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Issue 37, Page 114

Liz Shippam creates sharp, realistic botanical art in watercolor by building up layers of paint
Issue 145, Page 98 Read Article
John Lovett demonstrates the various uses and advantages of long flat brushes
Issue 139, Page 72 Read ArticleLiving by the coast, Renay Shaffer has found inspiration through her firsthand experiences
Issue 129, Page 110Eric Wert explains his process for linking foreground and background elements to create highly detailed still lifes
Issue 106, Page 54Husband-and-wife Hans and Beth (de Loiselle) Guerin constantly push one another leading to new and challenging projects
Issue 95, Page 66
In this special edition of Beyond the Palette, we asked Scottsdale Artists’ School executive director Trudy Hays a few of our own questions—about the benefits of art school, community and more
Issue 157, Page 48 Read ArticleWhen there were no readily obtainable art supplies this artist discovered collage.
Issue 50, Page 68
Understanding the differences between those who collect and those who invest in art can make a major impact on your art career
Issue 141, Page 21 Read ArticleSuggesting the authentic qualities of light itself.
Issue 34, Page 134James Gurney's new book is the book every artist has been waiting for
Issue 77, Page 60There is a solution to color difficulties - even if you're color blind like this artist.
Issue 25, Page 96