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The Canadian Institute of Portrait Artists, The Western Federation of Watercolor Societies and the American Women Artists.
Issue 39, Page 15Society of Wildlife Artists 41st Annual Exhibition
Issue 41, Page 15The Florida Watercolor Society and The Colored Pencil Society of America present their award winners
Issue 10, Page 10A series by one of the world's best loved and most traveled artists.
Issue 34, Page 146A new series by one of the world's best loved and most traveled artists.
Issue 33, Page 142The rugged, ever-changing landscapes of the North of England are a constant multi-coloured inspiration.
Issue 11, Page 82Li Yichun infuses his paintings with his knowledge and feeling of the scene
Issue 119, Page 100See why Gerard Mortier has been called the ambassador of France's Opal Coast.
Issue 8, Page 136Joke Frima's nature-themed still lifes are often painted directly from studio setups
Issue 127, Page 64For his complex still life compositions, Greg Mort often finds himself building models and dioramas to enhance his paintings.
Issue 103, Page 68In her series Weightless, Anne-Marie Kornachuk aims to show complex emotions through layering and scumbling
Issue 92, Page 78Marco Grasso achieves realistic wildlife art by focusing on color, light and composition
Issue 138, Page 76Adventuring into the mountains allows DJ the chance to experience the landscape firsthand
Issue 128, Page 54Part 2 Gerald Brommer examines what stimulates creative expression and production
Issue 90, Page 78On returning to watercolour, Martin Taylor has experimented with developing a transformational new style.
Issue 76, Page 102Intense yet harmonious colors and extreme value contrasts, draw your eye into the secret beauty of Jerusalem.
Issue 40, Page 60
Ruben Astudillo on Art, Identity and the Power of Self-Portraits
Issue 160, Page 24 Read ArticlePatrick Cahill, Thomas Ryan, Patricia Jorgensen, Nancy Larchet, Pauline Doyle, George Oakley, Terence O'Connell
Issue 14, Page 102Heidi Willis sifted through her mind's flip file of images to revisit one that just begged to be painted
Issue 86, Page 98Certain issues have the power to generate intense feeling. This is one of them.
Issue 4, Page 22Susan Harrison-Tustain pushes watercolor beyond preconceived limitations
Issue 78, Page 110Part 7: The need to paint versus the need to sell.
Issue 32, Page 156In Part Six of his series, Master Artist Daniel Greene alerts us to the problems some supports introduce into the painting process and tells us which ones work best
Issue 65, Page 34Why gallery owners and artists should put on their thinking caps.
Issue 13, Page 119Gokhan Anlagan, Toto Bonnano, Birol Kutadgu, Yilmaz Merzifonlu, Mehmet Guler, Firdavsi Feyzullah
Issue 9, Page 74For the observant artist there's a good chance that where there's light there's inspiration.
Issue 40, Page 112This artist shows how to use watercolor to paint realism and shares some still life composition secrets that help achieve the desired result.
Issue 53, Page 86Michael Sass recommends you get to know your materials better, if you want the best results.
Issue 76, Page 110Meticulous planning allows Ginny Page to paint cohesive and dynamic compositions
Issue 126, Page 66After enjoying many pursuits Lesley Lambert finally opted for oil painting
Issue 67, Page 58
Harley Brown’s fascinating things no one else will tell you
Issue 152, Page 122 Read ArticlePainting on location gives you a chance to practice and play, to learn and experiment.
Issue 8, Page 34Alberto Abate, Silvano D'Ambrosia, Ubaldo Bartolini, Francesca Bonanni, Sergio Ceccotti, Franco De Courten, Paulo Florentino, Mayo K. Molero, Lithian Ricci, Titio Rossini, Federico Vescovo
Issue 4, Page 96Tiziano Bonanni, Sabrina Taddei, Sara Sommazzi, Giuliano Paladini, Daniela Pacini, Clara Polvani, Luca Viviani, Franco Magari
Issue 9, Page 68
In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 156, Page 116 Read Article Visit Gallery WebsiteIssue 38, Page 112
James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals some of the traditional methods used by artists since the Renaissance
Issue 69, Page 78James Gurney, the author, artist, and illustrator of the #1 bestselling art instruction books Imaginative Realism and Color and Light reveals useful insights about atmospheric effects.
Issue 77, Page 80James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals new insights from the science of visual perception.
Issue 76, Page 56James Gurney, artist and author of best-selling art instruction book Color and Light, wraps up his series with some useful tips
Issue 86, Page 54James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals some of the traditional methods used by artists since the Renaissance
Issue 70, Page 60James Gurney, the author, artist, and illustrator of the #1 bestselling art instruction books Imaginative Realism and Color and Light reveals useful insights about atmospheric effects.
Issue 78, Page 58