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Issue 5, Page 140Throughout his career Trevor Osborne has played with colours, leading to a multi-medium approach that yields intense and vibrant hues
Issue 96, Page 120The beautiful Scottish landscape distilled into shapes of colour.
Issue 44, Page 130
John Lovett delves into the various ways palettes can be utilized in your artwork
Issue 144, Page 100 Read ArticleJohn Lovett explores the use of black in watercolours
Issue 94, Page 122How to use the new crop of deepest dark pastels to create show-stoppers.
Issue 38, Page 104Simon Lavigne develops surreal scenes from feelings and emotions that manifest in his imagination
Issue 79, Page 100The Panoramic cityscapes of David Earle are explorations of light and colour
Issue 127, Page 76A fascinating insight into lyrical watercolors of Chinese master Tie Shan Huang.
Issue 30, Page 6620 artists provide insights on painting the landscape in all mediums.
Issue 24, Page 148Carole Baker uses colour as the prime motivator when designing a painting
Issue 83, Page 116
Sculptor and SAS instructor Rod Zullo discusses his inspirations and artistic process
Issue 145, Page 24 Read Article
Carefully considering her palette, Natalia Karpman works toward a harmonious balance of color in her still lifes
Issue 142, Page 70 Read Article
Tatjana Mirkov-Popovicki emphasizes bold brushwork and rich texture and in her vibrant coastal scenes
Issue 149, Page 82 Read Article Visit Gallery WebsiteJohn Lovett shows his glazing techniques using gesso
Issue 62, Page 90A life-changing event persuaded Michael John Ashcroft to focus all his attention on creating vibrant art
Issue 62, Page 114Irene Georgopoulou invites the viewer into the secret world of the objects she depicts
Issue 86, Page 90Kim Wiggins imagines starry skies, open ranges and an American Eden in his Western paintings that are based on history and personal narrative
Issue 109, Page 54Christine Egnoski speaks to faculty members about this year's Portrait Society program for the conference in Philadelphia
Issue 59, Page 28Christine Egnoski continues her discussions with faculty members who will be at this year's Portrait Society conference in Philadelphia about their education and experiences with mentoring.
Issue 60, Page 28Christine Egnoski speaks to the 2010 The Art of the Portrait Faculty
Issue 71, Page 32Christine Egnoski talks with the 2013 The Art of the Portrait Faculty
Issue 89, Page 32Christine Egnoski talks with the 2013 The Art of the Portrait Faculty
Issue 90, Page 32This artist is not a fan of preliminary sketches and detailed planning. What she does is improvise!
Issue 32, Page 62Daniel Greene, Burton Silverman, Richard Schmid, Dawn Whitelaw, Sam Adoquei, Wende Caporale and Everett Raymond Kinstler
Issue 42, Page 33Drawing inspiration from subconscious memories of a Balkan childhood.
Issue 38, Page 76In this 5-part series master watercolour artist Tony Smibert outlines a route for charting a career as a successful watercolourist
Issue 65, Page 90Fascinating, non-representational works that take viewers to another dimension.
Issue 21, Page 80Guennadi Kalinine develops his art in two distinct directions.
Issue 75, Page 84There's no place like home
Issue 39, Page 104
All the Prize Winners in our International Artist Magazine Challenge No. 137
Issue 153, Page 6 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 128
Issue 144, Page 6 Read Article
All the Prize Winners in our International Artist Magazine Challenge No. 145
Issue 161, Page 6 Read Article
Artist and SAS instructor Ron Hicks discusses his influences, artistic progression and painting from the heart
Issue 142, Page 28 Read Article
Always mindful of composition, pastelist Dorothea Schulz distills the essence of simple pleasures in her still lifes
Issue 147, Page 96 Read Article Visit Gallery WebsiteWell-known illustrator Boris Vallejo shares his insights on technique and painting fantasy-themed works of art
Issue 117, Page 48Suzy Smith empowers the female form using cultural and social references
Issue 131, Page 66Issue 6, Page 140
After speaking up about art that shocks, Ron Ranson raises some more thorny issues.
Issue 4, Page 66Warren Chang gives us an in depth description on the creation of a figurative painting
Issue 89, Page 50Painting is a lot like cooking, to achieve the desired goal you have to have the right ingredients.
Issue 2, Page 42