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' Issue #113
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 113, Page 140
' Issue #102
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 102, Page 140
' Issue #136
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 136, Page 108
' Issue #124
Important Principles of Art

Harley Brown's fascinating things no one else will tell you.

Issue 124, Page 140
' Issue #92
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 92, Page 140
' Issue #103
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 103, Page 140
' Issue #137
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 137, Page 108
' Issue #125
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 125, Page 140
' Issue #93
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 93, Page 140
' Issue #104
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 104, Page 140
' Issue #138
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 138, Page 108
' Issue #126
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 126, Page 140
' Issue #94
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 94, Page 140
' Issue #105
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 105, Page 140
' Issue #116
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 116, Page 140
' Issue #127
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 127, Page 140
' Issue #106
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 106, Page 140
' Issue #117
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 117, Page 140
' Issue #95
Important Principles of Art

Harley Brown's fascinating things no one else will tell you.

Issue 95, Page 140
' Issue #109
Important Principles of Art:

Harley Brown's fascinating things no one else will tell you

Issue 109, Page 140
' Issue #115
Important Principles of Art:

Harley Brown's fascinating things no one else will tell you

Issue 115, Page 140
' Issue #59
Impressions of the Rock

This artist doesn't like to provide too much detail, preferring instead to have the viewer fill in the gaps

Issue 59, Page 106
' Issue #67
Improve the focus and direction of your marketing

Graeme Smith tells us the importance of marketing yourself and your work

Issue 67, Page 135
' Issue #1
Improvisational painting and the three big C's

How you can interpret reality by putting realistic objects into abstract trappings.

Issue 1, Page 42
' Issue #78
In a Given Moment

Jackie Grisley is compelled to paint the power and drama of nature's mini miracles

Issue 78, Page 82
' Issue #148
In All Their Splendor

Marieluise Bantel captures the nuances of her botanical subjects by carefully choosing and mixing colors

Issue 148, Page 62 Read Article Visit Gallery Website
' Issue #33
In defence of the commissioned artist

This artist stands up to be counted as a member of a sometimes maligned section of the art family.

Issue 33, Page 130
' Issue #113
In Detail

Using history and authentic artifacts, painter Kyle Polzin explores a detail-rich brand of storytelling

Issue 113, Page 48
' Issue #69
In his previous life as an architect, Barrie Chadwick learned the proper way to make finely detailed field notes that he could later translate onto his canvas back in the studio

In his previous life as an architect, Barrie Chadwick learned the proper way to make finely detailed field notes that he could later translate onto his canvas back in the studio

Issue 69, Page 82
' Issue #133
In Memoriam: Daniel E. Greene

Issue 133, Page 44
' Issue #87
In Place of Photos

Sandy Kossin's prowess with his customized techniques and creative use of mediums produced compelling illustrations of a dramatic time in history

Issue 87, Page 84
' Issue #156
In Pursuit of the Beautiful

Robert Lemler discusses artistic expression, career recognition and the joys of teaching

Issue 156, Page 22 Read Article
' Issue #103
In Retrospective

A discussion of British artist Alan Cotton's oeuvre and techniques.

Issue 103, Page 52
' Issue #71
In Search of a Controlled Finish

Self taught artist David Sandell's journey to the USA to study with modern master Daniel Greene proved to be a major turning point

Issue 71, Page 102
' Issue #84
In Search of Luminous Color

Barbara Vance takes her paintings up a notch with the power of glazing

Issue 84, Page 56
' Issue #111
In Search of Something New

Australian artist Colley Whisson is always looking for new and interesting things to say with his oil paintings

Issue 111, Page 54
' Issue #149
In Search of the Non-Motif

James Gurney explores subjects that are all around us but rarely painted

Issue 149, Page 60 Read Article
' Issue #70
In Search of the Right Mix

Moved by the traditional, but also drawn to the contemporary, Carlos Gomila harmonizes both with a dash of technical agility

Issue 70, Page 114
' Issue #146
In the Best Light

Cheri Christensen concentrates on value, temperature and color relationships in her animal art

Issue 146, Page 68 Read Article
' Issue #154
In the Field

Artist and nature enthusiast Judd Mercer shares his thoughts on plein air painting, upcoming workshops and more

Issue 154, Page 22 Read Article
' Issue #115
In the Field

Firsthand observation allows Anne Peyton to paint the details, textures and movements of birds with ease

Issue 115, Page 92
' Issue #153
In the Woods

Working with the unpredictable medium of watercolor, Bob Hamilton-Pennell captures the moods and mysteries of nature

Issue 153, Page 90 Read Article Visit Gallery Website
' Issue #159
Incandescence

Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within

Issue 159, Page 54 Read Article Visit Gallery Website
' Issue #74
Incentive Pricing and Exhibition Sales

Issue 74, Page 124
' Issue #105
Incorporating Modern Technology

Kevin Butters' paintings derive from sketches and photos, sometimes using computer software to work out aspects of the composition

Issue 105, Page 120
' Issue #17
Incredible journey

An epic painting trip down Canada's River of Disappointment.

Issue 17, Page 106
' Issue #50
Index

Issue 50, Page 161
' Issue #24
Index

Issue 24, Page 158
' Issue #31
Index of Issues 25 to 30

Issue 31, Page 161
' Issue #118
Individual Style

Paul Balmer shares his unique approach to painting that utilizes unconventional tools and perspectives

Issue 118, Page 68