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' Issue #160
Harley Brown’s Fascinating Pastel Techniques

In this special edition of Harley’s column, the passionate pastelist takes readers through the more technical aspects of his artistic approach

Issue 160, Page 50 Read Article
' Issue #37
Harnessing the power of light

Issue 37, Page 18
' Issue #39
Harold Allanson, Renato Muccillo, Renli Chen, Alan Wylie and David Ladmore

Issue 39, Page 138
' Issue #75
Harry Ahn: Portraying the Unexpected

A Deeply Rooted Passion Transforming the Humble into the Beautiful

Issue 75, Page 36
' Issue #129
Harry Stooshinoff

Intimate scale

Issue 129, Page 88
' Issue #55
Harvey Dinnerstein - Life sized portraits

Christine Egnoski talks to Harvey Dinnerstein, recipient of the Portrait Society of America's 2007 Gold Medal.

Issue 55, Page 26
' Issue #145
Have Watercolors Will Travel

Watercolorist Roger De Muth shows us how to make compact art boxes for carrying supplies while on the go

Issue 145, Page 48 Read Article
' Issue #7
Hazel Lale, Michael Hill, Andy Le Poidevin, Peter Wood, Maragret Evens, Michael Long, Mike Skidmore and Michael A. Hardwick

Issue 7, Page 78
' Issue #129
Hazel Soan

Learning the properties

Issue 129, Page 102
' Issue #110
Heather Horton

Using photos to capture details

Issue 110, Page 78
' Issue #44
Help! I'm not selling - now what shall I do? Part 17:

Our professional Art Consultant answers some important questions.

Issue 44, Page 72
' Issue #18
Helping hand

Part 2: Push the theme to the extreme.

Issue 18, Page 138
' Issue #17
Helping hand

Part 1: Is your painting any good?

Issue 17, Page 26
' Issue #132
Hidden in Plain Sight

The highlights of reflective surfaces allow Kim Starr to create unique focal points in her paintings

Issue 132, Page 60
' Issue #140
High Altitude

Sarah Mckendry demonstrates how to create depth, atmosphere and mood in her landscape paintings

Issue 140, Page 48 Read Article
' Issue #156
High Class

Todd M. Casey demonstrates his process for painting a still life using the indirect method of painting

Issue 156, Page 74 Read Article Visit Gallery Website
' Issue #15
Highland fling!

Inspiration in the Highlands and Islands.

Issue 15, Page 100
' Issue #158
Highly Qualified

A look at the illustrious backgrounds of the Round 4 Bennett Prize jurors

Issue 158, Page 52 Read Article
' Issue #162
Highly Valued

Letter from the Editor

Issue 162, Page 3 Read Article
' Issue #37
Hilary S. Burnett and Peter Weaver

Issue 37, Page 82
' Issue #60
History Lesson

This artist shows how she translated an inspiring rescue story into a monumental history painting commission.

Issue 60, Page 112
' Issue #45
Hitting the sales hot button Part 18:

Making your exhibition advertising work is really a matter of taking human nature into account.

Issue 45, Page 140
' Issue #9
Hoard instinct

How many exhibitions could you frame if you sold all the paintings you're hanging onto for emotional reasons?

Issue 9, Page 112
' Issue #93
Hodges Soileau

A demonstration in oil

Issue 93, Page 36
' Issue #86
Holistic Harmonizing of All Elements

Hunter Eddy shares his preparation, design and composition tactics for figure and portrait painting

Issue 86, Page 62
' Issue #124
Honest Portrayals

The paintings of Mario Robinson focus on the essence of the sitter as well as their universal truths.

Issue 124, Page 54
' Issue #37
Hong Kong Watercolour Society

Chan Cho Yan, Poon Chuen Har and Chan Yiu Lin

Issue 37, Page 15
' Issue #155
Honing Your Voice

Joseph Lorusso discusses exploring different mediums, navigating the business side of art and staying true to your passions

Issue 155, Page 22 Read Article
' Issue #121
Honoring Dedication to their Craft by Christine Egnoski

Issue 121, Page 35
' Issue #159
Hot-Blooded

Blending elements of realism and surrealism, figurative artist Anna Wypych’s paintings are dominated by vivid reds

Issue 159, Page 62 Read Article Visit Gallery Website
' Issue #53
How color can transform your landscapes

This artist positions color prominently in his technique and decision making process to the advantage of his intense, color-heightened landscapes.

Issue 53, Page 78
' Issue #6
How color masses determine the detail

How to mass in, then limit yourself to drawing only the most outstanding and interesting details

Issue 6, Page 74
' Issue #82
How Could Your Gallery Work?

Issue 82, Page 135
' Issue #39
How did you paint that?

Lyn Diefenbach, Ruth Eiring King, Timothy R. Thies, Marilyn Timms and Hye Seong Yoon

Issue 39, Page 122
' Issue #37
How did you paint that?

Our new series gives you behind-the-scenes insights from some of the best international artists working today.

Issue 37, Page 130
' Issue #22
How do you say flowers in Swedish?

With Paula Bachtiger Kling

Issue 22, Page 130
' Issue #46
How I captured the fleeting light England Effects of a blustery day in England

Issue 46, Page 102
' Issue #47
How I carefully plan my paintings in Spain

Issue 47, Page 86
' Issue #47
How I mastered the tonal aspect of painting in South Africa

Issue 47, Page 82
' Issue #57
How I paint my world

This artist explains the many advantages of painting in acrylics.

Issue 57, Page 28
' Issue #87
How Much is Too Much or Too Little?

Graeme Smith Should you Increase the frequency of your promotions to your clients and how should you pitch them?

Issue 87, Page 23
' Issue #48
How Paris worked its way under my skin and onto my canvas

How understanding the personality of a place can open the door to creating a visual narrative.

Issue 48, Page 36
' Issue #75
How Powerful are Guarantees?

Issue 75, Page 24
' Issue #6
How skies set the mood in a wildscape

It is not obligatory to stick to dull, lifeless colors in order to portray a sense of mood and wildness in a painting

Issue 6, Page 66
' Issue #18
How to become fluent in the language of color

You can mix virtually every color you need from 12 basic pigments and say anything you want.

Issue 18, Page 24
' Issue #1
How to build better paintings

How careful juxtaposition of values will guarantee excitement

Issue 1, Page 110
' Issue #35
How to conquer mediocrity

Observe the architecture of painting and you will not fall into bed with mediocrity

Issue 35, Page 52
' Issue #142
How to Create a Portfolio

Just like general college applications, each school or gallery may or may not have its own set of requirements. Check their website first, make sure you find and read it all, and then follow their guidelines in any order or format they suggest. OK, boring things aside, this is your place to shine and opportunities abound!

Issue 142, Page 26 Read Article
' Issue #47
How to create that mystical glow

Reveals the secret technique to create scenes with that special sparkle.

Issue 47, Page 76
' Issue #89
How to do Ink Wash Painting

Wei Tai show us a fresh technique by drawing upon tradition and exposure to many cultures

Issue 89, Page 68