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' Issue #76
Invigorating the Use of a Favoured Medium

On returning to watercolour, Martin Taylor has experimented with developing a transformational new style.

Issue 76, Page 102
' Issue #40
Invitation to a mystery

Intense yet harmonious colors and extreme value contrasts, draw your eye into the secret beauty of Jerusalem.

Issue 40, Page 60
' Issue #17
Inviting the muses in

What to do when your creative tank is empty.

Issue 17, Page 28
' Issue #160
Inward Reflections

Ruben Astudillo on Art, Identity and the Power of Self-Portraits

Issue 160, Page 24 Read Article
' Issue #14
Ireland

Patrick Cahill, Thomas Ryan, Patricia Jorgensen, Nancy Larchet, Pauline Doyle, George Oakley, Terence O'Connell

Issue 14, Page 102
' Issue #86
Irresistible Mix of Elements

Heidi Willis sifted through her mind's flip file of images to revisit one that just begged to be painted

Issue 86, Page 98
' Issue #81
Is Corporate Sponsorship for You?

Issue 81, Page 135
' Issue #4
Is drawing dead?

Certain issues have the power to generate intense feeling. This is one of them.

Issue 4, Page 22
' Issue #78
Is it Oil or is it Watercolor?

Susan Harrison-Tustain pushes watercolor beyond preconceived limitations

Issue 78, Page 110
' Issue #80
Is Passion Enough?

Issue 80, Page 40
' Issue #16
Is success all it's cracked up to be?

Issue 16, Page 138
' Issue #32
Is the business of art, Art?Is Art, Business? And, whose business is it anyway?

Part 7: The need to paint versus the need to sell.

Issue 32, Page 156
' Issue #65
Is Your Support Letting You Down?

In Part Six of his series, Master Artist Daniel Greene alerts us to the problems some supports introduce into the painting process and tells us which ones work best

Issue 65, Page 34
' Issue #13
Isn't it time to rethink the exhibition scenario?

Why gallery owners and artists should put on their thinking caps.

Issue 13, Page 119
' Issue #9
Istanbul Art Fair

Gokhan Anlagan, Toto Bonnano, Birol Kutadgu, Yilmaz Merzifonlu, Mehmet Guler, Firdavsi Feyzullah

Issue 9, Page 74
' Issue #40
It all starts with the light

For the observant artist there's a good chance that where there's light there's inspiration.

Issue 40, Page 112
' Issue #53
It's a question of values and a matter of set-up

This artist shows how to use watercolor to paint realism and shares some still life composition secrets that help achieve the desired result.

Issue 53, Page 86
' Issue #35
It's all about atmosphere

The ambience of rural China.

Issue 35, Page 44
' Issue #76
It's All About The Materials

Michael Sass recommends you get to know your materials better, if you want the best results.

Issue 76, Page 110
' Issue #126
It's All in the Preparation

Meticulous planning allows Ginny Page to paint cohesive and dynamic compositions

Issue 126, Page 66
' Issue #67
It's Never Too Late To Start Painting

After enjoying many pursuits Lesley Lambert finally opted for oil painting

Issue 67, Page 58
' Issue #152
It’s About Us

Harley Brown’s fascinating things no one else will tell you

Issue 152, Page 122 Read Article
' Issue #8
Italian Watercolour Journal

Painting on location gives you a chance to practice and play, to learn and experiment.

Issue 8, Page 34
' Issue #4
Italy

Alberto Abate, Silvano D'Ambrosia, Ubaldo Bartolini, Francesca Bonanni, Sergio Ceccotti, Franco De Courten, Paulo Florentino, Mayo K. Molero, Lithian Ricci, Titio Rossini, Federico Vescovo

Issue 4, Page 96
' Issue #9
Italy

Tiziano Bonanni, Sabrina Taddei, Sara Sommazzi, Giuliano Paladini, Daniela Pacini, Clara Polvani, Luca Viviani, Franco Magari

Issue 9, Page 68
' Issue #156
Iterative Painting

In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists

Issue 156, Page 116 Read Article Visit Gallery Website
' Issue #38
Jack Pardue, Nancy Slaght, Sandra Nicholl, Nicholas Sacripante, Robert Dutton, Jonathan Taylor, Kyle Thomson, Robert Beaulieu, Tim Daniels, P.O. Douslin, Ellen Dreibelbis and Guylaine Jacques

Issue 38, Page 112
' Issue #113
Jacqui Grantford

Portraying an essence

Issue 113, Page 94
' Issue #69
James Gurney Masterclass Part 1

James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals some of the traditional methods used by artists since the Renaissance

Issue 69, Page 78
' Issue #77
James Gurney Masterclass Part 1 Atmospheric Effects - Sky Blue

James Gurney, the author, artist, and illustrator of the #1 bestselling art instruction books Imaginative Realism and Color and Light reveals useful insights about atmospheric effects.

Issue 77, Page 80
' Issue #76
James Gurney Masterclass Part 10 Direct Painting Methods

James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals new insights from the science of visual perception.

Issue 76, Page 56
' Issue #86
James Gurney Masterclass Part 10 Top Tips

James Gurney, artist and author of best-selling art instruction book Color and Light, wraps up his series with some useful tips

Issue 86, Page 54
' Issue #70
James Gurney Masterclass Part 2

James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals some of the traditional methods used by artists since the Renaissance

Issue 70, Page 60
' Issue #78
James Gurney Masterclass Part 2 Atmospheric Effects - Atmospheric Perspective

James Gurney, the author, artist, and illustrator of the #1 bestselling art instruction books Imaginative Realism and Color and Light reveals useful insights about atmospheric effects.

Issue 78, Page 58
' Issue #71
James Gurney Masterclass Part 3 & 4

James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals some of the traditional methods used by artists since the Renaissance

Issue 71, Page 46
' Issue #79
James Gurney Masterclass PART 3 Atmospheric Effects - Reverse Atmospheric Perspective

James Gurney, the author, artist and illustrator of the #1 bestselling art instruction books Imaginative Realism and Color and Light reveals useful insights about atmospheric effects.

Issue 79, Page 56
' Issue #80
James Gurney Masterclass PART 4 Atmospheric Effects - Sunsets

James Gurney, the author, artist, and illustrator of the #1 bestselling art instruction books Imaginative Realism and Color and Light reveals useful insights about atmospheric effects.

Issue 80, Page 56
' Issue #81
James Gurney Masterclass Part 5 Trees and Foliage

James Gurney, the author, artist, and illustrator of the #1 bestselling art instruction books Imaginative Realism and Color and Light reveals useful insights about painting vegetation.

Issue 81, Page 52
' Issue #82
James Gurney Masterclass Part 6 Sunbeams, Shadowbeams & Dappled Light

James Gurney, the author, artist, and illustrator of the #1 bestselling art instruction books Imaginative Realism and Color and Light reveals useful insights about painting light.

Issue 82, Page 54
' Issue #83
James Gurney Masterclass Part 7 Cloud Shadows

James Gurney, the author, artist, and illustrator of the #1 best selling art instruction books Imaginative Realism and Color and Light reveals useful insights about painting light.

Issue 83, Page 50
' Issue #74
James Gurney Masterclass Part 8

James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals new insights from the science of visual perception.

Issue 74, Page 56
' Issue #84
James Gurney Masterclass Part 8 Water

James Gurney, the author, artist, and illustrator of the #1 best selling art instruction books Imaginative Realism and Color and Light reveals useful insights about painting water

Issue 84, Page 48
' Issue #85
James Gurney Masterclass Part 9 Serial Painting

James Gurney, the author, artist, and illustrator of the #1 best selling art instruction books Imaginative Realism and Color and Light reveals useful insights about painting water

Issue 85, Page 88
' Issue #75
James Gurney Masterclass Part 9 step-by-step: Old Conductor

James Gurney, the multi-talented author, artist and illustrator of the world famous Dinotopia series of books and television programs reveals new insights from the science of visual perception.

Issue 75, Page 80
' Issue #115
James Neil Hollingsworth

Photographic Reference

Issue 115, Page 62
' Issue #70
Jamie Lee McMahan Demonstrates

Issue 70, Page 36
' Issue #41
Jamie McMahan's leap of faith

Encouragement for all those people who dream of giving up their successful careers to become full-time artists.

Issue 41, Page 33
' Issue #13
Japan

Kazuo Hamasaki, Motoko Baum, Housetsu Ohtsuka, Sadakatsu Norita, Zenkai Matsuzaki, Hideko Fujimori

Issue 13, Page 136
' Issue #26
Jason Bouldin: learning by osmosis

Issue 26, Page 32
' Issue #152
Jaye Ouellette: The architecture of water

Issue 152, Page 80 Read Article