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' Issue #106
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 106, Page 140
' Issue #117
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 117, Page 140
' Issue #95
Important Principles of Art

Harley Brown's fascinating things no one else will tell you.

Issue 95, Page 140
' Issue #109
Important Principles of Art:

Harley Brown's fascinating things no one else will tell you

Issue 109, Page 140
' Issue #115
Important Principles of Art:

Harley Brown's fascinating things no one else will tell you

Issue 115, Page 140
' Issue #59
Impressions of the Rock

This artist doesn't like to provide too much detail, preferring instead to have the viewer fill in the gaps

Issue 59, Page 106
' Issue #67
Improve the focus and direction of your marketing

Graeme Smith tells us the importance of marketing yourself and your work

Issue 67, Page 135
' Issue #1
Improvisational painting and the three big C's

How you can interpret reality by putting realistic objects into abstract trappings.

Issue 1, Page 42
' Issue #78
In a Given Moment

Jackie Grisley is compelled to paint the power and drama of nature's mini miracles

Issue 78, Page 82
' Issue #148
In All Their Splendor

Marieluise Bantel captures the nuances of her botanical subjects by carefully choosing and mixing colors

Issue 148, Page 62 Read Article Visit Gallery Website
' Issue #33
In defence of the commissioned artist

This artist stands up to be counted as a member of a sometimes maligned section of the art family.

Issue 33, Page 130
' Issue #113
In Detail

Using history and authentic artifacts, painter Kyle Polzin explores a detail-rich brand of storytelling

Issue 113, Page 48
' Issue #69
In his previous life as an architect, Barrie Chadwick learned the proper way to make finely detailed field notes that he could later translate onto his canvas back in the studio

In his previous life as an architect, Barrie Chadwick learned the proper way to make finely detailed field notes that he could later translate onto his canvas back in the studio

Issue 69, Page 82
' Issue #133
In Memoriam: Daniel E. Greene

Issue 133, Page 44
' Issue #87
In Place of Photos

Sandy Kossin's prowess with his customized techniques and creative use of mediums produced compelling illustrations of a dramatic time in history

Issue 87, Page 84
' Issue #156
In Pursuit of the Beautiful

Robert Lemler discusses artistic expression, career recognition and the joys of teaching

Issue 156, Page 22 Read Article
' Issue #103
In Retrospective

A discussion of British artist Alan Cotton's oeuvre and techniques.

Issue 103, Page 52
' Issue #71
In Search of a Controlled Finish

Self taught artist David Sandell's journey to the USA to study with modern master Daniel Greene proved to be a major turning point

Issue 71, Page 102
' Issue #84
In Search of Luminous Color

Barbara Vance takes her paintings up a notch with the power of glazing

Issue 84, Page 56
' Issue #111
In Search of Something New

Australian artist Colley Whisson is always looking for new and interesting things to say with his oil paintings

Issue 111, Page 54
' Issue #149
In Search of the Non-Motif

James Gurney explores subjects that are all around us but rarely painted

Issue 149, Page 60 Read Article
' Issue #70
In Search of the Right Mix

Moved by the traditional, but also drawn to the contemporary, Carlos Gomila harmonizes both with a dash of technical agility

Issue 70, Page 114
' Issue #146
In the Best Light

Cheri Christensen concentrates on value, temperature and color relationships in her animal art

Issue 146, Page 68 Read Article
' Issue #154
In the Field

Artist and nature enthusiast Judd Mercer shares his thoughts on plein air painting, upcoming workshops and more

Issue 154, Page 22 Read Article
' Issue #115
In the Field

Firsthand observation allows Anne Peyton to paint the details, textures and movements of birds with ease

Issue 115, Page 92
' Issue #153
In the Woods

Working with the unpredictable medium of watercolor, Bob Hamilton-Pennell captures the moods and mysteries of nature

Issue 153, Page 90 Read Article Visit Gallery Website
' Issue #159
Incandescence

Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within

Issue 159, Page 54 Read Article Visit Gallery Website
' Issue #74
Incentive Pricing and Exhibition Sales

Issue 74, Page 124
' Issue #105
Incorporating Modern Technology

Kevin Butters' paintings derive from sketches and photos, sometimes using computer software to work out aspects of the composition

Issue 105, Page 120
' Issue #17
Incredible journey

An epic painting trip down Canada's River of Disappointment.

Issue 17, Page 106
' Issue #50
Index

Issue 50, Page 161
' Issue #24
Index

Issue 24, Page 158
' Issue #31
Index of Issues 25 to 30

Issue 31, Page 161
' Issue #118
Individual Style

Paul Balmer shares his unique approach to painting that utilizes unconventional tools and perspectives

Issue 118, Page 68
' Issue #138
Indoors & Outdoors

Lori Putnam's artwork is informed by her experiences painting both in plein air ans within her studio

Issue 138, Page 54
' Issue #51
Industrial strength heavy duty landscapes

This artist is considered to be a master of perspective, having a profound understanding of the vanishing point and of the art of suggestion.

Issue 51, Page 150
' Issue #154
Infinite Depths

Painting primarily with her fingers, Lavely Miller builds up her ethereal figures through layers of acrylic glazing

Issue 154, Page 82 Read Article Visit Gallery Website
' Issue #123
Informed by Culture

The figurative watercolors of Liu Yunsheng reflect the Tibetan way of life

Issue 123, Page 102
' Issue #110
Informed by Observation and Study

Kristine Nason uses her experiences and knowledge of anatomy and drawing to paint emotive equestrian works

Issue 110, Page 82
' Issue #65
Inject Energy and Excitement Into Your Painting Process

E. J. Paprocki gives your permission to use some or all of his many techniques to make your painting experience more enjoyable

Issue 65, Page 58
' Issue #5
Injecting vitality into watercolors

It is the speed at which the brush is drawn across the paper that gives the work its vitality. Here's how it's done.

Issue 5, Page 66
' Issue #57
Ink Lines

Add intensity to your paintings using ink.

Issue 57, Page 90
' Issue #117
Inner Excitement

Jenny Buckner paints subjects and compositions she finds visually stimulating

Issue 117, Page 64
' Issue #166
Inner Self

German artist Andrea Steinbauer demonstrates how she approaches painting self-portraits from a side view

Issue 166, Page 56 Read Article Visit Gallery Website
' Issue #112
Innovative Perspectives

Rob Piercy provides insight on painting high mountain landscapes with unique vantage points

Issue 112, Page 88
' Issue #19
Inside The Art Students League

Here's one art school that holds fast to the time-honored traditions.

Issue 19, Page 16
' Issue #106
Inside the Artist's World

Kathy Dolan makes personal connections with her artwork through technique and subject matter

Issue 106, Page 120
' Issue #56
Inside the creative mind

For his technique, this artist uses his brushes as drawing implements.

Issue 56, Page 54
' Issue #133
Inside the Museum

Escha van den Bogerd's paintings bland artwork of the Old Masters with her contemporary aesthetic

Issue 133, Page 90
' Issue #165
Insightful Realism

Oil painter Timothy Rees harmonizes realism and abstraction in his portrait art

Issue 165, Page 54 Read Article Visit Gallery Website