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This artist explains the many advantages of painting in acrylics.

Graeme Smith Should you Increase the frequency of your promotions to your clients and how should you pitch them?

How understanding the personality of a place can open the door to creating a visual narrative.

It is not obligatory to stick to dull, lifeless colors in order to portray a sense of mood and wildness in a painting

You can mix virtually every color you need from 12 basic pigments and say anything you want.

How careful juxtaposition of values will guarantee excitement

Observe the architecture of painting and you will not fall into bed with mediocrity

Just like general college applications, each school or gallery may or may not have its own set of requirements. Check their website first, make sure you find and read it all, and then follow their guidelines in any order or format they suggest. OK, boring things aside, this is your place to shine and opportunities abound!

Reveals the secret technique to create scenes with that special sparkle.

Wei Tai show us a fresh technique by drawing upon tradition and exposure to many cultures

Gary explains what causes an artist to surrender to the allure of coloured pencil, the medium of perfection and control, and shows what happens when you do.

Tips from Six Well-Known Jurors

The benefits and rewards of experimentation and exploration.

This artist's invention allows a collage to be completely designed and then glued without losing the original composition.

James Gurney demonstrates how to get your colors to change gradually throughout your picture

A strong foundation of shapes, with clear shifts in value and color temperature, is the secret to making outstanding pastel paintings.

You have permission to make peace with the elements by working with photographs - but don't just copy your references.

Don't be driven to distraction with the bustling detail of a cityscape.

Part 4: Buddy, can you spare a dime? Help for the tricky issue of working out what price you should put on your paintings.