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' Issue #21
Classifieds

Issue 21, Page 160
' Issue #36
Classifieds

Issue 36, Page 159
' Issue #56
Classifieds

Issue 56, Page 160
' Issue #37
Claude Poulin, Kathy E. Swift, Andrew Kiss, Ian Sparks, Zelda Faye Nelson, George Bates and J. Alison Robichaud

Issue 37, Page 114
' Issue #145
Clean and Crisp

Liz Shippam creates sharp, realistic botanical art in watercolor by building up layers of paint

Issue 145, Page 98 Read Article
' Issue #139
Clean, Geometric and Precise

John Lovett demonstrates the various uses and advantages of long flat brushes

Issue 139, Page 72 Read Article
' Issue #129
Coastal Connections

Living by the coast, Renay Shaffer has found inspiration through her firsthand experiences

Issue 129, Page 110
' Issue #106
Cohesive Compositions

Eric Wert explains his process for linking foreground and background elements to create highly detailed still lifes

Issue 106, Page 54
' Issue #95
Collaborating on Concepts

Husband-and-wife Hans and Beth (de Loiselle) Guerin constantly push one another leading to new and challenging projects

Issue 95, Page 66
' Issue #157
Collaborative Environment

In this special edition of Beyond the Palette, we asked Scottsdale Artists’ School executive director Trudy Hays a few of our own questions—about the benefits of art school, community and more

Issue 157, Page 48 Read Article
' Issue #50
Collage - the cut and dried methodology of texture

When there were no readily obtainable art supplies this artist discovered collage.

Issue 50, Page 68
' Issue #141
Collecting vs Investing

Understanding the differences between those who collect and those who invest in art can make a major impact on your art career

Issue 141, Page 21 Read Article
' Issue #34
Color - the artist's final frontier

Suggesting the authentic qualities of light itself.

Issue 34, Page 134
' Issue #77
Color and Light: A Guide for the Realist Painter

James Gurney's new book is the book every artist has been waiting for

Issue 77, Page 60
' Issue #25
Color for the color challenged

There is a solution to color difficulties - even if you're color blind like this artist.

Issue 25, Page 96
' Issue #48
Color is the key to vibrant floral compostitions

This artist uses color to compose realistic traditional floral still lifes.

Issue 48, Page 98
' Issue #29
Color makes the picture

Working in the studio allows this land and seascape painter a chance to find the abstract qualities and underlying structures of the scene.

Issue 29, Page 110
' Issue #120
Color Pouring and Blending

Lian Quan Zhen captures the impressions of a scene through his method of mixing pigments

Issue 120, Page 88
' Issue #11
Color Relationships

My, my, this artist starts with darks!

Issue 11, Page 118
' Issue #34
Color, nature and imagination

This master artist explains why nature is the ultimate teacher and master of color juxtaposition.

Issue 34, Page 58
' Issue #17
Color: one is too few, two is too many

See what happens when you're forced to focus on value and contrast.

Issue 17, Page 98
' Issue #123
Colored Pencil Comes of Age in the International Art World

Issue 123, Page 78
' Issue #129
Colored Pencil Society of America's 27th annual International Exhibition

Issue 129, Page 29
' Issue #125
Colorful Birds

Karolina Borecka shares her insights for painting anatomically correct parrots infused with personality

Issue 125, Page 106
' Issue #136
Colorful Effects

Evie Zimmer uses her background in representational art to paint detailed abstractions the combine color and shapes

Issue 136, Page 60
' Issue #155
Colossal Characters

Blending observation and imagination, James Gurney visualizes gigantic cartoon characters in a plein air setting

Issue 155, Page 36 Read Article Visit Gallery Website
' Issue #94
Combination of Techniques

Atanas Matsoureff brings together multiple techniques in his watercolours including wet-on-wet and drybrush

Issue 94, Page 116
' Issue #144
Combinations

Michael Halak

Issue 144, Page 66 Read Article
' Issue #68
Combining Photographs with a Personal Vision in Pastel

Judith Vanacore uses pastel to tell a visual story in an exciting and colorful manner without being inhibited by the reality of the reference photo.

Issue 68, Page 60
' Issue #92
Combining Source Materials

John McCartin demonstrates another work that shows the distinction between what is physically seen and what is painted. This time, the painting combines multiple photographs into one cohesive scene.

Issue 92, Page 94
' Issue #100
Combining Watercolour and Acrylic

Paula Henchell explores mixed media methods by pouring watercolour and painting with acrylics

Issue 100, Page 118
' Issue #107
Combining Watercolour with Gouache

John Lovett explains how to experiment with gouache in his watercolour paintings

Issue 107, Page 92
' Issue #152
Come Together

The Art of the Portrait and the 25-Year History of the Portrait Society of America

Issue 152, Page 34 Read Article
' Issue #143
Coming Prepared

Before beginning a new piece, Amit Biswas formulates an understanding of his subject and identifies key elements

Issue 143, Page 78 Read Article
' Issue #43
Committed to visual reality

The essential skills that every artist needs to make good paintings.

Issue 43, Page 134
' Issue #148
Common Problems

John Lovett discusses seven common issues watercolorists face and how to approach them

Issue 148, Page 108 Read Article Visit Gallery Website
' Issue #119
Communication & Discovery

Through drawing, artist learn how to explore subject matter in new way and to greater depths

Issue 119, Page 32
' Issue #157
Compelled to create: Sue Barrasi

Issue 157, Page 68 Read Article Visit Gallery Website
' Issue #6
Competitions - When who cares? wins

Issue 6, Page 6
' Issue #156
Competitive Spirit

Chairman’s Letter

Issue 156, Page 24 Read Article
' Issue #96
Complementary Palettes

Joyce Washor demonstrates how to create color harmony through the use of a particular palette of colors

Issue 96, Page 102
' Issue #106
Complexity in Simplicity

Bill MacKay allows details to emerge organically and gradually throughout his painting process

Issue 106, Page 70
' Issue #52
Composition by color

By testing the effect and moderating the dominance of different colors this artist influences the composition and mood of cityscapes.

Issue 52, Page 152
' Issue #2
Composition from chaos

To be successful why not regard watercolor as a game of chess, where all the winning moves are planned ahead.

Issue 2, Page 64
' Issue #42
Composition keys to romantic realism

The rationale behind paintings that are very detailed but have carefully uncluttered compositions.

Issue 42, Page 50
' Issue #95
Composition, Value and Placement

Using a set of fundamental principles, Teresa Oaxaca shares how to create works of art that will hold a viewer's attention

Issue 95, Page 76
' Issue #74
Composition: The Secret of a Successful Still Life

B. Nicole Klassen explains her methods for designing still lifes.

Issue 74, Page 68
' Issue #100
Compositional Elements

Julia Hargreaves aims to include a triangle composition in each of her paintings

Issue 100, Page 92
' Issue #24
Conceptualising - the art of painting outdoors.

How to make the most of painting on site, in light that keeps changing.

Issue 24, Page 60
' Issue #4
Condensing sensations

Perhaps creative vision can be heightened and more focused if you paint a series at the same location.

Issue 4, Page 104