Search Results

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Juxtaposing Styles

Using a blend of refined and loose brushstrokes, Adam Wexelblatt creates his own signature techniques

Issue 119, Page 70

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Kaethe Bealer

Modern resources

Issue 129, Page 84

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Kate Sammons

An oil demonstration

Issue 115, Page 46

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Katherine McNenly

A portrait in oil

Issue 111, Page 40

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Katherine Stone

A demonstration in oil

Issue 101, Page 36

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KC Collins

Capturing Atmosphere and LIght

Issue 94, Page 96

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Keep calm when painting water

Two decades in the Yorkshire Dales have given this artist a wealth of experience in painting water in all its natural forms.

Issue 2, Page 72

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Keep It Real

The Art Renewal Center bolsters the support and reverence of traditional representational art

Issue 157, Page 36 Read Article

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Keep off the Grass!

Issue 10, Page 78

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Keeping in touch

Some strategies for coping with isolation.

Issue 13, Page 84

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Keeping it Fresh

Australia-based artist Mike Kowalski translates outdoor scenes either on location or in the studio

Issue 130, Page 104

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Keeping Portraits Fresh

When beginning each portrait, Albert Slark considers the situation in front of him including colour, location and lighting

Issue 94, Page 88

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Keeping the faith

An exclusive interview with Will Barnet.

Issue 21, Page 24

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Keeping Tradition Alive

Chairman’s Letter

Issue 159, Page 24 Read Article

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Keys to Emotional Response in Paintings

Issue 109, Page 72

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Kiff Holland and Sheila M. Simpson

Issue 41, Page 126

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Kim English

Supporting a narrative

Issue 111, Page 70

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Kim English

Capturing the moment

Issue 134, Page 68

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Kim Lordier

Feeling the rhythm

Issue 119, Page 120

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Kingsley Owen

Composition Stages

Issue 94, Page 102

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Know Where You Are Going

The solution to an age old problem. Grant McSherry explains how to know when a painting is finished

Issue 66, Page 84

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Knowledge of Subject Matter

Frank Gordon paints landscapes within walking distance of his home, infusing his knowledge of the setting into his work

Issue 107, Page 108

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Kris Preslan

A Grid Method

Issue 101, Page 94

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Kristian Mumford

Visceral process

Issue 115, Page 66

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Kristy Gordon

A demonstration in oil

Issue 103, Page 36

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Land of Fire and Ice

This artist uses the harsh weather of her native Iceland to help create her constantly moving abstract images.

Issue 60, Page 78

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Landscape commissions

Commissions are the norm for portrait artists, but there's something in it for the landscape artist too.

Issue 26, Page 74

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Landscapes

All the Prize Winners in our International Artist Magazine Challenge No. 132

Issue 148, Page 6 Read Article

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Larger Than Life

Carin Gerard explores nature in her immense paintings, balancing the classical realism of the Renaissance with the spirit of contemporary art

Issue 148, Page 42 Read Article Visit Gallery Website

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Lars Eje Larsson

Exploring contrasts in watercolor

Issue 130, Page 114

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Lasting Bonds

Chairman’s Letter

Issue 152, Page 32 Read Article

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Laugh all the way to the bank!

There's no law that says artists have to Starve.

Issue 14, Page 29

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Laura Clark: A Fusion of Foundation and Vision

Issue 39, Page 60

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Laurent Dareau Saint-Ar: Grace and elegance

Issue 159, Page 112 Read Article Visit Gallery Website

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Lawrence Goldsmith's 3 steps to heaven

Issue 7, Page 44

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Layers of Meaning in Mixed Media Techniques

Issue 10, Page 14

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Leah Gardner: Simple and sweet

Issue 160, Page 118 Read Article Visit Gallery Website

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Leaps of faith

There are many rivers to cross on the way to becoming a painter.

Issue 4, Page 102

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Learn only what you need

A rich relationship with his environment gives this artist vision for a lifetime.

Issue 38, Page 44

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Learning about Lines

Janet A. Cook shares her method of line drawing that allows for a consistent outcome

Issue 111, Page 120

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Learning from difficult and important subjects

This artist responded to a poem about the brutal murder of a young man.

Issue 43, Page 106

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Learning from sculpture how to model form

Why you have to take chances if you want to grow and improve.

Issue 44, Page 40

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Learning from the best of the Portrait

Our report on the Portrait Society of America's Conference in Boston

Issue 38, Page 32

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Learning from the Masters

Painting copies of the old masters helps the artists of today to learn new techniques

Issue 134, Page 52

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Learning to see again

How to make your colors and shapes fresh and interesting again.

Issue 35, Page 24

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Legend of the Sea

The paintings of master marine artist John Stobart evoke the stories of yesteryear and his passion for the subject matter

Issue 116, Page 42

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Lessons from the Old Masters Mixing skin tones for portraits

Part 2 of a new series by Master Artist Daniel Greene

Issue 61, Page 44

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Lessons of a lifetime

92 year-old Milford Zornes devoted his entire life to understanding the essential principles of art and design.

Issue 13, Page 76

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Let bouncing reflections romp through your still life compositions

This artist finds interesting subjects lurking everywhere.

Issue 53, Page 70

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Let go and express yourself in watercolor

Part 2: Three guidelines worth following.

Issue 20, Page 136

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