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The focal point dictates the compositions in Nathan Fowkes' artwork
Issue 132, Page 86Applying new business tactics may help magnify your efforts toward increased sales and interest
Issue 95, Page 23Issue 45, Page 66
Discover how a controlled approach yields brilliant, glowing colors that look like they're been lit from within.
Issue 18, Page 54Jenny Aitken advises on how understanding waves, tone and light on water creates a dynamic composition
Issue 120, Page 80Daniel Maidman discusses techniques for drawing from life for quick studies and fully developed works
Issue 116, Page 50Qasim Bashir feels the spirit of the landscape and creates a story through his paintings
Issue 129, Page 76The luminist quality of Ray Ward's landscapes allows for drama, light and atmosphere to take center stage
Issue 137, Page 70
Painting with transparent watercolors, Lorraine Watry captures the weightless characteristics of her avian subjects
Issue 149, Page 104 Read Article Visit Gallery Website
Marie Burke captures the delicate forms of flowers through a wet-on-wet approach
Issue 157, Page 102 Read Article Visit Gallery WebsiteTransferring the feeling of the moment, from the artist to the beholder, is the motivation to paint for Martin Blanchett
Issue 82, Page 98Over the years, Cara Brown has refined her color palette to create more cohesive paintings.
Issue 124, Page 94Issue 40, Page 130

Kristine Rapohina blends wet-on-wet and drybrush techniques to capture the unique surfaces of her botanical subjects
Issue 142, Page 76 Read Article
John Lovett illustrates that anything from a nearby park to your own backyard can be the subject of your next painting
Issue 141, Page 78 Read Article
Harley Brown’s fascinating things no one else will tell you
Issue 145, Page 124 Read ArticleKaren Benco looks for the best view of any scene and works with Mother Nature in "re-designing" what she finds
Issue 91, Page 764 tips for identifying the correct tonal values.
Issue 30, Page 100Ilene Gienger-Stanfield trys to capture what initially attracted her to the subject so that viewers of her paintings can have that same experience.
Issue 74, Page 60This artist found that for her finding a good composition was made easier by adapting the methods and principles of the tonalist painters.
Issue 52, Page 74Vacations are a ceaseless source of inspiration for this ar tist
Issue 51, Page 142How to find the best sales strategy for your prospective buyers
Issue 127, Page 25François Malnati strives to depict still life subjects in unusual and inventive ways
Issue 110, Page 114François Malnati strives to depict still life subjects in unusual and inventive ways
Issue 110, Page 114
Figurative realist Billy Seccombe reflects on how his artwork has been influenced by some of the biggest names in art history
Issue 158, Page 46 Read Article