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' Issue #97
Lindsay Goodwin

Alla Prima Painting with "Shorthand" Colors

Issue 97, Page 106
' Issue #142
Little Details

Kristine Rapohina blends wet-on-wet and drybrush techniques to capture the unique surfaces of her botanical subjects

Issue 142, Page 76 Read Article
' Issue #141
Little Things

John Lovett illustrates that anything from a nearby park to your own backyard can be the subject of your next painting

Issue 141, Page 78 Read Article
' Issue #145
Living the Dream

Harley Brown’s fascinating things no one else will tell you

Issue 145, Page 124 Read Article
' Issue #21
London's Mall Galleries is home to nine leading art organizations

Issue 21, Page 55
' Issue #91
Look for Design in Nature

Karen Benco looks for the best view of any scene and works with Mother Nature in "re-designing" what she finds

Issue 91, Page 76
' Issue #30
Look for dramatic contrasts of light and shade

4 tips for identifying the correct tonal values.

Issue 30, Page 100
' Issue #74
Look for Inspiration First

Ilene Gienger-Stanfield trys to capture what initially attracted her to the subject so that viewers of her paintings can have that same experience.

Issue 74, Page 60
' Issue #52
Look for the patterns

This artist found that for her finding a good composition was made easier by adapting the methods and principles of the tonalist painters.

Issue 52, Page 74
' Issue #51
Look to the good times for inspiration

Vacations are a ceaseless source of inspiration for this ar tist

Issue 51, Page 142
' Issue #127
Looking after Clients

How to find the best sales strategy for your prospective buyers

Issue 127, Page 25
' Issue #110
Looking for Brilliance

François Malnati strives to depict still life subjects in unusual and inventive ways

Issue 110, Page 114
' Issue #110
Looking for Brilliance

François Malnati strives to depict still life subjects in unusual and inventive ways

Issue 110, Page 114
' Issue #158
Looking to the Old Masters

Figurative realist Billy Seccombe reflects on how his artwork has been influenced by some of the biggest names in art history

Issue 158, Page 46 Read Article
' Issue #130
Loose Brushwork

Angela Moulton uses loose, fast and bold brushwork to make dynamic images

Issue 130, Page 68
' Issue #50
Loosen up now!

You'll have more fun creating your art if you stop trying to keep inside the lines.

Issue 50, Page 88
' Issue #94
Loren DiBenedetto

Compose a Natural Setup

Issue 94, Page 100
' Issue #43
Lorena Kloosterboer, Tom Swimm, Ann Self, and Joyce Lazzara

Issue 43, Page 41
' Issue #161
Lori Putnam: Intuitive response

Issue 161, Page 106 Read Article Visit Gallery Website
' Issue #116
Lorn Curry

In the details

Issue 116, Page 78
' Issue #27
Loryn Brazier, Adrian Gottlieb,Rich Nelson, Ernest Norcia

Issue 27, Page 38
' Issue #142
Louis Carr

Intimate Spaces and Youthful Portraits

Issue 142, Page 38 Read Article
' Issue #36
Love and beauty in watercolor

A painting that moves viewers comes from the heart, not from the hands

Issue 36, Page 118
' Issue #148
Luminescence

Mixing her colors directly on the paper, Carrie Waller’s saturated paintings seem to emit their own light

Issue 148, Page 86 Read Article Visit Gallery Website
' Issue #137
Luminous Stillness

Michael Lynn Adams blends beauty and curiosity to create his luminous still life paintings

Issue 137, Page 56
' Issue #147
Magnificent Flora

Through expressive brushwork and vibrant color, Matt Ryder captures the many complexities of flowers

Issue 147, Page 54 Read Article Visit Gallery Website
' Issue #55
Mail Order Book Catalogue

Issue 55, Page 136
' Issue #54
Mail Order Book Catalogue

Issue 54, Page 136
' Issue #58
Mail Order Book Catalogue

Issue 58, Page 136
' Issue #57
Mail Order Book Catalogue

Issue 57, Page 136
' Issue #56
Mail Order Book Catalogue

Issue 56, Page 136
' Issue #66
Maine Stay

A group of 12 artists - ranging from old pros to some of the brightest, emerging stars painting in the realist tradition today - descended on Monhegan Island in an attempt to bring new life and vibrancy to a rich summer tradition.

Issue 66, Page 124
' Issue #94
Maintain Artistic Identity

MaryAnn Bidder stays true to herself as an artist by using a small brush and adding details to her watercolours

Issue 94, Page 108
' Issue #111
Maja Wronska

Drawing with watercolors

Issue 111, Page 92
' Issue #9
Make each stroke a statement

This Belgian-born artist of the world passes on the wisdom earned from his classical training and a lifetime of painting.

Issue 9, Page 104
' Issue #28
Make it personal

Daniel Greene encourages us to diversify and paint those subjects we find most intriguing.

Issue 28, Page 40
' Issue #22
Make the connection with line and form

Exploring some exciting relationships.

Issue 22, Page 42
' Issue #97
Make Your Exhibition a Sellout

Developing a system can lead to consistent sales during gallery exhibitions

Issue 97, Page 18
' Issue #87
Making a change of Style in Your Art

Alex Powers ponders how and why he took the quantum leap of changing his style and how it has altered his art career

Issue 87, Page 76
' Issue #96
Making a Painting Work

As Christopher Pierce progresses through a painting he realizes new ideas and allows the piece to take its own course

Issue 96, Page 66
' Issue #125
Making a Plan

Before making the first mark, colored pencil artist Tanja Gant makes notes about her composition, colors and more

Issue 125, Page 112
' Issue #151
Making a Rough Plan

John Lovett demonstrates the importance of studying your environment before starting a painting

Issue 151, Page 94 Read Article Visit Gallery Website
' Issue #102
Making an Artistic Statement

Richard Long explains the role of energy in artistic expression

Issue 102, Page 88
' Issue #126
Making an Impact

Virginia Blackstock focuses on powerful designs that show the effect of lights and shadows

Issue 126, Page 96
' Issue #37
Making art the Italian way

Slow down, enjoy the creation process and make fulfilling connections through your art

Issue 37, Page 96
' Issue #103
Making Colors Pop

Watercolorist Joyce K. Jensen shares her methods for painting brightly colored compositions.

Issue 103, Page 108
' Issue #45
Making do

How to travel light, really light!

Issue 45, Page 98
' Issue #136
Making Goals

Each composition Sue Miller paints has specific technical goals to enhance the overall vision

Issue 136, Page 74
' Issue #5
Making lines talk

Fundamental to this artist's work is his passion for drawing.

Issue 5, Page 100
' Issue #41
Making marks

Favorite drawing tools, watercolor brushes and the marks they make.

Issue 41, Page 130