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Join the world revival of this art form by learning from this "Living Master" of the medium Gordon Hanely
Issue 115, Page 118An open-and-shut case for working with a toned background.
Issue 4, Page 52Let's see what happens when we borrow some ideas from the Impressionists.
Issue 21, Page 100Artist Escha van den Bogerd has found that the most important aspect of her work is how the model is lit
Issue 96, Page 94Using a personal alphabet to create the reality in ambiguous paintings.
Issue 28, Page 24The secret life of Australia is hidden in the folds and crevices of its landscape.
Issue 3, Page 124Working wet-in-wet, Fabio Cembranelli shares techniques for shape definition in watercolour compositions
Issue 95, Page 116Combining Japanese traditions with western techniques to distil and capture the essence of subjects.
Issue 31, Page 118
Harley Brown’s fascinating things no one else will tell you
Issue 150, Page 122 Read Article
Watercolorist Ted Nuttall chats about how he grew into an artist and a teacher
Issue 148, Page 26 Read Article
In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 162, Page 116 Read Article Visit Gallery Website
In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 161, Page 116 Read Article
In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 163, Page 116 Read ArticleThis artist alerts you to the many possibilities that await you when you try out your talent in unfamiliar mediums.
Issue 57, Page 54Greg Allen, Amanda Hyatt and John Lovett take us aboard the Sea princess
Issue 78, Page 136After moving to Japan in 2011, Phil Couture has found the country, its culture and Ukiyo-e art have impacted his art
Issue 102, Page 108Giant reptiles, dingoes and deadly snakes form a living backdrop to this Outback painter's subject matter.
Issue 3, Page 114How to tackle designing and painting a neo-classical figure painting in the Renaissance genre and of mythological proportions, without resorting to real life gods and goddesses.
Issue 49, Page 80Why a tone out of place will destroy the impression of gradual recession.
Issue 14, Page 90A series where we take a look into the lives of some our most noted artists
Issue 73, Page 88A rare interview with a unique artist elected to the Pastel and Oil Painters' Halls of Fame.
Issue 5, Page 12Issue 36, Page 98
Issue 7, Page 138
A first-hand report of one artist's adventures in France with Alvaro Castagnet.
Issue 16, Page 144