Search Results

'

Getting The Viewer to Feel Your Paintings

Gail Descoeurs utilizes the magnetic power of mood

Issue 81, Page 114

'

Ghyslaine Bluett, Carsen Frank, Klaus Hinkel, David Kenning and Glen Ladegaard

Issue 6, Page 88

'

Gifted painters need not apply

Can a God-given gift be old fashioned?

Issue 11, Page 102

'

Gigantic art cons make money at our expense

Yes, there's a lot of Canadian taxpayers' money being wasted on dubious art too

Issue 6, Page 50

'

Giving birth to personal style

You must paint to please yourself first and personal style will follow.

Issue 27, Page 116

'

Giving the creative process a prod

How to cure blank canvas syndrome.

Issue 20, Page 108

'

Glazed

Emily Bickell takes a new approach in her recent paintings, working from the most detailed elements to the simplest

Issue 139, Page 62 Read Article

'

Glazing an Underpainting with Color

Using this slow and methodical technique, Henry Riffe builds his paintings up through multiple layers of color

Issue 133, Page 66

'

Glazing Techniques in Watercolours

Crystal Beshara discusses the process of working with glazes to create an illusion of depth and light

Issue 106, Page 100

'

Go straight to the color you want to mix every time

Computer technology means you are no longer restricted to a meager handful of polka-dots arranged in a circle.

Issue 22, Page 26

'

Go with the flow

Could International Artist magazine's Flowers and Gardens Art Prize Winner's poured wash technique put some zest back into your predictable watercolors?

Issue 27, Page 84

'

Going [very] Wild in Africa

Australian wildlife artist Steve Morell claims you cannot 'truly' paint something you have never personally experienced - here is an opportunity to add to your experience!

Issue 82, Page 112

'

Going beyond features to presence - Marshall Bouldin III

Issue 37, Page 33

'

Going beyond the moment

Harvey Dinnerstein's large, figurative paintings do much more than record momentary glimpses of daily life.

Issue 40, Page 16

'

Gold leaf abstracts of the Oman Desert

Issue 15, Page 72

'

Golden Hour

Plein air painter Paul Kratter demonstrates how he captures the most powerful aspects of the landscape

Issue 139, Page 54 Read Article

'

Good design creates impact

Train yourself to plan your paintings.

Issue 23, Page 100

'

Good Manners

Part I: Photography and Physical Contact

Issue 166, Page 34 Read Article

'

Good Times

Letter from the Editor

Issue 164, Page 3 Read Article

'

Good Vibrations

Striving to capture energy and rhythm, Aili Kurtis’ art sits on the edge of abstraction and realism

Issue 143, Page 90 Read Article

'

Got Your Back

After 25 years in business, Raymar Art Panels continues to provide unwavering support to artists—figuratively and literally

Issue 153, Page 50 Read Article

'

Grace en Plein Air

Issue 124, Page 44

'

Grand Gestures

An instinctive painter, Holly Dyrland uses bold brushwork and energetic color to define her scenes

Issue 157, Page 80 Read Article Visit Gallery Website

'

Graphic Images of Devon

This artist has formal training in graphic design that translates into dynamic paintings

Issue 59, Page 62

'

Greg Hawke - Susan Lampinen - Jill Atkin - Mark Demsteader - Gaye Adams - Elizabeth Smith - Sara Genn - Jane Lincoln - Sheila Ablitt - Clare Money - John Paley

Issue 30, Page 92

'

Gregory Mortenson: Depicting the Beauty and Triumph of the Human Spirit

Issue 117, Page 42

'

Gregory Thielker

Visual perception

Issue 116, Page 74

'

Grey Hues

John Lovett discusses the importance of grey in watercolour painting

Issue 117, Page 112

'

Gritty Urban Super Realism

Creating powerful drawings with nothing but graphite requires a zealous eye for contrasts and patterns of light and texture.

Issue 52, Page 66

'

Group dynamics

How a large group portrait can be unified into one natural, unified scene.

Issue 19, Page 104

'

Group Excursions

John Lovett discusses the support provided by painting alongside a large group of artists

Issue 112, Page 124

'

Guided by History

Z.S. Liang dives into the past to paint an act of kindness by Sitting Bull in Philadelphia

Issue 121, Page 62

'

Hagop Hagopian - dreaming of his homeland

Meet an artist whose life and times have had a profound effect on his work.

Issue 31, Page 130

'

Halima Washington-Dixon

Fresh and immediate

Issue 128, Page 80

'

Hands-on Process

From the subjects to the setup to the lighting, Stefaan Eyckmans freely controls each aspect of his realistic still lifes

Issue 98, Page 88

'

Haoyun Erin Zhao

Changing paths

Issue 126, Page 131

'

Harboring a Flair for Precision

Peter van Nes studied chemistry but found a new chemistry in his art and a passion for the harbor

Issue 61, Page 118

'

Harley Brown's eternal truths for every artist

Issue 15, Page 144

'

Harley Brown's Fascinating Things No One Else Will Tell You

Part 44 You have a Lifetime Membership!

Issue 70, Page 140

'

Harley Brown's fascinating things no one else will tell you Part 15:

Taking time out to paint a world next door

Issue 41, Page 98

'

Harley Brown's fascinating things no one else will tell you Part 17:

Getting personal

Issue 44, Page 98

'

Harley Brown's fascinating things no one else will tell you Part 19:

A revolutionary idea.

Issue 45, Page 114

'

Harley Brown's fascinating things no one else will tell you Part 20: Let me be your mentor.

Issue 46, Page 130

'

Harley Brown's fascinating things no one else will tell you Part 29:

The Other Harley

Issue 55, Page 86

'

Harley Brown's fascinating things no one else will tell you Part 30:

Creative momentum and you.

Issue 56, Page 154

'

Harley Brown's fascinating things no one else will tell you Part 31:

Congratulations!

Issue 57, Page 152

'

Harley Brown's fascinating things no one else will tell you Part 32: What is Art?

Issue 58, Page 122

'

Harley Brown's fascinating things no one else will tell you Part 33: So Close

Issue 59, Page 122

'

Harley Brown's fascinating things no one else will tell you Part 34: The Grand Moment

Issue 60, Page 142

'

Harley Brown's fascinating things no one else will tell you Part 35: New Lesson

Issue 61, Page 154

Artist Search