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In this special edition of Harley’s column, the passionate pastelist takes readers through the more technical aspects of his artistic approach
Issue 160, Page 50 Read ArticleA Deeply Rooted Passion Transforming the Humble into the Beautiful
Issue 75, Page 36Christine Egnoski talks to Harvey Dinnerstein, recipient of the Portrait Society of America's 2007 Gold Medal.
Issue 55, Page 26
Watercolorist Roger De Muth shows us how to make compact art boxes for carrying supplies while on the go
Issue 145, Page 48 Read ArticleIssue 7, Page 78
Our professional Art Consultant answers some important questions.
Issue 44, Page 72The highlights of reflective surfaces allow Kim Starr to create unique focal points in her paintings
Issue 132, Page 60
Sarah Mckendry demonstrates how to create depth, atmosphere and mood in her landscape paintings
Issue 140, Page 48 Read Article
Todd M. Casey demonstrates his process for painting a still life using the indirect method of painting
Issue 156, Page 74 Read Article Visit Gallery Website
A look at the illustrious backgrounds of the Round 4 Bennett Prize jurors
Issue 158, Page 52 Read ArticleThis artist shows how she translated an inspiring rescue story into a monumental history painting commission.
Issue 60, Page 112Making your exhibition advertising work is really a matter of taking human nature into account.
Issue 45, Page 140How many exhibitions could you frame if you sold all the paintings you're hanging onto for emotional reasons?
Issue 9, Page 112Hunter Eddy shares his preparation, design and composition tactics for figure and portrait painting
Issue 86, Page 62The paintings of Mario Robinson focus on the essence of the sitter as well as their universal truths.
Issue 124, Page 54
Joseph Lorusso discusses exploring different mediums, navigating the business side of art and staying true to your passions
Issue 155, Page 22 Read Article
Blending elements of realism and surrealism, figurative artist Anna Wypych’s paintings are dominated by vivid reds
Issue 159, Page 62 Read Article Visit Gallery WebsiteThis artist positions color prominently in his technique and decision making process to the advantage of his intense, color-heightened landscapes.
Issue 53, Page 78How to mass in, then limit yourself to drawing only the most outstanding and interesting details
Issue 6, Page 74Lyn Diefenbach, Ruth Eiring King, Timothy R. Thies, Marilyn Timms and Hye Seong Yoon
Issue 39, Page 122Our new series gives you behind-the-scenes insights from some of the best international artists working today.
Issue 37, Page 130This artist explains the many advantages of painting in acrylics.
Issue 57, Page 28Graeme Smith Should you Increase the frequency of your promotions to your clients and how should you pitch them?
Issue 87, Page 23How understanding the personality of a place can open the door to creating a visual narrative.
Issue 48, Page 36It is not obligatory to stick to dull, lifeless colors in order to portray a sense of mood and wildness in a painting
Issue 6, Page 66You can mix virtually every color you need from 12 basic pigments and say anything you want.
Issue 18, Page 24How careful juxtaposition of values will guarantee excitement
Issue 1, Page 110Observe the architecture of painting and you will not fall into bed with mediocrity
Issue 35, Page 52
Just like general college applications, each school or gallery may or may not have its own set of requirements. Check their website first, make sure you find and read it all, and then follow their guidelines in any order or format they suggest. OK, boring things aside, this is your place to shine and opportunities abound!
Issue 142, Page 26 Read ArticleReveals the secret technique to create scenes with that special sparkle.
Issue 47, Page 76Wei Tai show us a fresh technique by drawing upon tradition and exposure to many cultures
Issue 89, Page 68