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' Issue #90
Creating Compelling Images: An Interview with Koo Schadler

Koo Schadler is an American Master of the egg tempura medium

Issue 90, Page 68
' Issue #94
Creating Complexity

Daniel J. Keys finds clarity and vision for his compositionally-driven still life paintings

Issue 94, Page 68
' Issue #127
Creating Composition: A Critical Necessity

Issue 127, Page 36
' Issue #165
Creating Depth

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 165, Page 116 Read Article Visit Gallery Website
' Issue #93
Creating Depth

Cindy Sorley-Keichinger layers acrylics then drybrushes details to produce illusions of depth

Issue 93, Page 92
' Issue #140
Creating Emphasis

Working from dark to light colors, Pamela Hamilton’s pastel paintings feature the smallest and brightest marks at the focal point

Issue 140, Page 72 Read Article
' Issue #55
Creating excitement and texture with palette knives

This artist tried palette knife painting and discovered its bold, fresh look suited her style perfectly.

Issue 55, Page 78
' Issue #115
Creating Glamour with Metalpoint

Join the world revival of this art form by learning from this "Living Master" of the medium Gordon Hanely

Issue 115, Page 118
' Issue #4
Creating impact with a toned canvas

An open-and-shut case for working with a toned background.

Issue 4, Page 52
' Issue #21
Creating impressionistic landscapes in oil

Let's see what happens when we borrow some ideas from the Impressionists.

Issue 21, Page 100
' Issue #96
Creating Intense Lighting

Artist Escha van den Bogerd has found that the most important aspect of her work is how the model is lit

Issue 96, Page 94
' Issue #28
Creating my own reality

Using a personal alphabet to create the reality in ambiguous paintings.

Issue 28, Page 24
' Issue #3
Creating symbolic pastel in the heartland

The secret life of Australia is hidden in the folds and crevices of its landscape.

Issue 3, Page 124
' Issue #95
Creating the Illusion of Depth with Lost and Found Edges

Working wet-in-wet, Fabio Cembranelli shares techniques for shape definition in watercolour compositions

Issue 95, Page 116
' Issue #31
Creating timeless watercolors

Combining Japanese traditions with western techniques to distil and capture the essence of subjects.

Issue 31, Page 118
' Issue #150
Creative Process

Harley Brown’s fascinating things no one else will tell you

Issue 150, Page 122 Read Article
' Issue #152
Creative Spark

Issue 152, Page 126 Read Article
' Issue #162
Creative Spark

Issue 162, Page 126 Read Article
' Issue #163
Creative Spark

Issue 163, Page 126 Read Article
' Issue #153
Creative Spark

Issue 153, Page 126 Read Article
' Issue #164
Creative Spark

Issue 164, Page 126 Read Article
' Issue #154
Creative Spark

Issue 154, Page 126 Read Article
' Issue #165
Creative Spark

Issue 165, Page 126 Read Article
' Issue #155
Creative Spark

Issue 155, Page 126 Read Article
' Issue #156
Creative Spark

Issue 156, Page 126 Read Article
' Issue #157
Creative Spark

Issue 157, Page 126 Read Article
' Issue #158
Creative Spark

Issue 158, Page 126 Read Article
' Issue #159
Creative Spark

Issue 159, Page 126 Read Article
' Issue #149
Creative Spark

Issue 149, Page 126 Read Article
' Issue #160
Creative Spark

Issue 160, Page 126 Read Article
' Issue #150
Creative Spark

Issue 150, Page 126 Read Article
' Issue #161
Creative Spark

Issue 161, Page 126 Read Article
' Issue #151
Creative Spark!

Issue 151, Page 126 Read Article
' Issue #157
Crisp forms: Rebecca Neundorf

Issue 157, Page 114 Read Article Visit Gallery Website
' Issue #148
Critical Thinking

Watercolorist Ted Nuttall chats about how he grew into an artist and a teacher

Issue 148, Page 26 Read Article
' Issue #162
Critiques for Backlighting Workshop

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 162, Page 116 Read Article Visit Gallery Website
' Issue #161
Critiques for the Up the Creek Workshop

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 161, Page 116 Read Article
' Issue #163
Critiques from Mountain Stream Workshop

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 163, Page 116 Read Article
' Issue #57
Cross-discipline talent

This artist alerts you to the many possibilities that await you when you try out your talent in unfamiliar mediums.

Issue 57, Page 54
' Issue #78
Cruising Artists

Greg Allen, Amanda Hyatt and John Lovett take us aboard the Sea princess

Issue 78, Page 136
' Issue #161
Crystal Beshara: Something beguiling

Issue 161, Page 110 Read Article Visit Gallery Website
' Issue #102
Cultural Influences

After moving to Japan in 2011, Phil Couture has found the country, its culture and Ukiyo-e art have impacted his art

Issue 102, Page 108
' Issue #116
Curt Butler

A sculptural technique

Issue 116, Page 70
' Issue #128
Dan Bacich

Nature's patterns

Issue 128, Page 114
' Issue #3
Dances with paint - and dingoes

Giant reptiles, dingoes and deadly snakes form a living backdrop to this Outback painter's subject matter.

Issue 3, Page 114
' Issue #49
Dancing with the Greeks and Romans

How to tackle designing and painting a neo-classical figure painting in the Renaissance genre and of mythological proportions, without resorting to real life gods and goddesses.

Issue 49, Page 80
' Issue #14
Danger! Tone out of place!

Why a tone out of place will destroy the impression of gradual recession.

Issue 14, Page 90
' Issue #106
Daniel Gerhartz: Capturing Light, Color and Form

Issue 106, Page 36
' Issue #73
Daniel Greene

A series where we take a look into the lives of some our most noted artists

Issue 73, Page 88
' Issue #5
Daniel Greene - dedicated to his craft

A rare interview with a unique artist elected to the Pastel and Oil Painters' Halls of Fame.

Issue 5, Page 12