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' Issue #76
Exhibition

John Lovett reflects on preparing for his latest exhibition

Issue 76, Page 136
' Issue #125
Expanding an Artist's Potential

Billy Seccombe discusses the impact of teaching artist residencies and workshops

Issue 125, Page 56
' Issue #130
Expanding Your Knowledge

The more you know and research, the more viable your artwork will be

Issue 130, Page 25
' Issue #61
Experiment with Milky White Gouache

John Lovett shows how using white gouache can enhance your paintings.

Issue 61, Page 90
' Issue #12
Experimental approaches in watercolor

Work through the uncertainties and win the rewards

Issue 12, Page 100
' Issue #47
Experimenting with texture and media

Demonstrates an experimental technique that's bursting with texture, color, symbols . . . and cobwebs.

Issue 47, Page 56
' Issue #29
Experimenting with visual imagery

Fresh ideas and unique approaches are all around us. All we have to do is open our minds to exploration and experimentation

Issue 29, Page 130
' Issue #14
Experiments with watercolor

Important elements that make a great Watercolor.

Issue 14, Page 130
' Issue #100
Exploration of Landscapes

Through three demonstrations, Judith I. Bridgland experiments with composition, texture and patterns in landscape paintings

Issue 100, Page 82
' Issue #106
Explore a Theme

John Lovett shows the value of expanding upon subjects while painting

Issue 106, Page 116
' Issue #5
Explore creative watercolor and set your ideas free

Here's how to cut yourself some watercolor slack.

Issue 5, Page 140
' Issue #96
Exploring Colours

Throughout his career Trevor Osborne has played with colours, leading to a multi-medium approach that yields intense and vibrant hues

Issue 96, Page 120
' Issue #44
Exploring cubes of color

The beautiful Scottish landscape distilled into shapes of colour.

Issue 44, Page 130
' Issue #144
Exploring Palettes

John Lovett delves into the various ways palettes can be utilized in your artwork

Issue 144, Page 100 Read Article
' Issue #94
Exploring the Colour Black

John Lovett explores the use of black in watercolours

Issue 94, Page 122
' Issue #38
Exploring your dark side

How to use the new crop of deepest dark pastels to create show-stoppers.

Issue 38, Page 104
' Issue #79
Expressing Endless Contemplations

Simon Lavigne develops surreal scenes from feelings and emotions that manifest in his imagination

Issue 79, Page 100
' Issue #127
Expressing Lighting Conditions

The Panoramic cityscapes of David Earle are explorations of light and colour

Issue 127, Page 76
' Issue #30
Expressing the purity of nature and life

A fascinating insight into lyrical watercolors of Chinese master Tie Shan Huang.

Issue 30, Page 66
' Issue #24
Expressing the Visual Language of the Landscape

20 artists provide insights on painting the landscape in all mediums.

Issue 24, Page 148
' Issue #83
Expressive Evolution

Carole Baker uses colour as the prime motivator when designing a painting

Issue 83, Page 116
' Issue #145
Expressive Forms

Sculptor and SAS instructor Rod Zullo discusses his inspirations and artistic process

Issue 145, Page 24 Read Article
' Issue #142
Expressive Hues

Carefully considering her palette, Natalia Karpman works toward a harmonious balance of color in her still lifes

Issue 142, Page 70 Read Article
' Issue #149
Expressive Patterns

Tatjana Mirkov-Popovicki emphasizes bold brushwork and rich texture and in her vibrant coastal scenes

Issue 149, Page 82 Read Article Visit Gallery Website
' Issue #62
Extending watercolor with glazes of translucent gesso

John Lovett shows his glazing techniques using gesso

Issue 62, Page 90
' Issue #62
Extreme contrast

A life-changing event persuaded Michael John Ashcroft to focus all his attention on creating vibrant art

Issue 62, Page 114
' Issue #86
Eye-popping Details

Irene Georgopoulou invites the viewer into the secret world of the objects she depicts

Issue 86, Page 90
' Issue #117
F. Michael Wood

Simple forms

Issue 117, Page 86
' Issue #109
Fables in the Gardens of the West

Kim Wiggins imagines starry skies, open ranges and an American Eden in his Western paintings that are based on history and personal narrative

Issue 109, Page 54
' Issue #59
Face to face with the faculty PART 1

Christine Egnoski speaks to faculty members about this year's Portrait Society program for the conference in Philadelphia

Issue 59, Page 28
' Issue #60
Face to face with the faculty PART 2

Christine Egnoski continues her discussions with faculty members who will be at this year's Portrait Society conference in Philadelphia about their education and experiences with mentoring.

Issue 60, Page 28
' Issue #95
Face-to-Face

With the 2014 The Art of the Portrait Faculty

Issue 95, Page 30
' Issue #77
Face-to-Face

We meet some of the 2011 Faculty members

Issue 77, Page 32
' Issue #96
Face-to-Face

With the 2014 The Art of the Portrait Faculty

Issue 96, Page 30
' Issue #113
Face-to-Face

With the 2017 The Art of the Portrait Faculy

Issue 113, Page 40
' Issue #114
Face-to-Face

With the 2017 The Art of the Portrait Faculty

Issue 114, Page 32
' Issue #71
Face-to-Face Part 1

Christine Egnoski speaks to the 2010 The Art of the Portrait Faculty

Issue 71, Page 32
' Issue #89
Face-to-Face: Part 1

Christine Egnoski talks with the 2013 The Art of the Portrait Faculty

Issue 89, Page 32
' Issue #78
Face-to-Face: Part 2

We meet some of the 2011 Faculty members

Issue 78, Page 32
' Issue #90
Face-to-Face: Part 2

Christine Egnoski talks with the 2013 The Art of the Portrait Faculty

Issue 90, Page 32
' Issue #32
Faces tell the whole story

This artist is not a fan of preliminary sketches and detailed planning. What she does is improvise!

Issue 32, Page 62
' Issue #42
Faculty Forum

Daniel Greene, Burton Silverman, Richard Schmid, Dawn Whitelaw, Sam Adoquei, Wende Caporale and Everett Raymond Kinstler

Issue 42, Page 33
' Issue #38
Fairy tales and myths

Drawing inspiration from subconscious memories of a Balkan childhood.

Issue 38, Page 76
' Issue #65
Fame, Finance And Freedom PART 1 Why Watercolour?

In this 5-part series master watercolour artist Tony Smibert outlines a route for charting a career as a successful watercolourist

Issue 65, Page 90
' Issue #21
Fantastic voyage

Fascinating, non-representational works that take viewers to another dimension.

Issue 21, Page 80
' Issue #75
Fantasy and Reality

Guennadi Kalinine develops his art in two distinct directions.

Issue 75, Page 84
' Issue #39
Fascinating things no one else will tell you Part 13:

There's no place like home

Issue 39, Page 104
' Issue #153
Favorite Subjects

All the Prize Winners in our International Artist Magazine Challenge No. 137

Issue 153, Page 6 Read Article
' Issue #144
Favorite Subjects

All the Prize Winners in our International Artist Magazine Challenge No. 128

Issue 144, Page 6 Read Article
' Issue #161
Favorite Subjects

All the Prize Winners in our International Artist Magazine Challenge No. 145

Issue 161, Page 6 Read Article