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In her floral and still life paintings, Alexandra Averbach highlights the vivid colors and details of natural beauty
Issue 102, Page 64To artist Dave Beckett little things mean a lot.
Issue 74, Page 72Through storytelling, William A. Schneider paints figurative works with meaning and narrative.
Issue 103, Page 76
John Fenerov demonstrates his technique for creating genuine portraits in charcoal and graphite
Issue 139, Page 82 Read ArticleHaving a beautiful studio overlooking England's beautiful east coast doesn't always keep Douglas Gray at home
Issue 63, Page 70Suzanne Leonard uses information gathered from photographs and in-person meetings to bring to life her animal subjects
Issue 104, Page 76When painting outdoors, this artist recommends you open your mind and all your senses to the elements of nature that surround you.
Issue 55, Page 98Camille Przewodek shares her tips for developing color perception while working outdoors
Issue 122, Page 76Michele Van Maurik shares her insights on the importance of colour when painting white flowers
Issue 119, Page 80Ed Hatch explains his methods for observing and recreating the energy of the sun in your paintings.
Issue 68, Page 52Planning, visualizing and focusing results in an exceptional work of art.
Issue 34, Page 120A visual understanding of her subject matter allows Karen Blackwood to paint realistic and dramatic ocean scenes
Issue 119, Page 50Jeanette Blackburn believes it is the urge to recreate the subject She sees that results in the realness of her paintings
Issue 63, Page 140Rosi Robinson shares her insights and techniques on the batik approach to fine art
Issue 104, Page 114
Combining colored pencil and pastel, Erika Kauffman portrays the personalities of canines in rich color and detail
Issue 143, Page 110 Read Article
Painting from life, Johanne Mangi captures the hearts and souls of pets with skill and passion
Issue 158, Page 64 Read Article Visit Gallery WebsitePrior to starting a new painting, Jette van der Lende thoroughly thinks out her composition
Issue 109, Page 80
James Gurney has been using water media more than oils for plein air painting—here’s one of his favorite oil substitutes
Issue 154, Page 46 Read ArticleIssue 105, Page 36
Ellen Milinich's portraits are real, intimate and spirited everyday images
Issue 80, Page 72Claiming an extraordinary appreciation forthe telephone pole, this artist reveals her technique for discovering the personality of the overlooked.
Issue 54, Page 62Randy Van Dyck's paintings start with the title as concept, then the focal imagery develops into an unexpected play on words
Issue 105, Page 98