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Gary explains what causes an artist to surrender to the allure of coloured pencil, the medium of perfection and control, and shows what happens when you do.
Issue 53, Page 28The benefits and rewards of experimentation and exploration.
Issue 22, Page 114This artist's invention allows a collage to be completely designed and then glued without losing the original composition.
Issue 41, Page 86
James Gurney demonstrates how to get your colors to change gradually throughout your picture
Issue 142, Page 30 Read ArticleA strong foundation of shapes, with clear shifts in value and color temperature, is the secret to making outstanding pastel paintings.
Issue 27, Page 64You have permission to make peace with the elements by working with photographs - but don't just copy your references.
Issue 31, Page 48Don't be driven to distraction with the bustling detail of a cityscape.
Issue 51, Page 118Part 4: Buddy, can you spare a dime? Help for the tricky issue of working out what price you should put on your paintings.
Issue 29, Page 22