Artist Search
Here are the results of your search...
Harley Brown's fascinating things no one else will tell you
Issue 106, Page 140Harley Brown's fascinating things no one else will tell you
Issue 117, Page 140Harley Brown's fascinating things no one else will tell you.
Issue 95, Page 140Harley Brown's fascinating things no one else will tell you
Issue 109, Page 140Harley Brown's fascinating things no one else will tell you
Issue 115, Page 140This artist doesn't like to provide too much detail, preferring instead to have the viewer fill in the gaps
Issue 59, Page 106Graeme Smith tells us the importance of marketing yourself and your work
Issue 67, Page 135How you can interpret reality by putting realistic objects into abstract trappings.
Issue 1, Page 42Jackie Grisley is compelled to paint the power and drama of nature's mini miracles
Issue 78, Page 82
Marieluise Bantel captures the nuances of her botanical subjects by carefully choosing and mixing colors
Issue 148, Page 62 Read Article Visit Gallery WebsiteThis artist stands up to be counted as a member of a sometimes maligned section of the art family.
Issue 33, Page 130Using history and authentic artifacts, painter Kyle Polzin explores a detail-rich brand of storytelling
Issue 113, Page 48In his previous life as an architect, Barrie Chadwick learned the proper way to make finely detailed field notes that he could later translate onto his canvas back in the studio
Issue 69, Page 82Sandy Kossin's prowess with his customized techniques and creative use of mediums produced compelling illustrations of a dramatic time in history
Issue 87, Page 84
Robert Lemler discusses artistic expression, career recognition and the joys of teaching
Issue 156, Page 22 Read ArticleA discussion of British artist Alan Cotton's oeuvre and techniques.
Issue 103, Page 52Self taught artist David Sandell's journey to the USA to study with modern master Daniel Greene proved to be a major turning point
Issue 71, Page 102Barbara Vance takes her paintings up a notch with the power of glazing
Issue 84, Page 56Australian artist Colley Whisson is always looking for new and interesting things to say with his oil paintings
Issue 111, Page 54
James Gurney explores subjects that are all around us but rarely painted
Issue 149, Page 60 Read ArticleMoved by the traditional, but also drawn to the contemporary, Carlos Gomila harmonizes both with a dash of technical agility
Issue 70, Page 114
Cheri Christensen concentrates on value, temperature and color relationships in her animal art
Issue 146, Page 68 Read Article
Artist and nature enthusiast Judd Mercer shares his thoughts on plein air painting, upcoming workshops and more
Issue 154, Page 22 Read ArticleFirsthand observation allows Anne Peyton to paint the details, textures and movements of birds with ease
Issue 115, Page 92
Working with the unpredictable medium of watercolor, Bob Hamilton-Pennell captures the moods and mysteries of nature
Issue 153, Page 90 Read Article Visit Gallery Website
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within
Issue 159, Page 54 Read Article Visit Gallery WebsiteKevin Butters' paintings derive from sketches and photos, sometimes using computer software to work out aspects of the composition
Issue 105, Page 120An epic painting trip down Canada's River of Disappointment.
Issue 17, Page 106Paul Balmer shares his unique approach to painting that utilizes unconventional tools and perspectives
Issue 118, Page 68Lori Putnam's artwork is informed by her experiences painting both in plein air ans within her studio
Issue 138, Page 54This artist is considered to be a master of perspective, having a profound understanding of the vanishing point and of the art of suggestion.
Issue 51, Page 150
Painting primarily with her fingers, Lavely Miller builds up her ethereal figures through layers of acrylic glazing
Issue 154, Page 82 Read Article Visit Gallery WebsiteThe figurative watercolors of Liu Yunsheng reflect the Tibetan way of life
Issue 123, Page 102Kristine Nason uses her experiences and knowledge of anatomy and drawing to paint emotive equestrian works
Issue 110, Page 82E. J. Paprocki gives your permission to use some or all of his many techniques to make your painting experience more enjoyable
Issue 65, Page 58It is the speed at which the brush is drawn across the paper that gives the work its vitality. Here's how it's done.
Issue 5, Page 66Jenny Buckner paints subjects and compositions she finds visually stimulating
Issue 117, Page 64
German artist Andrea Steinbauer demonstrates how she approaches painting self-portraits from a side view
Issue 166, Page 56 Read Article Visit Gallery WebsiteRob Piercy provides insight on painting high mountain landscapes with unique vantage points
Issue 112, Page 88Here's one art school that holds fast to the time-honored traditions.
Issue 19, Page 16Kathy Dolan makes personal connections with her artwork through technique and subject matter
Issue 106, Page 120For his technique, this artist uses his brushes as drawing implements.
Issue 56, Page 54Escha van den Bogerd's paintings bland artwork of the Old Masters with her contemporary aesthetic
Issue 133, Page 90
Oil painter Timothy Rees harmonizes realism and abstraction in his portrait art
Issue 165, Page 54 Read Article Visit Gallery Website