Artist Search
Here are the results of your search...
This artist's pastels are all about capturing the sublime moments when she makes a palpable connection with her subjects.
Issue 60, Page 124Tom Lynch creates works of art where the mood, or "wow" factor, has the greatest impact
Issue 106, Page 110Dana Levin evokes poetry in realism through meticulous attention to how a painting is finished
Issue 82, Page 62Finding the right medium allowed this artist to master the exquisite detail he was seeking.
Issue 54, Page 122Insight on one process used for producing an etching based on a series of monotypes
Issue 110, Page 44John Lovett shows the merits of stretching the limits of a subject into a whole series of paintings
Issue 85, Page 136This artist's love of the classical style means her beautiful images will be objects of joy forever.
Issue 55, Page 34
Mona Parker Weidner selects colors palettes and light sources that emphasize the mood of her interior scenes
Issue 152, Page 98 Read ArticleGary J. Hernandez recommends doing a head study first, when faced with the challenge of a figurative painting.
Issue 75, Page 42Koo Schadler is an American Master of the egg tempura medium
Issue 90, Page 68Daniel J. Keys finds clarity and vision for his compositionally-driven still life paintings
Issue 94, Page 68
In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 165, Page 116 Read Article Visit Gallery WebsiteCindy Sorley-Keichinger layers acrylics then drybrushes details to produce illusions of depth
Issue 93, Page 92
Working from dark to light colors, Pamela Hamilton’s pastel paintings feature the smallest and brightest marks at the focal point
Issue 140, Page 72 Read ArticleThis artist tried palette knife painting and discovered its bold, fresh look suited her style perfectly.
Issue 55, Page 78Join the world revival of this art form by learning from this "Living Master" of the medium Gordon Hanely
Issue 115, Page 118An open-and-shut case for working with a toned background.
Issue 4, Page 52Let's see what happens when we borrow some ideas from the Impressionists.
Issue 21, Page 100Artist Escha van den Bogerd has found that the most important aspect of her work is how the model is lit
Issue 96, Page 94Using a personal alphabet to create the reality in ambiguous paintings.
Issue 28, Page 24The secret life of Australia is hidden in the folds and crevices of its landscape.
Issue 3, Page 124Working wet-in-wet, Fabio Cembranelli shares techniques for shape definition in watercolour compositions
Issue 95, Page 116Combining Japanese traditions with western techniques to distil and capture the essence of subjects.
Issue 31, Page 118
Harley Brown’s fascinating things no one else will tell you
Issue 150, Page 122 Read Article
Watercolorist Ted Nuttall chats about how he grew into an artist and a teacher
Issue 148, Page 26 Read Article
In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 162, Page 116 Read Article Visit Gallery Website
In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 161, Page 116 Read Article
In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 163, Page 116 Read ArticleThis artist alerts you to the many possibilities that await you when you try out your talent in unfamiliar mediums.
Issue 57, Page 54