Artist Search

Here are the results of your search...


' Issue #44
How to subscribe

Issue 44, Page 128
' Issue #11
How to subscribe

Issue 11, Page 32
' Issue #9
How to subscribe

Issue 9, Page 32
' Issue #8
How to subscribe

Issue 8, Page 32
' Issue #85
How to Subscribe

Issue 85, Page 128
' Issue #86
How to Subscribe

Issue 86, Page 128
' Issue #36
How to subscribe

Issue 36, Page 128
' Issue #7
How to subscribe

Issue 7, Page 32
' Issue #6
How to subscribe

Issue 6, Page 32
' Issue #47
How to subscribe

Issue 47, Page 128
' Issue #48
How to subscribe

Issue 48, Page 128
' Issue #49
How to subscribe

Issue 49, Page 128
' Issue #50
How to subscribe

Issue 50, Page 128
' Issue #51
How to Subscribe

Issue 51, Page 128
' Issue #52
How to Subscribe

Issue 52, Page 129
' Issue #73
How to Subscribe

Issue 73, Page 128
' Issue #74
How to Subscribe

Issue 74, Page 128
' Issue #75
How to Subscribe

Issue 75, Page 128
' Issue #76
How to Subscribe

Issue 76, Page 128
' Issue #77
How to Subscribe

Issue 77, Page 128
' Issue #78
How to Subscribe

Issue 78, Page 128
' Issue #79
How to Subscribe

Issue 79, Page 128
' Issue #80
How to Subscribe

Issue 80, Page 128
' Issue #81
How to Subscribe

Issue 81, Page 128
' Issue #82
How to Subscribe

Issue 82, Page 128
' Issue #83
How to Subscribe

Issue 83, Page 128
' Issue #84
How to Subscribe

Issue 84, Page 128
' Issue #87
How to Subscribe & Order

Issue 87, Page 128
' Issue #88
How to Subscribe & Order

Issue 88, Page 128
' Issue #89
How to Subscribe & Order

Issue 89, Page 128
' Issue #90
How to Subscribe & Order

Issue 90, Page 128
' Issue #91
How to Subscribe & Order

Issue 91, Page 128
' Issue #42
How to untangle complexity with negative painting

Many of nature's most beautiful and intriguing subjects are comprised of a myriad baffling patterns and shapes. Here's how to make sense of it all.

Issue 42, Page 120
' Issue #45
How to work in the zone of uncertainty

How working in the zone between the abstract and representational will allow you to see your subject in a new light and treat you to a unique adventure along the way.

Issue 45, Page 74
' Issue #153
How to Write a Press Release

An important part of an artist’s promotional tool kit, whether promoting a workshop or an exhibition

Issue 153, Page 26 Read Article
' Issue #39
How tone keeps a chaos of colour under control

Action-packed, unorthodox alkyd surfaces.

Issue 39, Page 18
' Issue #60
How White Dictates Your Painting Style

Part 1 of a new series by Master Artist Daniel Greene

Issue 60, Page 34
' Issue #161
Hunches Are Built Upon Wisdom

Harley Brown’s fascinating things no one else will tell you

Issue 161, Page 122 Read Article
' Issue #146
Hustle and Bustle

Watercolorist Amit Kapoor captures movement and action in his city scenes using purposeful, sweeping brushstrokes

Issue 146, Page 94 Read Article
' Issue #105
Hyper Transparency

John Lovett explains how to amplify transparency throughout contrasts with areas of flat opacityq

Issue 105, Page 116
' Issue #2
I'll take Manhattan

Sydney artist Paul Ching-Bor couldn't resist the siren call of the New York cityscape. Would he be able to make it there?

Issue 2, Page 116
' Issue #18
If you feel like an outsider, ask yourself why?

Are the people behind the scenes really out to get you?

Issue 18, Page 98
' Issue #156
Illumination

Lyn Diefenbach approaches pastels with a sculptural hand, creating depth and liveliness in her florals

Issue 156, Page 84 Read Article Visit Gallery Website
' Issue #3
Illusions and reality in acrylic

If you can see the abstract possibilities in the varied textures of the landscape, then you can create paintings without severing the link with reality.

Issue 3, Page 104
' Issue #107
Images as Inspirations

Photography plays an important role in the compositions of Anne Abgott's colorful watercolors

Issue 107, Page 84
' Issue #61
Images of the City

Jung Han Kim uses expressive line to paint the soul of San Francisco

Issue 61, Page 80
' Issue #110
Imagined Places

Using knowledge of the ocean and other natural elements, Mustafa Günen paints vast and realistic seascapes

Issue 110, Page 72
' Issue #168
Immersed in the Scene

Watercolor artist Aleš Stepan enjoys the freedom of working in plein air

Issue 168, Page 86 Read Article Visit Gallery Website
' Issue #101
Impacting an Audience

Billy Seccombe shares his methods for painting a commissioned album cover

Issue 101, Page 76
' Issue #114
Important Principles of Art

Harley Brown’s fascinating things no one else will tell you

Issue 114, Page 140