow Marwa Khidir to maintain flexibility in her artwork

Issue 155, Page 72 Read Article
' Issue #130
Duality and Synthesis

Issue 130, Page 40
' Issue #159
Dynamic Harmonies

Artist and educator Ken Goshen explores the concept of balancing oppositional qualities in composition

Issue 159, Page 40 Read Article Visit Gallery Website
' Issue #51
Earn your own commission

Take the task of selling seriously,and you'll be surprised at what can be done.

Issue 51, Page 17
' Issue #52
Earn your own commission

Take the task of selling seriously, and you'll be surprised at what can be done.

Issue 52, Page 17
' Issue #5
East meets West

Jack Wu's Western interpretation of ancient Chinese frescoes.

Issue 5, Page 130
' Issue #84
Edges and Transparency: How Differentiation Works

Sydney Brown establishes and holds interest in a painting with the use of edges and transparency

Issue 84, Page 84
' Issue #161
Educate, Inspire, Connect

Chairman’s Letter

Issue 161, Page 22 Read Article
' Issue #96
Education Leads to Discovery

With roots in academic art training, Timur Akhriev's experiences as a student have yielded individual artistic growth and style

Issue 96, Page 56
' Issue #48
Effectively portraying flowing water

This artist shares how he gained the knowledge to paint the endlessly challenging subject of flowing water.

Issue 48, Page 44
' Issue #47
Egg Tempera in the mix

Finding the flexibility of egg tempera.

Issue 47, Page 116
' Issue #159
Eileen Sorg: Mixing it up

Issue 159, Page 114 Read Article Visit Gallery Website
' Issue #151
Elegant Design

A well-executed drawing and composition make up the core tenets of Jose Lopez Vergara’s oil paintings

Issue 151, Page 70 Read Article Visit Gallery Website
' Issue #101
Elements of Construction

A well-composed composition sets the stage for Lyn Diefenbach's paintings, which are brought to life through line, tone, colour, and edge.

Issue 101, Page 110
' Issue #142
Elena Orlova: Gentle scenes

Issue 142, Page 98 Read Article
' Issue #99
Elevating the Commonplace

Grace M. DeVito shows how to turn everyday objects into items of importance within still life paintings

Issue 99, Page 76
' Issue #154
Elevator Pitch

Tips for writing your biography and artist’s statement

Issue 154, Page 24 Read Article
' Issue #144
Embracing the Water

Using rapid brushstrokes and copious amounts of water, João Cabral enhances the transparency of his watercolors

Issue 144, Page 92 Read Article
' Issue #61
Emerging Images

Eric Erekson's paintings are his response to the abstract shapes and colors that Constantly emerge from the evolving work.

Issue 61, Page 72
' Issue #132
Emotional Connections

Jeannie Dolan's paintings reflect the emotion she felt upon finding her subject matter

Issue 132, Page 70
' Issue #155
Emphasizing Details

Working with pencils of moderate softness, Solomiia Boiko blends layers of color in varying degrees of pressure

Issue 155, Page 104 Read Article
' Issue #4
Enchanting artistry

Revered Beijing artist's flower and bird paintings show a profound traditional element, achieved from years of studying the ancient masterworks. But he is regarded by his contemporaries as being truly original.

Issue 4, Page 128
' Issue #129
Endless Possibilities

Gemma Gylling has found the the properties of colored pencils allow for an array of techniques, styles and values

Issue 129, Page 118
' Issue #149
Endless Possibilities

Often taking hundreds of photos, Sarah Abbott experiments with numerous ideas when planning her compositions

Issue 149, Page 76 Read Article Visit Gallery Website
' Issue #111
Energy of the Sea

Using photographs and firsthand experience, Bari Duncan captures the movements of water

Issue 111, Page 74
' Issue #102
Engaging the Viewer

Through carefully designed scenes, Atle Skudal allows interpretation of the stories in his composition.

Issue 102, Page 100
' Issue #138
Enhance and Protect Your Finished Oil Paintings

Issue 138, Page 44
' Issue #113
Enhancing One's Craft

An inside look at a two-week summer intensive painting workshop in New York City

Issue 113, Page 32
' Issue #162
Enjoy the Here and Now

Harley Brown’s fascinating things no one else will tell you

Issue 162, Page 122 Read Article
' Issue #48
Enriching deep and meaningful subjects with pastel

How the unique characteristics of pastel can achieve transcendental light and lush hues for special subjects.

Issue 48, Page 110
' Issue #156
Entering Art Shows

The ins and outs of submitting your artwork to juried shows

Issue 156, Page 58 Read Article
' Issue #40
Entry form for International Artist magazine's Challenge 26 - Flowers & Gardens

Issue 40, Page 12
' Issue #41
Entry form for International Artist magazine's Challenge 27 - Seascapes, Rivers & Lakes

Issue 41, Page 12
' Issue #36
Entry form for International Artist magazine's Challenge No 22 - Favorite Subjects

Issue 36, Page 12
' Issue #89
Entry form for International Artist magazine's Challenge No 75 Wildlife Now you can enter using digital printouts and online!

Issue 89, Page 19
' Issue #22
Entry form for International Artist magazine's Challenge No 8: Flowers and Gardens

You can win generous cash prizes, Award Certificates and subscriptions. Anyone can win - using any medium.

Issue 22, Page 12
' Issue #23
Entry form for International Artist magazine's Challenge No 9: Seascapes, Rivers and Lakes

You can win generous cash prizes, Award Certificates and subscriptions

Issue 23, Page 12
' Issue #37
Entry form for International Artist magazine's Challenge No. 23 - Still Life and Florals

Issue 37, Page 12