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Letter from the Publisher

Issue 64, Page 1

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Letter from the Publisher

Issue 8, Page 1

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Letter from the Publisher

Issue 32, Page 1

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Letter from the Publisher

Issue 14, Page 1

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Letter from the Publisher

Issue 74, Page 1

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Letter from the Publisher

Issue 57, Page 1

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Letter from the Publisher

Issue 84, Page 1

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Letter from the publisher

Issue 22, Page 1

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Letter from the Publisher

Issue 37, Page 1

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Letter from the Publisher

Issue 63, Page 1

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Letter from the Publisher

Issue 31, Page 1

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Letter from the Publisher

Issue 75, Page 1

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Letter from the Publisher

Issue 85, Page 1

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Letter from the Publisher

Issue 13, Page 1

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Letter from the publisher

Issue 21, Page 1

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Letter from the Publisher

Issue 5, Page 1

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Letter from the Publisher

Issue 62, Page 1

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Letter from the Publisher

Issue 56, Page 1

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Letter from the Publisher

Issue 36, Page 1

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Letter from the Publisher

Issue 30, Page 1

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Letter from the Publisher

Issue 76, Page 1 Read Article

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Letters

Issue 4, Page 6

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Letters

Issue 3, Page 6

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Letters

Issue 25, Page 160

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Letters

Issue 2, Page 20

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Letters

Issue 1, Page 20

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Letters to the editor

Issue 20, Page 159

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Letters to the editor

Issue 19, Page 159

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Letters to the editor

Issue 18, Page 160

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Letters to the Editor

Issue 17, Page 160

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Letters to the Editor

Issue 16, Page 5

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Letters to the editor

Issue 23, Page 158

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Letting the Subject Lead

The focal point dictates the compositions in Nathan Fowkes' artwork

Issue 132, Page 86

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Leverage

Applying new business tactics may help magnify your efforts toward increased sales and interest

Issue 95, Page 23

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Li Hua Yin Yen Zhen Yang Zhu Wai Yi Moi Zhen Li Loi, Fo Zhen Ling, Wang Meng, Ke Zong Ye, Tai Zi

Issue 45, Page 66

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Life and luminosity with glazes

Discover how a controlled approach yields brilliant, glowing colors that look like they're been lit from within.

Issue 18, Page 54

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Life and Movement

Jenny Aitken advises on how understanding waves, tone and light on water creates a dynamic composition

Issue 120, Page 80

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Life Drawing

Daniel Maidman discusses techniques for drawing from life for quick studies and fully developed works

Issue 116, Page 50

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Life in the Landscape

Qasim Bashir feels the spirit of the landscape and creates a story through his paintings

Issue 129, Page 76

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Life on the Wild Side

Issue 99, Page 54

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Lifting Each Other Up

Chairman’s Letter

Issue 155, Page 26 Read Article

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Light and Atmosphere

The luminist quality of Ray Ward's landscapes allows for drama, light and atmosphere to take center stage

Issue 137, Page 70

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Light as a Feather

Painting with transparent watercolors, Lorraine Watry captures the weightless characteristics of her avian subjects

Issue 149, Page 104 Read Article Visit Gallery Website

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Light through texture

The energy of texture and contrasting color.

Issue 17, Page 66

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Lightness and Grace

Marie Burke captures the delicate forms of flowers through a wet-on-wet approach

Issue 157, Page 102 Read Article Visit Gallery Website

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Like Being There: Capturing the Unseen

Transferring the feeling of the moment, from the artist to the beholder, is the motivation to paint for Martin Blanchett

Issue 82, Page 98

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Limiting the Color Palette

Over the years, Cara Brown has refined her color palette to create more cohesive paintings.

Issue 124, Page 94

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Linda Gendall

Light and color

Issue 113, Page 78

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Linda Kemp, Sharon Lynn Williams, Tong Luo, Wayne Mondok, Brent Lynch and Marilyn Timms

Issue 40, Page 130

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Linda Kukuk

Inside scratchboard art

Issue 115, Page 114

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