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Part 58 The Moment is Here
Issue 84, Page 140Part 42 Mother Nature?
Issue 68, Page 136Part 43 The Main Dish
Issue 69, Page 136Part 45 Anatomy of a Portrait in Pastel
Issue 71, Page 140Part 40 What Recession?
Issue 66, Page 138Is your lack of dramatic design holding you back?
Issue 47, Page 130Let me lead you gently to your wild side.
Issue 48, Page 140Painting Personal Portraits
Issue 49, Page 154The eyes do have it.
Issue 50, Page 154Going your own way.
Issue 51, Page 156Part 3: The color in black and white.
Issue 29, Page 50Part 2: The single most important thing in art.
Issue 28, Page 50Part 1: Harley's OO! Factor.
Issue 27, Page 74Part 9: Good ideas front and center.
Issue 35, Page 96Part 8: It'll only hurt a bit.
Issue 34, Page 76Part 6: To walk and then to fly using tonal values.
Issue 32, Page 82Part 5: The mighty edge.
Issue 31, Page 60Part 4: Capturing the character of birds.
Issue 30, Page 80Facial features
Issue 37, Page 84Abstract is the key
Issue 38, Page 100The mind's eye
Issue 40, Page 102Finally . . . liking Art.
Issue 42, Page 108Why dedication finds its own rewards.
Issue 43, Page 74Art and the Real World
Issue 54, Page 154Issue 62, Page 154
The Rugged Individual You!
Issue 65, Page 110Issue 75, Page 140
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Issue 79, Page 140
Issue 81, Page 139
If I was standing in your studio and you gave me a chance to work with you on your art, here's what might happen
Issue 82, Page 140Issue 85, Page 140
Issue 86, Page 140
Issue 87, Page 140
The happy artist. Stick Harley's 25-point list on your studio wall
Issue 36, Page 72
In this special edition of Harley’s column, the passionate pastelist takes readers through the more technical aspects of his artistic approach
Issue 160, Page 50 Read ArticleA Deeply Rooted Passion Transforming the Humble into the Beautiful
Issue 75, Page 36Christine Egnoski talks to Harvey Dinnerstein, recipient of the Portrait Society of America's 2007 Gold Medal.
Issue 55, Page 26
Watercolorist Roger De Muth shows us how to make compact art boxes for carrying supplies while on the go
Issue 145, Page 48 Read ArticleIssue 7, Page 78
Our professional Art Consultant answers some important questions.
Issue 44, Page 72The highlights of reflective surfaces allow Kim Starr to create unique focal points in her paintings
Issue 132, Page 60