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' Issue #5
Demystifying art materials

Issue 5, Page 154
' Issue #15
Demystifying art materials Acrylic paint - a miracle of modern science

Issue 15, Page 156
' Issue #14
Demystifying art materials Oil brushes - 8 common questions

Issue 14, Page 156
' Issue #149
Depth and Radiance

Using thin transparent layers, David Barclay demonstrates the use of glazing to create depth and vivid reflections

Issue 149, Page 68 Read Article Visit Gallery Website
' Issue #105
Derived from Direct Observation

Oil painter David Sawyer explains how knowledge gained from plein air painting can enhance a work of art

Issue 105, Page 88
' Issue #131
Derived from Old Masters

Noah Buchanan shares his own method of indirect painting based on years of study

Issue 131, Page 54
' Issue #102
Derived from the Medium

Chien Chung-Wei uses the characteristics of watercolors to express beauty and intrigue

Issue 102, Page 114
' Issue #103
Derived from Within

The figurative work of Anny Wypych explores philosophical questions, moving from personal experiences to universal ideas.

Issue 103, Page 100
' Issue #151
Desert Glow

Painting in the alla prima method, Naomi Brown captures the saturated colors of the Mojave and Sonoran Deserts

Issue 151, Page 64 Read Article Visit Gallery Website
' Issue #50
Designing a visual feast

From the pantry shelf into the studio - this artist feasts on two creative passions at once.

Issue 50, Page 46
' Issue #13
Designing for drama

Part 2: Design for figures.

Issue 13, Page 50
' Issue #12
Designing for drama

Part 1: Unity

Issue 12, Page 16
' Issue #56
Designing with Light

This artist uses light patterns to create works that surpass the reality of photographs.

Issue 56, Page 28
' Issue #35
Designing with tonal values

A quick way to nail down your design.

Issue 35, Page 126
' Issue #13
Destination unkown

There are three stages of understanding on the journey to great art.

Issue 13, Page 130
' Issue #50
Destiny with water

A master painter of landscapes takes on the challenge of painting fragile figures in watercolor.

Issue 50, Page 144
' Issue #130
Detail and Relief

John Lovett explains his methods for balancing a composition

Issue 130, Page 136
' Issue #160
Detail Through Simplicity

A strong focal point, accurate color matching and simplified shapes bring Marco Grasso’s subjects to life

Issue 160, Page 78 Read Article Visit Gallery Website
' Issue #132
Details of Nature

The overlooked details of the natural world inspire Rukiye Garip's paintings

Issue 132, Page 100
' Issue #111
Details of Nature

The watercolor paintings of Heidi Williams display all the intricate forms, shapes and colors of the natural world

Issue 111, Page 84
' Issue #107
Developing a Painting Process

After 50 years drawing on site around the world, David Butt shares his experiences using a 12-step process

Issue 107, Page 54
' Issue #124
Developing Beauty

Brandy Kraft's interest in nature inspired her to create her own hybrid species of flowers.

Issue 124, Page 84
' Issue #120
Developing Color Sensibilities

Understanding hue, chroma and value allows Veronica Winters to draw and paint expressive works of art

Issue 120, Page 54
' Issue #102
Developing Style

Through artistic techniques, Tomislav Kosta has found a balance between impressionism and realism

Issue 102, Page 92
' Issue #12
Developing your mind's eye

This artist shows how he uses his mind to help memorize and develop the picture.

Issue 12, Page 48
' Issue #50
Di King - Australia; Junghi Park - England; Sanjay Shelar - India; Patrick Douglass Cox - Canada

Issue 50, Page 124
' Issue #81
Dialogue: Between the Natural and the Man-Made

Thomas W. Schaller expresses the unique choreography between buildings and where they are placed in the landscape

Issue 81, Page 68
' Issue #52
Diary of a long-distance plein air painter

Share the passion for painting outdoors with this dedicated plein air artist.

Issue 52, Page 142
' Issue #73
Did you read this? Are you waiting for success to come to you? Your wait could be over!

Issue 73, Page 135
' Issue #90
Differentiate with Your Values

Making each subject look different was an interesting challenge for Kathleen Maling when she embarked on painting a series on alligators

Issue 90, Page 60
' Issue #125
Digital Dabbling

New Zealand artist Richard Robinson demonstrates how to use photo-editing software and shares examples of his own paintings

Issue 125, Page 136
' Issue #126
Direct Painting

Sasha Sokolova's dynamic compositions develop through intuition by letter her brushstrokes take the lead

Issue 126, Page 74
' Issue #104
Directly from Life

Ann Trusty shares tips on capturing the tone, details and complexity of her fleeting floral subject matter

Issue 104, Page 66
' Issue #117
Direk Kingnok

Worldly impressions

Issue 117, Page 104
' Issue #2
Discover the abstract

Purley by chance this artist discovered a new world of subject matter and knew immediately realised he was on to something big!

Issue 2, Page 50
' Issue #102
Discovering Art

The Making of an Artist Part 58 Brushwork and Atmospheric Perspective & Outdoor Kitchen

Issue 102, Page 138
' Issue #104
Discovering Art

The Making of an Artist Part 60 Contrast of Temperature & Autumn Vineyard

Issue 104, Page 138
' Issue #114
Discovering Art: The Making of an Artist Part 70

Texture & Mauritius After the Storm

Issue 114, Page 138
' Issue #96
Discovering Art: The Making of an Artist Part 52

Shape Variety and Maya

Issue 96, Page 138
' Issue #98
Discovering Art: The Making of an Artist Part 54

Color Map and After the Party

Issue 98, Page 138
' Issue #94
Discovering Art: The Making of an Artist Part 50

Perspective Brushwork and First Light in St. Mark's Square, Venice

Issue 94, Page 138
' Issue #95
Discovering Art: The Making of an Artist Part 51

Saturation Changes in Shadows and Evening Sentinels.

Issue 95, Page 138
' Issue #97
Discovering Art: The Making of an Artist Part 53

Simulation of Detail and Pianello Spring

Issue 97, Page 138
' Issue #99
Discovering Art: The Making of an Artist Part 55

Exaggerating Color Spots & Moran Point

Issue 99, Page 138
' Issue #100
Discovering Art: The Making of an Artist Part 56

Point, Line & Mass and Night Vendor

Issue 100, Page 138
' Issue #101
Discovering Art: The Making of an Artist Part 57

Mass Gesture & Caochangdi at Night

Issue 101, Page 138
' Issue #103
Discovering Art: The Making of an Artist Part 59

Model the Form with Color & Knysna Lagoon

Issue 103, Page 138
' Issue #105
Discovering Art: The Making of an Artist Part 61

Thin Darks and Thick Lights & Just Grandma and Me

Issue 105, Page 138
' Issue #107
Discovering Art: The Making of an Artist Part 63

Limited Value Studies & Yellow Fields

Issue 107, Page 138
' Issue #108
Discovering Art: The Making of an Artist Part 64

Mixing Vivid Colors Using Bases & Garrapata Surf

Issue 108, Page 138